Above: Le joli mai (1963).
Around about June every year, for several days, a large documentary festival spreads across a cluster of venues in the centre of Sheffield, engulfing the city's main arthouse, The Showroom, and several local theatres, odeons, libraries, and small pubs. The people of Sheffield were affable, generally. Street vendors set-up outside the screening rooms, so there'd regularly be smoke in the air. There was an outdoor screen on Howard Street—at the foot of a grassy hill and against the muraled wall of a pub we saw Ben Rivers' Two Years at Sea (2012) and Wim Wenders' Pina (2011)—and another in the underbelly of a grand, art deco library, where I bummed tickets to see Martha Shane and Lana Wilson's After Tiller (a producer for the film took pity, since I had not booked in advance).
So perhaps it's hardly surprising that the festival itself »
- Christopher Small
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