How Hollywood Melodrama Was Reborn with a Masculine Twist

Twelve years ago, the western and the musical, two genres that were incredibly successful during Hollywood’s heyday, had been considered long dead with no hopes of a revival on the horizon. After all, why would either of these genres make a comeback? The western is a remnant of a sense of American cultural imperialism and pre-Howard Zinn history-writing long past, and the film musical requires such an astounding degree of suspension of disbelief that audiences who seek special effects that blur distinctions between the fabricated and the real simply aren’t willing to engage it. But lo and behold, on December 25th, 2012 (always a day for big movies), a western (Django Unchained) and a musical (Les Miserables) will be launched into wide release on the heels of outstanding buzz (sure, Tarantino’s film is a revisionist western, but since revisionist westerns have been around for nearly fifty years, let
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