Musik
Veteran German filmmaker Angela Schanelec latest oeuvre shot in autumn of 2020 – so this is more than ready. Featuring Aliocha Schneider, Miriam Jakob, Agathe Bonitzer and Marisha Triantafyllidou, Musik is a modern-day retelling of the Oedipus myth. Kirill Krasovski produced the film and Schanelec once again works with cinematographer Ivan Marković.
Gist: This tells the story of a boy who grows up with his step-parents in Greece. At the age of 20, he unwittingly murders his father. While serving his sentence, he falls in love and has a child with a woman who works in the prison.…...
Veteran German filmmaker Angela Schanelec latest oeuvre shot in autumn of 2020 – so this is more than ready. Featuring Aliocha Schneider, Miriam Jakob, Agathe Bonitzer and Marisha Triantafyllidou, Musik is a modern-day retelling of the Oedipus myth. Kirill Krasovski produced the film and Schanelec once again works with cinematographer Ivan Marković.
Gist: This tells the story of a boy who grows up with his step-parents in Greece. At the age of 20, he unwittingly murders his father. While serving his sentence, he falls in love and has a child with a woman who works in the prison.…...
- 1/10/2023
- by Eric Lavallée
- IONCINEMA.com
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
The African Desperate (Martine Syms)
Early into Martine Syms’ The African Desperate, Mfa finalist Palace (Diamond Stingily) sits for her last exam in an upstate New York art school tucked deep in the woods. It’s the end of a three-year voyage, the kind of moment that should trigger swaths of pride and relief. But Palace, a Black student in an exceedingly white college, is frustrated, tired, on the verge of a breakdown. Her art has already shown at the Venice Biennale, a feat her all-Caucasian examiners don’t really know how to respond to. Even after they christen her a Master of Fine Arts, the mix of animosity and envy lingers acridly in the room. “There are lots of female artists...
The African Desperate (Martine Syms)
Early into Martine Syms’ The African Desperate, Mfa finalist Palace (Diamond Stingily) sits for her last exam in an upstate New York art school tucked deep in the woods. It’s the end of a three-year voyage, the kind of moment that should trigger swaths of pride and relief. But Palace, a Black student in an exceedingly white college, is frustrated, tired, on the verge of a breakdown. Her art has already shown at the Venice Biennale, a feat her all-Caucasian examiners don’t really know how to respond to. Even after they christen her a Master of Fine Arts, the mix of animosity and envy lingers acridly in the room. “There are lots of female artists...
- 10/21/2022
- by Jordan Raup
- The Film Stage
Note: New to Streaming will be taking a two-week break and will return on May 25. Enjoy the latest picks below, and in the meantime, check out our Cannes 2018 coverage here.
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
The 15:17 to Paris (Clint Eastwood)
Social media discourse around The 15:17 to Paris has already positioned it as the first big cinematic culture war flashpoint of the year. But while liberal thinkpiecers and conservative fans alike will be...
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
The 15:17 to Paris (Clint Eastwood)
Social media discourse around The 15:17 to Paris has already positioned it as the first big cinematic culture war flashpoint of the year. But while liberal thinkpiecers and conservative fans alike will be...
- 5/4/2018
- by Jordan Raup
- The Film Stage
Mubi's retrospective Angela Schanelec: Showing without Telling is playing from April 5 - June 3, 2018. Angela Schanelec's The Dreamed Path (2016), which is receiving an exclusive global online premiere on Mubi, is showing from May 4 - June 3, 2018 as a Special Discovery. Two images separated by a cut in The Dreamed Path.1. “A good viewer of the future will immediately recognize that between shot 24 and 25 Robert de Niro has had pasta for lunch, while between shot 123 and 124 he has clearly had chicken for supper; but this disruption of continuity through excessive culinary attention will make it impossible for him to follow the plot.” (Raul Ruiz, Poetics of Cinema) 2. The straight cut is the most ordinary way for the cinema to move from one scene or event to the next. It’s a simple splice. But since one could conceivably splice anything together with anything, a standard editing grammar developed, one that we all know quite well,...
- 4/5/2018
- MUBI
Since it debuted on the festival circuit last year, we’ve had our eye on The Dreamed Path, Angela Schanelec‘s first solo directing effort since 2010. While it’s still seeking U.S. distribution, if you missed it at Nd/Nf in NYC here last month, it’ll be playing at Locarno in Los Angeles on April 22 and the first trio of teasers have now arrived. From the first few shots, one can glean Robert Bresson’s influence, but it looks to be a wholly original work, something we hope the rest of the country will get to see soon.
“Angela Schanelec’s The Dreamed Path is so beguiling that we, the audience, have to take comfort in pointing out its one clear structural point: it’s split into two halves, each about a different couple in separate time periods,” we said in our review. “Our first is Kenneth (Thorbjörn...
“Angela Schanelec’s The Dreamed Path is so beguiling that we, the audience, have to take comfort in pointing out its one clear structural point: it’s split into two halves, each about a different couple in separate time periods,” we said in our review. “Our first is Kenneth (Thorbjörn...
- 4/3/2017
- by Jordan Raup
- The Film Stage
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