22 February 2012 6:34 AM, PST | MUBI | See recent MUBI news »
Above: Ozualdo Ribeiro Candeias’ A margem (The Margin, 1967).
"I will never transmit sanitised ideas, eloquent discourses or plastic images before the garbage (…) Crushed and exploited, the colonized can only invent their own form of suffocation: the scream of protest comes from an abortive ‘mise en scene’ (…) I’ll continue to make an underdeveloped cinema by condition and vocation, barbarian and ours, anticulturalist (…)" —Rogério Sganzerla, The Aesthetics of Garbage
Not even garbage escapes retrospective respectability; what was once reviled by snobby film buffs has now become their new gospel. Subcultural capital (that which is “hip” and “illicit”) is usually outsourced from our business enemies (China, Iran, etc.) or from forgotten episodes of film history. One wonders what will the subject of a retrospective be in 30 or 40 years when the whole globe will have been converted to consumer fundamentalism. Now that our visual economy is funded on total exposure and immediate consumption, »
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