21 November 2013 4:06 PM, PST | The Guardian - Film News | See recent The Guardian - Film News news »

Blue Is the Warmest Colour, the award-winning French film, is already notorious for its fisticuffs between stars and director. It's the latest in an unhappy tradition of histrionics and control-freakery. Here are some vintage feuds

Directors and actors being what they are, they like a good argument. On one side are obsessive perfectionists, on the other self-involved exhibitionists – or so the theory goes. It's often proved a combustible mix in the past, with what is euphemistically termed "creative tension" often adding to the dynamic of the final film.

The media, obviously, is the silent third partner in all this; though you, the reader, ought to be equally ashamed, gleefully drinking in all the foul-mouthed resentment and high-decibel score-settling. You don't have to look far: actors Léa Seydoux and Adèle Exarchopolous turned on Blue Is the Warmest Colour director Abdellatif Kechiche, accusing him of traumatising them during the extended periods shooting sex and fight scenes. »

- Andrew Pulver

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