27 January 2012 6:00 AM, PST | Indiewire | See recent Indiewire news »

The term "crowdpleaser" usually applies to movies with commercial potential; at this year's Sundance Film Festival, some of the most appealing films seem to be ones that only pleased those bold enough to stick around. When the walkouts began at during Thursday's screening of Rick Alverson's U.S. competition selection "The Comedy," the movie sprang to life. The title is a clever bit of false advertising: There's little conventionally funny about "The Comedy," but its status as a provocation is a grand joke. Director Alverson ("New Jerusalem") has made a one-of-a-kind portrait of pathologically insecure and overpriviledged hipsters, crafting the finest awkward-bizarre character study since Ronald Bronstein's "Frownland." The first brilliant maneuver is its casting of Tim Heidecker as the supremely unlikable lead. Best known as one half of the irreverent comedy duo from "Tim and Eric's Awesome Show, Great »


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The Comedy (2012)
Rick Alverson
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