28 December 2012 10:00 AM, PST | The Playlist | See recent The Playlist news »

It’s strange to think that it’s taken so many years for Quentin Tarantino to make a spaghetti western. Tarantino did previously describe “Inglorious Basterds,” the title of which comes from Enzo G. Castellari’s passable rip-off of “The Dirty Dozen,” as “my spaghetti western with World War II iconography” and "Kill Bill 2" has some brief homage-like nods. But “Django Unchained” is the first pastiche, defined as a work of fiction that appropriates elements of other genres for the sake of creating something new, that Tarantino’s done that’s primarily made of spaghetti western tropes. So when Franco Nero, the star of the hyper-violent original “Django” and many others, shows up in “Unchained,” it’s not just a smug wink to the audience: it’s Tarantino’s way of acknowledging the tradition of appropriation and exploitation that his movies come from. More »

- Simon Abrams

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