Universal Moves ‘Doctor Dolittle’ Up to April 2019 to Avoid ‘Star Wars IX’
Universal Pictures has moved up its untitled “Doctor Dolittle” pic from May 24, 2019 to Apr. 12, 2019. The move is likely being made to avoid “Star Wars: Episode IX”, which Disney recently announced would also be opening that weekend.
The film will be produced by Joe Roth and Jeff Kirschenbaum under their Roth/Kirschenbaum Films (“Alice in Wonderland,” “Maleficent”), along with Susan Downey (“Sherlock Holmes” films, “The Judge”) for Team Downey. Gaghan wrote the most recent draft of the screenplay from an earlier draft by Tom Shepherd.
The project is based on the 1920s tales by Hugh Lofting, following a peculiar doctor who can speak with animals, shunning human patients in favor of the critters. »
- Justin Kroll
‘The Mummy’ Star Sofia Boutella in Talks to Join Jodie Foster for ‘Hotel Artemis’ (Exclusive)
Simon and Stephen Cornwell are producing for The Ink Factory, which will also finance. Pearce, whose writing credits include “Iron Man 3” and “Mission Impossible: Rogue Nation,” will direct from his own script. The logline is under wraps.
The project is expected to launch international sales next month at the Cannes Film Festival.
- Justin Kroll
Box Office: ‘Guardians of the Galaxy Vol. 2’ Hits $22 Million Internationally
“Guardians of the Galaxy Vol. 2” has blasted to $22.3 million at 29 international markets, a week ahead of its U.S. launch.
Australia is leading the way with $6.2 million, followed by France with $2.7 million and Italy with $2 million.
Germany generated a $1.5 million opening day on Thursday, the second-highest debut day of 2017 behind only “The Fate of the Furious.” Brazil opened with $1.2 million — nearly double the launch of 2014’s “Guardians of the Galaxy,” which also bowed on a Thursday.
Box Office: ‘Guardians of the Galaxy Vol. 2’ Blasts Off Overseas
Taiwan opened with $600,000 and a 62% market share. Netherlands launched with $500,000, the highest opening day of 2017 to date and the second-highest Marvel debut day ever, behind only “Captain America: Civil War.”
Disney-Marvel’s “Guardians of the Galaxy Vol. 2 »
- Dave McNary
‘Fate of the Furious’ Pirated 2.1 Million Times in First Week After Theatrical Debut
Universal’s “The Fate of the Furious” is burning rubber on piracy networks, after the car-racing actioner crashed through box-office records since its theatrical premiere two weeks ago.
The pirated copies currently in circulation on file-sharing networks are all illegal camcords shot in cinemas, apparently originating from India, according to piracy-analytics firm Tecxipio.
“Fate of the Furious,” which bowed April 14 in the U.S., was illegally shared 2.1 million times worldwide in the following seven days, Tecxipio data shows. That makes it the most-pirated film for that week — however, the movie was well off the pace of its immediate predecessor, “Furious 7,” which was pirated by 4.74 million users over a comparable seven-day span in April 2015. Another data point: Universal’s “Jurassic World” had 3.1 million illegal shares in the first seven days after hitting pirate nets.
Why Vin Diesel and the ‘Fast and the Furious’ Franchise Should Eye the Exit Ramp »
- Todd Spangler
India Box Office: Will 'Baahubali 2' Set Records?
28 April 2017 12:30 AM, PDT | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »
India is bracing for what could be a historic weekend at the box office when Baahubali: The Conclusion opens wide this Friday.
Living up to its name, the first installment of Baahubali (which means "the one with strong arms"), is estimated to have reached a muscular $100 million worldwide when it was released in 2015. While India does not report box-office numbers, Baahubali: The Beginning brought in about $77 million in the country, according to estimates, and is considered among the top three grossers of all time.
In North America, the first film had "a monster opening," New »
- Nyay Bhushan
Dionne Warwick Movie in Works With Mister Smith Selling at Cannes
A documentary feature film about singer Dionne Warwick, “Don’t Make Me Over,” is in the works, which will provide a “glimpse into the life of one of the most famous, yet notoriously private, superstars of the last 60 years,” according to a statement. David Garrett’s Mister Smith Entertainment will launch sales on the film and present select footage to international buyers at next month’s Cannes Market.
The film, co-directed and co-produced by Dave Wooley and David Heilbroner, and written by Wooley, “brings to life the real Dionne Warwick, an African-American woman who broke racial and gender barriers, a dedicated humanitarian fighting injustice worldwide, and a singer whose music became the soundtrack for generations.”
Directors of photography are Oscar nominee Tom Bergmann (“Life, Animated”) and Academy Award winner Ronan Killeen (“O.J. Made in America”). The film is being edited by Emmy Award winner Aljernon Tunsil (“Through the Fire: »
- Leo Barraclough
‘How to Be a Latin Lover’ Edges Tom Hanks’ ‘The Circle’ at Thursday Box Office
“Latin Lover” grossed $450,000 at 925 U.S. locations, while “Circle” took in $430,000.
