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As producer of Alan Bleasdale's The Black Stuff, I was immensely impressed by Jim Goddard's direction. Although it was transmitted as a BBC Play for Today, it was in fact a feature-length film. I recall Jim working in west London with the team of actors led by Bernard Hill playing Yosser Hughes, walking back and forth in a rehearsal room, to measure out a long tracking shot which was to be filmed on the roads of the north-east. With the actors in mind, Jim took full advantage by combining old-style television rehearsal with the economic need to keep the film camera turning.

This valuable preparation gave the team of actors the freedom of spirit which subsequently Michael Wearing and Philip Saville inherited when producing and directing, with newly introduced lightweight cameras, Bleasdale's compelling series The Boys from the Blackstuff.

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