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Who Broke the Blacklist? ‘Trumbo’ Splits the Difference in Battle for Credit

Who Broke the Blacklist? ‘Trumbo’ Splits the Difference in Battle for Credit
Kirk Douglas has insisted for more than a quarter century that he is the man who “broke the blacklist.” By demanding Dalton Trumbo get credit in 1960 for writing “Spartacus,” the screen icon asserts he struck a death blow to a system that forced creatives out of Hollywood, or left them to work in its shadows.

For almost as many years, Trumbo’s family has charged that Douglas — while admirable for disagreeing with the anticommunist witch hunts of the 1940s and ’50s — awarded himself too much credit for a victory that belongs to many people. They have advocated for more recognition of “Exodus” director Otto Preminger, who first called for an onscreen credit for the blacklisted writer.

Trumbo’s” Toronto Film Festival premiere seemed like an occasion that might renew the long-running feud. Instead, the biopic, starring Bryan Cranston and directed by Jay Roach, uses artful creative license to give Douglas his due,
See full article at Variety - Film News »

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