17 December 2013 5:00 AM, PST | Variety - Film News | See recent Variety - Film News news »

With his sexually explicit, four-hour magnum opus, “Nymphomaniac,” world cinema’s enfant terrible Lars von Trier re-emerges as its dirty-old-man terrible, delivering a dense, career-encompassing work designed to shock, provoke and ultimately enlighten a public he considers altogether too prudish. Racy subject aside, the film provides a good-humored yet serious-minded look at sexual self-liberation, thick with references to art, music, religion and literature, even as it pushes the envelope with footage of acts previously relegated to the sphere of pornography. Even so, in this cut of “Nymphomaniac,” the only arousal von Trier intends is of the intellectual variety, making this philosophically rigorous picture — which opens abroad on Dec. 25 and domestically in two parts, on March 21 and April 18 — a better fit for cinephiles than the raincoat crowd.

As an onscreen disclaimer makes clear from the outset, “This film is an abridged and censored version” of von Trier’s bigger, longer and uncut edit, »


- Peter Debruge

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