Both new movies are expected to trail “The Fate of the Furious” this weekend, which should land in the $15 million to $20 million range during Friday-Sunday. The eighth film in Universal’s “The Fast and the Furious” franchise has topped $171 million domestically in its first 13 days.
“The Circle,” from STX and EuropaCorp, opens at 3,163 venues, and is projected to reel in between $10 million and $15 million. The movie, which premiered on Wednesday at the Tribeca Film Festival, has a relatively thrifty $18 million budget.
- Dave McNary
James Gunn Says a Fourth ‘Guardians of the Galaxy’ Would Follow a Different Group
Before “Guardians of the Galaxy Vol. 2” has even hit theaters, a third movie in the franchise was announced with the same lead characters. But if a fourth installment winds up getting made, director James Gunn said it would be completely different than the prior three movies. “I think the first three movies tell a single story and that story is pretty simple,” Gunn told the Toronto Sun. “I think that there could be a ‘Guardians Vol. 4,’ but it would not be the same. It would not be the same group… Basically the story of this group ends with »
- Beatrice Verhoeven
Cheech Marin Joins Robert De Niro in ‘War With Grandpa’ (Exclusive)
The Robert De Niro comedy “War With Grandpa” has added Cheech Marin to the cast, TheWrap has learned exclusively. Tim Hill is set to direct the adaptation of Robert Kimmel Smith’s 1984 novel, which follows a young boy who loves his grandpa Ed (De Niro). But when his grandfather’s wife dies, he has to move in with his grandson and takes his room — much to the youngster’s dismay, who plots a series of pranks to drive him out. “War With Grandpa” is a TWC-Dimension release. Also Read: Cheech Marin Challenges Anderson Cooper to a 'Jeopardy' Rematch: 'I Owned His A-' (Exclusive Video) Marin. »
- Linda Ge
Universal Dates Robert Zemeckis-Helmed Steve Carell Pic for November 2018
The project had been going by the running title “Marwencol,” and is based on the true story of a man who — after being brutally attacked — finds a unique and beautiful therapeutic outlet to help him through his recovery process.
Zemeckis will direct, with Caroline Thompson working with him to pen the script.
Steve Starkey and Jack Rapke of Zemeckis’ Universal-based ImageMovers banner will produce alongside the director. It will be executive produced by Jeff Malmberg, who directed the 2010 documentary upon which this film is based, and Jackie Levine.
The actor has also lent his voice to Universal Picture/Illumination Entertainment’s “Despicable Me” franchise, playing Gru.
Related storiesSteve Carell's Drama ' »
- Justin Kroll
‘Logan’ Gets B&W Release in Theaters
Following its box office success earlier this year, Fox has decided to release a black and white version of “Logan” in theaters on May 16 for a limited run.
Director James Mangold tweeted the news telling fans who wanted to see that version to “not make any plans on the evening of May 16.”
Suggestion. Hard core B&W loving Logan fans should not make any plans on the evening of May 16th.
— Mangold (@mang0ld) April 28, 2017
The director answered questions on Twitter telling fans it would only be in domestic theaters and explaining “To make a great B&W version of a film, the whole thing’s gotta be regraded & timed shot by shot.”
Mangold said earlier he was inspired to make a black and white version after he posted some monochrome photos from the set on Instagram and got a strong positive reaction from fans.
“It caused such an extreme reaction, »
- Justin Kroll
French film industry bemused by Netflix Cannes announcement
Netflix statement said it was “exploring theatrical distribution” for their Cannes Competition titles.
The French film industry has reacted with bemusement, and scepticism in many quarters, to Netflix’s announcement this week that it is mulling a limited theatrical release in France for Okja [pictured, top] and The Meyerowitz Stories, its first ever titles to make it into Official Selection in Cannes.
The inclusion of Korean filmmaker Bong Joon-Ho’s Netflix-backed action adventure Okja and the streaming giant’s recent acquisition The Meyerowitz Stories (New and Selected) in the main competition at Cannes has drawn the ire of French exhibitors and also reignited a long-running debate about France’s strict media chronology laws.
First English trailer for Philippe Garrel’s Cannes title ‘Lover For A Day’
In a statement put out on Wednesday, the company said it was “exploring theatrical distribution” for the two films in France “for a limited theatrical run, day and date »
Bruce Springsteen and Tom Hanks Reflect on ‘Philadelphia,’ Jonathan Demme at Tribeca Film Festival
Bruce Springsteen and Tom Hanks were the main event at the Tribeca Film Festival on Friday night (April 28), taking the stage at New York’s Beacon Theater for an hour-long discussion about writing, performing, directing, and even mourning. “The strongest union of our two names is from the motion picture ‘Philadelphia,'” said Hanks, who won an Academy Award for his leading role in the film about being afflicted with AIDS. “God bless [director] Jonathan Demme. We just lost him.” (Demme died earlier in the week at the age of 73, following a long battle with cancer.)
