My DVD of Just Like a Woman (1967), pre-ordered months earlier and delayed because it was in the same order as The Devils (1971), arrived two days after its director, Robert Fuest, died. Come to think of it, I think Ken Russell was still alive when I ordered The Devils. An obituary double feature.
Above: Career best performance. Career worst hair.
I was very keen to see Just Like a Woman, Fuest’s first feature, even though I wasn’t expecting it to be particularly good. I had an idea it was a swinging London sex comedy, not the kind of material he was associated with. For that, you’d have to look at his art-deco grand guignol comedies The Abominable Dr. Phibes (1971) and its sequel from the following year, Dr. Phibes Rises Again, and also at his pop-art masterpiece, The Final Programme (1973). Michael Moorcock, original author of the novel that one derived from, »
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