Cannes Directors’ Fortnight is launching a new People’s Choice audience award at its upcoming edition, running alongside the main festival from May 15-26.
The parallel section said the award, which comes with a €7,500 cash prize, was in keeping with the spirit of the event, which has always been open to members of the public alongside cinema professionals since its launch in 1969.
It will be the first audience award to be introduced in Cannes, across the Official Selection and the parallel sections of Directors’ Fortnight, Critics’ Week and Acid.
“Every year, in addition to professionals and other accredited guests, the Fortnight opens its doors to thousands of cinephiles from around the world, in order to share its selection in a welcoming setting, giving filmmakers the opportunity to meet the first audience for their films, and the audiences a chance to take part in Q&As with film teams,” Directors’ Fortnight said in a statement.
The parallel section said the award, which comes with a €7,500 cash prize, was in keeping with the spirit of the event, which has always been open to members of the public alongside cinema professionals since its launch in 1969.
It will be the first audience award to be introduced in Cannes, across the Official Selection and the parallel sections of Directors’ Fortnight, Critics’ Week and Acid.
“Every year, in addition to professionals and other accredited guests, the Fortnight opens its doors to thousands of cinephiles from around the world, in order to share its selection in a welcoming setting, giving filmmakers the opportunity to meet the first audience for their films, and the audiences a chance to take part in Q&As with film teams,” Directors’ Fortnight said in a statement.
- 3/27/2024
- by Melanie Goodfellow
- Deadline Film + TV
A still from Phalke’s “Kaliya Mardan”
Films Division is hosting a Retrospective of Experimental Indian cinema and video titled “Hundred Years of Experimentation (1913- 2013)” from June 28-30, 2013.
The Retrospective has been curated by Ashish Avikunthak and Pankaj Rishi Kumar.
Screening Schedule
Venue:
Rr Theatre, 10th floor, Films Division
24, Pedder Road, Mumbai – 400026
Day One
28 June, 2013, Friday
28 June, 2013, Friday: 10.00-12.30 pm
Session 1: Experiments with Gods
A collection of early films made by D.B. Phalke between 1913 and 1935.
1. Raja Harishchandra (20 mins, 35mm, 1913)
2. Lanka Dahan (9 mins, 35mm, 1917)
3. Shree Krishna Janma (6 mins, 35mm, 1918)
4. Kaliya Mardan (50 mins, 35mm, 1919)
28 June, 2013, Friday: 1.15- 3.45 pm
Session 2: Experiment in the State
The earliest robust experimentation in India begins under the imaginative tutelage of Jean Bhownagary while he headed the Films Division in 1965.
1. Explorer – Pramod Pati (7 mins, 35mm, 1968)
2. Claxplosion – Pramod Pati (2 mins, 35mm, 1968)
3. Trip – Pramod Pati (4 mins, 35mm, 1970)
4. Koodal – Tyeb Mehta (16 mins, 35mm, 1970)
5. Abid – Pramod Pati (5 mins, 35mm,...
Films Division is hosting a Retrospective of Experimental Indian cinema and video titled “Hundred Years of Experimentation (1913- 2013)” from June 28-30, 2013.
The Retrospective has been curated by Ashish Avikunthak and Pankaj Rishi Kumar.
Screening Schedule
Venue:
Rr Theatre, 10th floor, Films Division
24, Pedder Road, Mumbai – 400026
Day One
28 June, 2013, Friday
28 June, 2013, Friday: 10.00-12.30 pm
Session 1: Experiments with Gods
A collection of early films made by D.B. Phalke between 1913 and 1935.
1. Raja Harishchandra (20 mins, 35mm, 1913)
2. Lanka Dahan (9 mins, 35mm, 1917)
3. Shree Krishna Janma (6 mins, 35mm, 1918)
4. Kaliya Mardan (50 mins, 35mm, 1919)
28 June, 2013, Friday: 1.15- 3.45 pm
Session 2: Experiment in the State
The earliest robust experimentation in India begins under the imaginative tutelage of Jean Bhownagary while he headed the Films Division in 1965.
