Written by Daniel Fuchs
Directed by Steve Sekely
It can be quite strange how an original idea conjured up at the outset of a new project can go awry. A clever concept is one thing, but building a cohesive, interesting story around it is a much taller challenge. A good, imaginative story, when mishandled by creative team members not on the same page, can sour very quickly, the fate nearly suffered by the 1948 noir The Scar, also known as Hollow Triumph in the United Kingdom upon its theatrical release.
John Muller (Paul Henreid), a brilliant man who studied psychology and all ailments afflicting the mind, has been released from prison after serving a term for practicing without a license with a job opportunity at a medical supplies company. From the moment he walks out of the prison’s walls, John concocts a heist that will land himself