22 January 2013 8:58 AM, PST | Thompson on Hollywood | See recent Thompson on Hollywood news »

Critics don't mind feeling stumped when it comes to Shane Carruth's gorgeous, enigmatic Sundance entry "Upstream Color." While the film is largely receiving praise, reviews are quick to point out that the narrative, nominally about a young man and woman "consumed by a higher force," will raise plenty of questions "about what the hell is going on." Review highlights below. The Hollywood Reporter: The long-awaited second film from Shane Carruth, whose microbudgeted time-travel sci-fier Primer won the 2004 Sundance Grand Jury Prize and a subsequent cult following, pursues a similar but cinematically more complex line of combining exceptional technique with a deliberately obscure narrative and meaning. With much information purposely withheld and no dialogue during the film’s final third, this densely exploratory work will cue both elation for its many beauties and deep-furrowed brows about what the hell is going on. In other words, »


- Beth Hanna

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Shane Carruth
Upstream Color (2013)
Primer (2004)


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