19 March 2013 12:51 PM, PDT | The Playlist | See recent The Playlist news »

Anti-establishment to the core and arguably one of the original enfante terrible filmmakers, Luis Bunuel had three preoccupations, no, obsessions that he charted for his entire career: religion, class and sexual desire. Labeled a surrealist early on his career due to "Un Chien Andalou," his famous collaboration with Salvador Dali (responsible for one of cinema's most famous images, of a razor blade slicing an eyeball, and made when the filmmaker was just 29) it would be extremely pat to reduce Bunuel's long and eclectic career to that idiosyncratic work. A blasphemous heretic to the church, several of Bunuel's films were flagrant censures of religion and the Catholic church, which saw him fleeing Spain more than once during his career.  But, as we said, religion was hardly his only preoccupation. A diabolical provocateur, Bunuel was an incorrigible scourge of hypocrites, authority and the bourgeoise, even while he continued to operate within the system. »

- The Playlist Staff

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Luis Buñuel
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