1. Explorer – Pramod Pati (7 mins, 35mm, 1968)
2. Claxplosion – Pramod Pati (2 mins, 35mm, 1968)
3. Trip – Pramod Pati (4 mins, 35mm, 1970)
4. Koodal – Tyeb Mehta (16 mins, 35mm, 1970)
5. Abid – Pramod Pati (5 mins, 35mm,...
- 6/24/2013
- by NewsDesk
- DearCinema.com
“Monsoon Shootout” by Amit Kumar will have a midnight screening at Cannes 2013
There was a time in Indian cinema, the era of the masters like Satyajit Ray, Bimal Roy and Mrinal Sen, when it was not unusual to have several Indian films in competition at the Cannes film festival. Take for instance the year 1956 when Ray’s Pather Panchali and Shantaram Athavale’s Shevgyachya Shenga competed in the feature film category. Or the year 1954 when Bimal Roy’s Do Beegha Zameen and Kishore Sahu’s Mayurpankh were in competition along with two short films by Mohan Dayaram Bhavnani. [Read India’s tryst with Cannes]
The last Indian film that got selected in competition was Shaji Karun’s Swaham way back in 1994. Since then, we haven’t managed to catch the fancy of Cannes selectors [Read Why Indian films don't make it to Cannes]. However, this year seems to be a little different. With four films and one project making it to various sections, this certainly...
There was a time in Indian cinema, the era of the masters like Satyajit Ray, Bimal Roy and Mrinal Sen, when it was not unusual to have several Indian films in competition at the Cannes film festival. Take for instance the year 1956 when Ray’s Pather Panchali and Shantaram Athavale’s Shevgyachya Shenga competed in the feature film category. Or the year 1954 when Bimal Roy’s Do Beegha Zameen and Kishore Sahu’s Mayurpankh were in competition along with two short films by Mohan Dayaram Bhavnani. [Read India’s tryst with Cannes]
The last Indian film that got selected in competition was Shaji Karun’s Swaham way back in 1994. Since then, we haven’t managed to catch the fancy of Cannes selectors [Read Why Indian films don't make it to Cannes]. However, this year seems to be a little different. With four films and one project making it to various sections, this certainly...
- 4/29/2013
- by Nandita Dutta
- DearCinema.com
A three-day film festival ‘Urban Lens: A Festival of Films and the City’ is being held at the Indian Institute for Human Settlements (Iihs) Bangalore city campus from April 26-28, 2013.
The festival attempts to look at how the ‘city’ has been seen in non-fiction films, and documentary filmmakers’ engagement with it over time.
The films deal with wide-ranging concerns: from what evictions do to people, how women negotiate public spaces in a city, the politics of public toilets, to the culture productions that small and big urban centres give rise to.
Bombay our City by Anand Patwardhan, Vertical City by Avijit Mukul Kishore, Have you seen the Arana by Sunanda Bhat, Malegaon Times by Amit Mahanti and Ruchika Negi and New Improved Delhi by Vani Subramanian will be screened at the festival among others.
A panel discussion ‘The City in Non-Fiction’ will be held on April 26. The panel comprises of Sameera Jain,...
The festival attempts to look at how the ‘city’ has been seen in non-fiction films, and documentary filmmakers’ engagement with it over time.
The films deal with wide-ranging concerns: from what evictions do to people, how women negotiate public spaces in a city, the politics of public toilets, to the culture productions that small and big urban centres give rise to.
Bombay our City by Anand Patwardhan, Vertical City by Avijit Mukul Kishore, Have you seen the Arana by Sunanda Bhat, Malegaon Times by Amit Mahanti and Ruchika Negi and New Improved Delhi by Vani Subramanian will be screened at the festival among others.
A panel discussion ‘The City in Non-Fiction’ will be held on April 26. The panel comprises of Sameera Jain,...
- 4/26/2013
- by NewsDesk
- DearCinema.com
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