Short films are the loose change in the treasury of world cinema usually dismissed in favor of feature films, an over-valued currency not infrequently resulting into toxic assets. The cheap label slapped on shorts unjustly omits their pivotal role in a film industry that needs them but ignores them. It is common knowledge that in 90% of cases the calling card for new directors comes in the short format, yet it would not come as natural to name the title of a short film made by an established filmmaker.
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Confined to the extra features of DVD reissues, programme fillers at major film festivals, sidebar curiosities for bored cinephiles, shorts lack in visibility because they are not as profitable as their longer brothers. Even imagination has its monetary value, and stock exchange…
Shorts nonetheless possess intrinsic values: they have a snapshot quality and are able to focus intensely on a single subject.