The first scene of "jOBS" plays like an Apple commercial. Set in 2001 at an Apple town hall meeting, the introductory sequence finds company visionary Steve Jobs
) addressing staffers by revealing the first edition of the iPod. With John Debney
's symphonic score emboldening Jobs' optimistic delivery, the man describes the iPod as "a tool for the heart" and the room applauds. The lack of irony borders on the creepy. From there, 'jOBS' relates the three decades leading up to that triumphant moment, revealing the ups and downs of Jobs' career trajectory with a less rosy perspective. The tone, however, remains oddly consistent: Jobs may barrel forward at the expense of nearly everyone around him, but even while portraying Jobs' ruthless streak, director Joshua Michael Stern
maintains a worshipful perspective of his famous subject. The movie is constantly at war with attempts to provide an honest portrayal, almost as if its.