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Videos (see all 7)
Hamlet (2008) -- This is 63 minutes and 1 second of pure white screen. Nothing less and nothing more. Without compromise. Without compare. Nigel Tomm brings his own version of William Shakespeare's Hamlet. Luminous. Sensuous. Iconic. From the moment you touch the play button, the experience begins. Visually stunning, emotionally precise, the extraordinary awaits you. Probably it is one of the most intense, the most radical, the most innovative manifestation of the freedom of thought, of expression and of creation. This is the new Hamlet - the most majestic Hamlet experience by Nigel Tomm.
Waiting for Godot (2008) -- This is 72 minutes and 5 seconds of pure green screen. Nothing less and nothing more. Abstract film by Nigel Tomm extends the boundaries of new absurdism. It had to happen sooner or later. Nigel Tomm redefines classical drama one more time. Film adaptation of Samuel Beckett's "Waiting for Godot", directed by Nigel Tomm, serves us more than meets the eye. The scene apparently represents the shift into dream state, and it's the most beautiful and surprising screen of mind. This is not a drama revolution. This is a visual morphine where tragedy is expressed in the purest prospect. It's just a tiny little line between you and the inside of the screen. It's all in the head, isn't it? Now you see it. Now you don't.
The Brothers Karamazov (2008) -- This is 73 minutes and 5 seconds of pure magenta screen. Nothing less and nothing more. Absolute morph and absolutely on the edge Nigel Tomm's film version of Fyodor Dostoevsky's novel 'The Brothers Karamazov' lasts 73 minutes and 5 seconds. This is 73 minutes and 5 seconds of pure magenta screen. From the outside in, and from the inside out. Unique sense of text visualization. Nigel Tomm is, however, not interested in the meaning of the text. He is interested in the layering and superposition of the text, to serve you exclusive viewpoint of perfectly charged emotions which now are expressed in the purest forms. Be provoked, challenged and inspired.
Qur'an (2008) -- It's 74 minutes and 16 seconds of a pure yellow screen. Without sound. Without change. Without dialogue. Without monologue. Just a crystal clear yellow screen. This is how director Nigel Tomm interprets the central religious text of Islam - the Qur'an. The first film adaptation of the Qur'an "deconstructs" and "breaks" a text into pure senses where silent yellow screen discloses a space for inner interpretations. Extra ordinary? Naturally stunning? Primary cool? You choose.
A Million Little Pieces (2008) -- This is 70 minutes and 41 seconds of pure turquoise screen. Nothing more, nothing less. With no sound, with no dialogue, monologue or action. Nigel Tomm's film adaptation of James Frey's book "A Million Little Pieces" is the transfer of the story to the space of art. Somebody calls it absolute art. Somebody calls it abstract film. Somebody calls it fraud. To have your own opinion you must trust your eyes and experience for yourself the seductive turquoise screen. Naturally. Turquoise is the film color. Totally innocent yet completely alluring. Let your eyes judge the ultimate beauty. Nigel Tomm's film has been perfected for your eyes only, not just for optical sensors. The moment you see and compare it, you will discover the magic of the new "A Million Little Pieces". Freedom, smoothness, toughness: whatever angle you take, the new "A Million Little Pieces" film adaptation is close to perfection. 101% art. Fearless art.

Overview

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Down 1% in popularity this week. See why on IMDbPro.
NewsDesk:
Frey's 'A Million Little Pieces' Finally Gets the Movie Treatment
 (From Cinematical. 3 October 2008, 12:32 PM, PDT)
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Hairless Sphynx Cat [Probably the Most Popular DVD Art Movie 2009] darkhero103
Best director ever. panag3
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