Beginning with this past Sunday’s episode, its Season 11 premiere, HBO is no longer putting “Last Week Tonight” episodes next-day on YouTube.
“When ‘Last Week Tonight with John Oliver’ premiered on HBO, the convenience of watching on Max did not exist so YouTube allowed flexible viewing for the main story as well as promotional exposure,” HBO said in a statement shared with IndieWire. “We are now delaying that availability and hope those fans choose to watch the entire show on Max.”
It’s a new dawn, it’s a new day, it’s a new life, and John Oliver is feeling…annoyed. The “Daily Show” alum, who has made a side hustle out of blasting his employer on TV (especially when AT&T still owned WarnerMedia), hopes HBO reconsiders its new position.
“I know I usually share a link to our main story here on Mondays, but HBO has decided they...
“When ‘Last Week Tonight with John Oliver’ premiered on HBO, the convenience of watching on Max did not exist so YouTube allowed flexible viewing for the main story as well as promotional exposure,” HBO said in a statement shared with IndieWire. “We are now delaying that availability and hope those fans choose to watch the entire show on Max.”
It’s a new dawn, it’s a new day, it’s a new life, and John Oliver is feeling…annoyed. The “Daily Show” alum, who has made a side hustle out of blasting his employer on TV (especially when AT&T still owned WarnerMedia), hopes HBO reconsiders its new position.
“I know I usually share a link to our main story here on Mondays, but HBO has decided they...
- 2/20/2024
- by Tony Maglio
- Indiewire
On the 9th day of Creepmas, the aliens and tech run amok to stuff the socks with horror. Science fiction’s broad umbrella covers everything from the future to outer space to alternate realities via technology. The unexplored terrain and concepts within sci-fi provide fertile ground for horror; what’s scarier than the unknown? Even worse, what happens when sci-fi horror invades the holidays? Sometimes, it means one bleak holiday. For other movies, it yields zany results.
The 12 Days of Creepmas continues on Bloody Disgusting, this time with 9 sci-fi horror movies that get a bit wild with the yuletide theme.
Keep track of the 12 Days of Creepmas here.
I’m Dreaming of a White Doomsday
Writer/Director Mike Lombardo’s debut delivers one downer of a holiday horror movie. The plot follows a mother and her 8-year-old son as they experience the holidays in a bunker amidst an apocalypse. In other words,...
The 12 Days of Creepmas continues on Bloody Disgusting, this time with 9 sci-fi horror movies that get a bit wild with the yuletide theme.
Keep track of the 12 Days of Creepmas here.
I’m Dreaming of a White Doomsday
Writer/Director Mike Lombardo’s debut delivers one downer of a holiday horror movie. The plot follows a mother and her 8-year-old son as they experience the holidays in a bunker amidst an apocalypse. In other words,...
- 12/17/2023
- by Meagan Navarro
- bloody-disgusting.com
Exclusive: If the record launch-episode ratings of 1923 reveals anything, it is that viewing audiences on both Paramount+ and the Paramount Network have an endless appetite for Taylor Sheridan’s frontier tales of the Duttons and their Yellowstone ranch. Headlined by Harrison Ford and Helen Mirren and featuring a coterie of stars in waiting, 1923 is an epic production that Sheridan estimates had to be one of the highest per-episode investments ever made on a series, between 30 million and 35 million a pop.
Related Story ‘Yellowstone’: Josh Lucas On Playing Younger John Dutton And the Role He Originally Wanted Related Story Taylor Sheridan's '1923' Sets Paramount+ Premiere Record; Draws 7.4M In Multi-Platform Debut Related Story 'Yellowstone': Piper Perabo On Her Character's Fight With Beth, And Her Attraction To John Dutton
After Sheridan and his EP and 101 Studios CEO David Glasser invited me to a different ranch a couple...
Related Story ‘Yellowstone’: Josh Lucas On Playing Younger John Dutton And the Role He Originally Wanted Related Story Taylor Sheridan's '1923' Sets Paramount+ Premiere Record; Draws 7.4M In Multi-Platform Debut Related Story 'Yellowstone': Piper Perabo On Her Character's Fight With Beth, And Her Attraction To John Dutton
After Sheridan and his EP and 101 Studios CEO David Glasser invited me to a different ranch a couple...
- 12/20/2022
- by Mike Fleming Jr
- Deadline Film + TV
‘The White Lotus’ EP David Bernad Teases Season Two: “You Will Have No Idea Where the Show Is Going”
Click here to read the full article.
David Bernad and Mike White have been producing partners for 13 years — but their working relationship extends even further back than that.
