19 October 2011 7:16 AM, PDT | Filmmaker Magazine - Blog | See recent Filmmaker Magazine news »

In The New Biographical Dictionary of Film, published in 2003, critic and film historian David Thomson ends his favorable entry on Finnish filmmaker Aki Kaurismäki by noting that the Helsinki-based auteur might gain some edge if “his sardonic eye turned to politics.” It’s hard to imagine what a political film by Kaurismäki might look like, given how masterfully he has balanced deadpan humor and dour heartbreak in his wry tales of social estrangement among the working classes; films like The Match Factory Girl and Ariel feel more like poetic, strangely poignant chamber works. But now, at least in spirit, we have one. Kaurismäki’s latest comic fable, Le Havre, which won the Fipresci prize at Cannes in May and is Finland’s official Oscar entry, channels some of Europe’s not-so-welcoming attitudes toward newly arrived immigrants and transforms the conflict into an amiably humanistic fairy tale resonating with goodwill.

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- Damon Smith

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Aki Kaurismäki
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