Springsteen also took home an Oscar for the 1993 movie, for Best Original Song. Demme, he shared, first came to asking him to write “more of a rock song.” Said Springsteen: “I tried for a day or so to come up with something, and I didn’t come up with anything. I had some lyrics, and eventually, »
- Michele Amabile Angermiller
7 Things You Don’t Know About ‘Reservoir Dogs,’ As Told by Quentin Tarantino and the Cast
Mr. White, Mr. Orange, Mr. Blonde, Mr. Pink, Mr. Brown: They all reunited for the 25th anniversary retrospective screening of “Reservoir Dogs” at the Tribeca Film Festival April 28. Cast members Harvey Keitel, Tim Roth, Michael Madsen, Steve Buscemi and writer-director-actor Quentin Tarantino all got together to reminisce after the 1992 movie screened to a packed house at the Beacon Theater. Here are seven fun facts they revealed.
1. Tom Waits auditioned.
Tarantino let this tidbit slip as he discussed the casting process. “We had the casting director from ‘L.A. Law,'” the director recalled. “A lot of really wild people came in and read the parts. Tom Waits came in and read. I had Tom Waits read the Madonna speech, just so I could hear Tom Waits say those lines. And actually, other than Harvey, he gave me one of the first profound compliments on the script. No one had ever »
- Gordon Cox
‘Reservoir Dogs’ Reunion: Quentin Tarantino Recalls When He “Knew Making Movies Was Going To Work Out” — Tribeca
Quentin Tarantino took the 25th anniversary Reservoir Dogs roadshow to the Tribeca Film Festival on Friday, bringing along cast members Harvey Keitel, Michael Madsen, Steve Buscemi and Tim Roth. The film played at Sundance in January, returning to the place where it had its world premiere in 1992. Journalist Lynn Hirschberg began the post-screening chat at the Beacon Theater on Manhattan's Upper West Side asking Tarantino to recall the first screening at the festival. "It… »
WGA & AMPTP Talks To Resume On Sunday As Contract Deadline Looms
Updated: Contract talks between the WGA and the Alliance of Motion Picture and Television producers have wrapped for the day, and sources tell Deadline that the sides will return to the table Sunday. We hear that AMPTP negotiators will huddle together tomorrow, Saturday, for a meeting featuring reps for the companies before they head to a full-on negotiation session with the WGA on Sunday. “This thing is going to go to the wire,” says a source close to the talks. With… »
Tom Hanks Rocks Bruce Springsteen, After Saluting Jonathan Demme – Tribeca
The Tribeca Film Festival conversation between Tom Hanks and Bruce Springsteen was planned long in advance but took on an unanticipated poignancy in the timing Friday afternoon, as an overflow crowd jammed the Beacon Theatre on New York’s Upper West Side. Welcoming the crowd, festival producer Paula Weinstein dedicated the event to Jonathan Demme, who died Wednesday at home in the city. “I realized what we really want as a festival is to dedicate today’s talk to the… »
Tribeca Film Review: ‘Whitney. “Can I Be Me”‘
“Whitney. ‘Can I Be Me'” is Nick Broomfield’s documentary about the life and death of Whitney Houston, and it’s the rare Nick Broomfield movie in which the filmmaker isn’t center stage. He co-directed it with Rudi Dolezal, and there isn’t a single scene in which Broomfield, with his puckish, dogged delight in stalking interview subjects, invades a room tailed by a crew member holding a boom mike, thrusting himself into the face of Bobby Brown or Clive Davis or Whitney Houston’s relatives or the maid who cleaned her hotel room the night she died. I’m a fan of Broomfield’s conspiracy-theory music docs (“Biggie & Tupac,” “Kurt & Courtney”), but “Whitney: ‘Can I Be Me'” has no conspiracies to uncover. It just has a story to tell, and it does that incredibly compellingly.
“Can I Be Me” gets us to know Whitney Houston, to feel her »
- Owen Gleiberman
Strike Watch: More WGA Talks on Sunday, SAG-aftra Eyes Mid-May Start for Negotiations
Update, 10:15 p.m. – Negotiators for the Writers Guild of America and major studios are expected to return to the bargaining table Sunday for a rare weekend session as the sides try to head off a strike that could begin as early as May 2.
Negotiators for the companies will meet with executives on Saturday before sitting down Sunday for a bargaining seesion with the WGA.
The contract wrangling is expected to go down to the wire on Monday night when the current contract expires. The Alliance of Motion Picture and Television Producers and WGA have been in talks since Tuesday, but there’s speculation that both sides are watching the clock and holding back on their final moves until Monday.
One source said that as of Friday evening the AMPTP was still awaiting a formal response from the WGA on key points in the talks, including residual rates and script »
- Dave McNary and Cynthia Littleton
‘How To Be A Latin Lover’ Review: Mexico’s Eugenio Derbez Has Star Appeal, But Lame Comedy Throws It All Away
The one thing I can’t stand is to see a decent cast wasted on dopey material, but that is exactly the case with How to Be a Latin Lover, a flat and generally unfunny attempt to expand Mexican superstar Eugenio Derbez’s international appeal. I loved his previous import, 2013’s heartwarming and hilarious hit Instructions Not Included, which, like his latest, was released through the Lionsgate latin subsidiary Pantelion Films. Unfortunately this highly talented comic actor… »
13 articles« Prev | Next »