Bernad began his production career in the mailroom at UTA, hustling to produce short films on nights and weekends. “I had this romantic notion of starting in the mailroom. I really wanted to start at the bottom and work my way up,” he explains. He met White through a mutual friend who was working at the time as White’s assistant; when she left the role, she insisted that her former boss interview Bernad. “I went over in my cheap suit, cheap shoes and interviewed with him. I thought it went great. Mike didn’t hire me. I later found out it was because he didn’t like my shoes. But the assistant, Rebecca, would not let Mike interview anyone else. So he finally hired me.
David Bernad and Mike White have been producing partners for 13 years — but their working relationship extends even further back than that.
Bernad began his production career in the mailroom at UTA, hustling to produce short films on nights and weekends. “I had this romantic notion of starting in the mailroom. I really wanted to start at the bottom and work my way up,” he explains. He met White through a mutual friend who was working at the time as White’s assistant; when she left the role, she insisted that her former boss interview Bernad. “I went over in my cheap suit, cheap shoes and interviewed with him. I thought it went great. Mike didn’t hire me. I later found out it was because he didn’t like my shoes. But the assistant, Rebecca, would not let Mike interview anyone else. So he finally hired me.
- 8/15/2022
- by Hilton Dresden
- The Hollywood Reporter - Movie News
Entertainment One is expanding its leadership team, bringing on board Gabriel Marano as an executive vice president of scripted television, where he will oversee the development of all of the company’s Hasbro IP.
Concurrently, Jacqueline Sacerio, eOne’s current exec VP of scripted TV, will expand her responsibilities and shepherd the company’s first-look ad pod deals. Sacerio and Marano report to Pancho Mansfield, president of global scripted television.
“We’re delighted that Gabe is joining us as we expand our leadership team. With his impeccable taste, tremendous breadth of experience and great working relationships across the industry, he will be a wonderful asset, and I couldn’t be happier to work with him again,” said Mansfield.
Marano was most recently a senior VP of drama programming and development at Fox, supervising the development and production of new and returning scripted series for Fox, including all seasons of “9-1-1” and “9-1-1: Lone Star.
Concurrently, Jacqueline Sacerio, eOne’s current exec VP of scripted TV, will expand her responsibilities and shepherd the company’s first-look ad pod deals. Sacerio and Marano report to Pancho Mansfield, president of global scripted television.
“We’re delighted that Gabe is joining us as we expand our leadership team. With his impeccable taste, tremendous breadth of experience and great working relationships across the industry, he will be a wonderful asset, and I couldn’t be happier to work with him again,” said Mansfield.
Marano was most recently a senior VP of drama programming and development at Fox, supervising the development and production of new and returning scripted series for Fox, including all seasons of “9-1-1” and “9-1-1: Lone Star.
- 6/23/2021
- by Elaine Low
- Variety Film + TV
Entertainment One said Wednesday that it has hired Fox executive Gabriel Marano as EVP Scripted Television. He will be tasked with overseeing the development of eOne parent Hasbro’s IP along with being a key part of the company’s overall scripted development.
Along with the hire, Jacqueline Sacerio, eOne’s fellow EVP Scripted Television, will add overseeing the company’s roster of first-look and pod deals to her responsibilities. Those deals include ones with Alexi Hawley, Constance Wu, Hypnotic/Doug Liman, James Patterson, Keke Palmer, Mark Gordon, Merman and Westward/Beau Willimon among others.
Both Marano and Sacerio will report to Pancho Mansfield, eOne’s President of Global Scripted Television.
Marano comes from Fox, where he was SVP Drama Programming & Development and supervised scripted shows including 9-1-1 and 9-1-1: Lone Star along with Marvel TV’s The Gifted, Lucifer and Deputy. Most recently he oversaw development of the upcoming Accused and Fantasy Island.
Along with the hire, Jacqueline Sacerio, eOne’s fellow EVP Scripted Television, will add overseeing the company’s roster of first-look and pod deals to her responsibilities. Those deals include ones with Alexi Hawley, Constance Wu, Hypnotic/Doug Liman, James Patterson, Keke Palmer, Mark Gordon, Merman and Westward/Beau Willimon among others.
Both Marano and Sacerio will report to Pancho Mansfield, eOne’s President of Global Scripted Television.
Marano comes from Fox, where he was SVP Drama Programming & Development and supervised scripted shows including 9-1-1 and 9-1-1: Lone Star along with Marvel TV’s The Gifted, Lucifer and Deputy. Most recently he oversaw development of the upcoming Accused and Fantasy Island.
- 6/23/2021
- by Patrick Hipes
- Deadline Film + TV
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