Top Links
biography by votes awardsNewsDeskmessage board
overviewby type by year by ratings by votes awards by genre by keyword
biography other works publicity photo galleryNewsDeskmessage board
External Links
official sites miscellaneous photographs sound clips video clips

Connect with IMDb

1 item from 2008

Gardens of the Night

11 February 2008 | The Hollywood Reporter | See recent The Hollywood Reporter news »


BERLIN -- Films about social issues usually exude the deadly aura of good intention and earnest edification, but Damian Harris zones in on his characters in Gardens of the Night. The film gives vivid reality to those photos of disappeared children on milk cartons by letting us peek into the lives of two abducted children subjected to sexual abuse and then prostitution.

The writer-director shuns sensationalism but does sentimentalize the friendship between the two youngsters, seen as children and then as thoroughly messed-up teens. The strength of the film lies in acting performances that make everyone human, even the monsters.

More festival exposure is assured, but only a brave distributor will take on such a tricky subject. The film might be better suited to home entertainment markets.

Reportedly, Harris spent years researching and writing his script, and it shows. The small details feel right, leaving us to accept the utter horror of the larger details. In quiet, subtle ways, his story shows how such things happen and why children gradually lose the will and ability to call out for help. While a screaming child and Movie of the Week fiends might have made a slicker, safer product, Harris takes pains to keep it real. The truly sick thing here is how nice the villain is to the children.

Alex (Tom Arnold in a performance of considerable nuance) and his much rougher partner Frank (Kevin Zegers) clearly spent time laying a trap for their young victim. Leslie Ryan Simpkins), a lovely, blond 8-year-old, is too bright to simply get into a stranger's car. A level of trust and seeming familiarity are carefully built before the two kidnappers can spirit her away from her East Coast home.

Leslie finds herself sharing space with a black youth her age, Donnie Jermaine Scooter Smith), who believes his institutionalized mother sold him to Alex. Leslie, who can read while Donnie can't, uses children's storybooks and her own imagination to create a fairy-tale world into which the two youngsters can retreat, a "jungle" where they feel safe from an adult world that has grown frightening.

The two cling to each other, forging an indissoluble bond. This has become their greatest resource when the film leaps ahead nearly a decade to San Diego, Calif. Now veteran street hustlers, the two live on the streets while selling their bodies or scamming potential clients.

Leslie (Gillian Jacobs) is the rock of Donnie's (Evan Ross) shattered existence, the one sustaining force in his life and only source of affection. Those who would further exploit the two see a need to drive a wedge between them: Leslie, now a beautiful young woman who can project a tarnished innocence, is a valuable commodity. She also could help recruit younger girls to the trade, putting her in the exact same position as Uncle Alex. Donnie, meanwhile, is viewed as a "loser."

By the time Leslie comes to her senses, Donnie has vanished. Then a wise counselor (John Malkovich in an unflashy cameo) at a shelter for runaways and homeless kids goes to the trouble to investigate Leslie's story. She honestly believes her parents are dead, but he locates them.

Can Leslie really go home again? And how many abducted kids ever get that chance? Harris raises such questions within this tragedy without ever mounting a pulpit. He lets connections get made and themes to emerge through the interaction of the two youngsters and how they perceive a hostile world. The only thing he slightly sugarcoats is that interaction, but his actors give level-headed, sincere portraits of youngsters whose value systems have been turned on their head: Vice is virtue and love perverse. They are still, in some ways, children, susceptible to the blandishments of adults and gullible about the facts of their lives. Even if they do survive, how will they ever free themselves from these distortions?


Sobini Films and La Nuit Americaine present a Fastback Pictures Films, Station 3 and Shoot Prods. production


Screenwriter-director: Damian Harris

Producers: Pascal Franchot, R.D. Robb

Executive producers: Mark Amin, Todd Olsson

Director of photography: Paula Huidobro

Production designer: Bradd Fillman

Music: Craig Richey

Costume designer: Rhona Meyers

Editor: Michael Shemesh


Leslie: Gillian Jacobs

Donnie: Evan Ross

Alex: Tom Arnold

Michael: John Malkovich

Young Leslie: Ryan Simpkins

Young Donnie: Jermaine Scooter Smith

Frank: Kevin Zegers

Running time -- 107 minutes

No MPAA rating


Permalink | Report a problem

1 item from 2008

IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

See our NewsDesk partners