Skolimowski at work, from the December 1968 issue of Films and Filming,
via chained and perfumed.
Jerzy Skolimowski's comeback as a director after a break of nearly two decades threw many for a loop. The year was 2008, the venue was Cannes and the film was Four Nights with Anna. "Wait, what is this, exactly?" asked Daniel Kasman here in The Notebook. The answer Patrick Z McGavin settled on: "a small but crucial movie," and Skolimowski would follow it up with Essential Killing, which provoked far more resolute reactions, both positive and negative, when it premiered last fall in Venice.
Last month, Deep End (1970) emerged from legal limbo and, restored, it's currently touring the UK and sees a release on DVD in July. Now the full-blown retrospective The Cinema of Jerzy Skolimowski is on at the Museum of the Moving Image in New York through July 3 and, in Los Angeles, Cinefamily »
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