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Mark Steensland Talks The Weeping Woman and Tengu

Filmmaker Mark Steensland has been in our newsfeed quite a bit recently. Between the world premiere of his short film The Weeping Woman this weekend at Motor City Nightmares and the news that he had just acquired the rights to the novel Tengu, we thought it was time to talk to the man himself and find out more about his projects.

Dread Central: This spring has been shaping up to be huge for you, first the world premiere of your new short film, The Weeping Woman, and now the announcement that your Chang Shao Trading Co. recently acquired the rights to the novel Tengu. You have to be riding pretty high, right?

Mark Steensland: Yes. It’s all good. We have a lot of irons in the fire right now, but that’s a requirement these days because the wheels in the film business tend to turn slowly.

DC:
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Sample a Bit of the Score from Fetch

One thing that can really make or break a horror film is the choice of music for its soundtrack, and no one is more aware of that than Fetch producer Theodore Loscalzo, who dropped us a line with a little behind-the-scenes info on the scoring process for the film along with a few clips of the types of music we can expect to hear in the finished product.

"One of the things that makes Fetch special is the music that we have been so fortunate to include in the film, says Loscalzo. "One of the greatest challenges for any production is to find and have a score and music that supports and conveys the emotions that the director is working to create! Patrick Savage and Holeg Spies (official site here) are a unique composer-duo for film from Europe."

"Patrick is a violin virtuoso and previous member of the prestigious Royal Philharmonic Orchestra,
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