24 January 2013 10:00 AM, PST | FilmSchoolRejects.com | See recent FilmSchoolRejects news »

I applauded composer Fernando Velázquez last year for his score for The Impossible, a film wrought with drama in which Velázquez wisely kept his music to the background rather than trying to influence the raw emotions on screen. But Velázquez’s latest project has audiences hearing a very different side of the composer – one of suspense and intrigue with his score for the Guillermo del Toro-produced Mama. Velázquez switches modes here, wasting little time bringing audiences into what del Toro described as a “fairytale gone wrong” with the first track, “The Car and the Radio” quickly putting you on the edge of your seat. Unlike his score for The Impossible, which drew audiences into the film slowly, Velázquez is at full tilt here, utilizing a full orchestra (and some ominous choral elements) which become a part of this world rather than simply keeping to the background of it. It is not surprising that dramatic and horror »

- Allison Loring

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Guillermo del Toro
The Impossible (2012)
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