Exclusive: Curate Management founder Britton Rizzio has promoted TV and film literary manager Courtney Conwell to partner, Deadline has learned.
Rizzio formed Curate in November to provide a hands-on and global approach to representation and saw a coveted roster of clients align with the new venture, one of the few female-owned literary management firms in Hollywood.
“I’m thrilled to be able to elevate Courtney and have always seen her as a leader. She’s forward-thinking, doesn’t settle for status quo, and is a fierce protector of her clients’ voices,” Rizzio tells Deadline. “Curate represents innovative and ground-breaking thinkers, my goal is to build a team of managers and producers who reflect those values.”
Conwell’s roster includes visionary storytellers such as writer/director Emily Carmichael (Jurassic World Dominion), Our Lady J (Pose), Sarah Lampert (Ginny and Georgia), Emma Fletcher (Social Justice Warrior), Corina Maritescu (Joe vs. Carole), Emily Kaczmarek...
Rizzio formed Curate in November to provide a hands-on and global approach to representation and saw a coveted roster of clients align with the new venture, one of the few female-owned literary management firms in Hollywood.
“I’m thrilled to be able to elevate Courtney and have always seen her as a leader. She’s forward-thinking, doesn’t settle for status quo, and is a fierce protector of her clients’ voices,” Rizzio tells Deadline. “Curate represents innovative and ground-breaking thinkers, my goal is to build a team of managers and producers who reflect those values.”
Conwell’s roster includes visionary storytellers such as writer/director Emily Carmichael (Jurassic World Dominion), Our Lady J (Pose), Sarah Lampert (Ginny and Georgia), Emma Fletcher (Social Justice Warrior), Corina Maritescu (Joe vs. Carole), Emily Kaczmarek...
- 3/23/2022
- by Anthony D'Alessandro
- Deadline Film + TV
Although television — and Hollywood in general — has made great strides in recent years when it comes to depictions of female consent and sexual assault, it still seemed rare to see the same conversations being had on screen when it comes to male characters.
This television season feels different.
In the seventh episode of the fourth season of Hulu’s “The Handmaid’s Tale,” Elisabeth Moss’ June — flush with power after seemingly vanquishing her enemy, Yvonne Strahovski’s Serena — awakens her sleeping husband (O-t Fagbenle’s Luke), mounts him and proceeds to have sex with him. After he tells her to wait, she holds down his hands and covers his mouth.
In Netflix’s “Bridgerton,” Phoebe Dynevor’s Daphne is desperate to procreate despite her husband, Simon’s (Regé-Jean Page), wishes and uses her just-gleaned rudimentary knowledge of conception to perform a similar sexual act. Afterward, Simon is so uncomfortable and traumatized...
This television season feels different.
In the seventh episode of the fourth season of Hulu’s “The Handmaid’s Tale,” Elisabeth Moss’ June — flush with power after seemingly vanquishing her enemy, Yvonne Strahovski’s Serena — awakens her sleeping husband (O-t Fagbenle’s Luke), mounts him and proceeds to have sex with him. After he tells her to wait, she holds down his hands and covers his mouth.
In Netflix’s “Bridgerton,” Phoebe Dynevor’s Daphne is desperate to procreate despite her husband, Simon’s (Regé-Jean Page), wishes and uses her just-gleaned rudimentary knowledge of conception to perform a similar sexual act. Afterward, Simon is so uncomfortable and traumatized...
- 5/27/2021
- by Whitney Friedlander
- Variety Film + TV
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