12 December 2008 6:34 AM, PST | ifc.com | See recent IFC news »

By Michael Atkinson

Every now and then, the natural world and the massive self-satisfying erections of man provide filmmakers with ready-made metaphors of massive torque and resonance. Werner Herzog is an expert at locating these visual/thematic El Dorados; Marker, Kiarostami and Ghobadi are current explorers of the paradigm, which necessitates an embrace of documentary reality. (Slavic artists are just beginning to make use out of the ex-Soviet landscape of unfinished and derelict public projects, from decommissioned nuclear power plants to entire cities left abandoned after infrastructure support dried up.) But Jia Zhang-ke is the filmmaker bringing new life and commitment to the idea of finding universalized meanings in real-life monstrosities. Jia's "Platform" used its traveling theater troupe as a stand-in for the average citizen watching Chinese history pass chaotically before them, but it was with "The World" that Jia discovered the surreal significances that emanated organically from the titular, »

- Michael Atkinson

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