Exclusive: Interview with Berlinale festival director Dieter Kosslick.
The Berlinale’s greater emphasis on television this year should not be interpreted as the first step towards a German Mip, according to festival director Dieter Kosslick.
In an exclusive interview with ScreenDaily, Kosslick said: ¨We don’t want to make a Mip TV or Mipcom, that’s as sure as day follows night and anything more would overstretch us.¨
He pointed out that that the Berlinale had had successful screenings of quality TV in the past with such productions as Dominik Graf’s Im Namen des Verbrechens, Jane Campion’s Top Of The Lake and Rainer Werner Fassbinder’s Berlin Alexanderplatz.
“We have now been working for the past two years on this programme which is composed of two parts: a series of discussions on new trends at the Efm and two days of drama series integrated into the festival programme and shown at Haus der Berliner [link=tt...
The Berlinale’s greater emphasis on television this year should not be interpreted as the first step towards a German Mip, according to festival director Dieter Kosslick.
In an exclusive interview with ScreenDaily, Kosslick said: ¨We don’t want to make a Mip TV or Mipcom, that’s as sure as day follows night and anything more would overstretch us.¨
He pointed out that that the Berlinale had had successful screenings of quality TV in the past with such productions as Dominik Graf’s Im Namen des Verbrechens, Jane Campion’s Top Of The Lake and Rainer Werner Fassbinder’s Berlin Alexanderplatz.
“We have now been working for the past two years on this programme which is composed of two parts: a series of discussions on new trends at the Efm and two days of drama series integrated into the festival programme and shown at Haus der Berliner [link=tt...
- 1/27/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Today was determinedly eclectic, the kind of cinephile's dream that you can only put together in a festival as inclusive as Telluride. As I walked briskly toward the Sheridan Opera House to catch a tripartite program -- a screening of "Slow Food Story," a documentary about its founder, the charismatic Carlo Petrini, followed by the awarding of the inaugural Food, Inc. Movement Award to Alice Waters, and a lively and emotional panel discussion among Alice, the film's director, Stefano Sardo, Michael Pollan, and Berlinale head Dieter Kosslick -- I run into Davia Nelson, one of the Kitchen Sisters, walking briskly in the opposite direction. "Not going to Alice's program?!," I ask, surprised. "No, I wish I could, but I'm doing the Q & A with Nicolas Philibert, who I love," she says. Oof, I really wanted to see "La Maison de la Radio," Philibert's documentary about Radio France, having twice spent...
- 9/1/2013
- by Meredith Brody
- Thompson on Hollywood
Title: Slow Food Story Director: Stefano Sardo Slow Food Story is the account of a slow revolution. Twenty-five years of quiet and steady rebellion to fast food thinking. Carlo Petrini is the founder of the Slow Food movement that started out in the small town of Bra and conquered the entire globe. Director Stefano Sardo has undoubtably the gift of storytelling, since his documentary isn’t a mere collage of how the entire movement came to life, but portrays how a group of friends, from a small Italian province pursued a dream of a better world, with persistence, temerity and a touch of playful fooling around. Focus on food began as [ Read More ]
The post Slow Food Story Movie Review appeared first on Shockya.com.
The post Slow Food Story Movie Review appeared first on Shockya.com.
- 5/7/2013
- by Chiara Spagnoli Gabardi
- ShockYa
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.