20 October 2011 4:06 PM, PDT | The Guardian - Film News | See recent The Guardian - Film News news »

It's easy to view the new film Lawrence of Belgravia as a depressing film about a delusional musician – but better to think of it as an excuse to celebrate Lawrence himself

In 1986, Lawrence, the mononamed frontman of Felt, recruited a new bass player. Phil King (later of Lush) was chosen not merely for his musicianship or his ability to fit in with the enigmatic indie band, but for his hair, seemingly always a deciding factor when Lawrence hired or fired musicians: an early drummer had been booted out because his was too curly, a previous bassist had got the gig because his was "lovely and thick". There was excitement around Felt at the time. Everyone seemed to think their forthcoming album, Forever Breathes the Lonely Word, was magnificent. There was talk of an NME cover. The West Midlands meeting between King and Lawrence, however, somehow didn't suggest a gleaming future. »

- Alexis Petridis

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