3 items from 2011
Mumbai, Oct 20: The past few years have seen a lull in crossover films but the Mumbai Film Festival (Mff) has screened six such movies, including 'Lucky' and 'Delhi In A Day' and each of them had a fresh perspective and engaging stories with an India connect.
The six films were screened in the India Worldwide section at the Mff on its concluding day Thursday, and they covered an interesting range of stories, travelling from Srinagar and Delhi to Durban and London. Most of the films were directed by Indians living abroad, except 'Arranged Happiness'.
If Paris-based Indian director Prashant Nair's 'Delhi In A. »
- Anita Agarwal
Day 2 at the Mumbai Film Festival looked like it was going to be an exciting fare with a bouquet of much awaited films like Pablo Giorgelli’s Las Acacias, Eva Lonesco’s My Little Princess, Bela Tarr’s last film The Turin Horse and Umesh Kulkarni’s next after Vihir, Deool. But the excitement waned off pretty early in the day. First few shows of the day including The Turin Horse turned disastrous due to glitches. However, the day was not a complete disappointment. Read on…
Still from Printed Rainbow
Celebration of 50 years of Cannes Critics Week at the Mumbai Film Festival commenced with the screening of Gitanjali Rao’s Printed Rainbow. The 15-minute animation film was presented at the Cannes Critics Week in 2006. It is the story of an old woman who lives with her cat in an apartment and is stuck up in the banalities of everyday life. »
- Nandita Dutta
First day, first show. Without a festival booklet in hand and no time beforehand to google, I was staring at five movie titles with no clue about what to start off with. Settled for the French film The Minister by Pierre Scholler. A film about a French transport minister, his tribulations, his dilemmas and even his fantasies. Ok stuff.
Up next was The Turin Horse by Bela Tarr. A dude walking in who could not find seats speculated – “It’s a Bela Tarr film. People will be walking out in half an hour and then there will be seats for the taking”. Prophetic words indeed. The multiplex screen could not accommodate the subtitles and so the projectionist began to toggle with the aspect ratio. The film hardly had any dialogues and only comprised of long B & W takes about an old cripple, his daughter and their horse going through daily chores. »
- Devang Ghia
3 items from 2011
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