Doomsday. The unstoppable engine of destruction also appears to be the unstoppable antagonist having been a regular in the comics since 1992 and brought to the animated and live-action films. The sheer power on display is catnip and allows DC Comics’ most powerful figure to go mano y mano.
The DC Animated Universe of direct-to-video films has been uneven, usually a result of either poor writing, bad directing, or off-putting character design. That they are now linked, building a shared universe is a small pleasure as the producers mine the comics for stories to adapt and weave into their mythos.
The Death of Superman story has been adapted repeatedly but the latest attempt, now available digitally from Warner Bros Home Entertainment, but this may be the most satisfying version. A large part of the credit has to go to writer Peter J. Tomasi, who brings a tremendous amount of humanity to...
The DC Animated Universe of direct-to-video films has been uneven, usually a result of either poor writing, bad directing, or off-putting character design. That they are now linked, building a shared universe is a small pleasure as the producers mine the comics for stories to adapt and weave into their mythos.
The Death of Superman story has been adapted repeatedly but the latest attempt, now available digitally from Warner Bros Home Entertainment, but this may be the most satisfying version. A large part of the credit has to go to writer Peter J. Tomasi, who brings a tremendous amount of humanity to...
- 8/16/2018
- by Robert Greenberger
- Comicmix.com
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