Since I essentially dedicated my last dispatch to despair, I feel this one should be to tenderness.
Above: Kira Muratova's Brief Encounters (left) and Long Farewells (right).
Tender, like the night, are the first two feature films by Ukrainian auteur Kira Muratova, subject of a large retrospective here in Rotterdam. Brief Encounters (1967) and Long Farewells (1971) form a immanently sensitive, dreamy diptych about being two rather than one. Muratova's first feature stars the director herself as an energy-filled, can-do successful Soviet bureaucrat living in the city, and who is counterposed by a young girl from the country who comes to work for her as a maid. They both dream of their own beloved men—who turns out to be but one man, the same man, a surveyor “looking for silver,” shared between the two of them, for Muratova when he is in the city and for the younger girl when »
- Daniel Kasman
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