21 December 2011 2:11 PM, PST | MUBI | See recent MUBI news »
Bulle Ogier and Jacques Rivette on the set of L'Amour fou
Photo by Pierre Zucca
In the last issue of Senses of Cinema, Daniel Fairfax reviewed Douglas Morrey and Alison Smith's Jacques Rivette, and now, for Issue 61, Mary Wiles has allowed the editors to choose a chapter from her forthcoming Jacques Rivette. Rolando Caputo's decided to go with the one on L'amour fou (1969) for a number of reasons, but primarily because "the film seems the point of historical conjunction between the end of one wave and the coming of a second wave of filmmakers that washed up in its undertow. At a stretch, one can see the shadow of this film on the cinema of Jean Eustache, Maurice Pialat, Philippe Garrel and others. L'amour fou is a great and wondrous film." And he's running Rivette's 1950 essay "We Are Not Innocent Anymore" as well.
Also in this issue: Marko Bauer, »
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