Exclusive: Misha Osherovich, who starred alongside Vince Vaughan in Freaky, has co-created a drama series about the troubled-teen industry.
Osherovich co-created and co-wrote Troubled with screenwriter Skylar Landsee, who has worked on The Americans and Teenage Mutant Ninja Turtles: Out of the Shadows.
The series explores the problematic troubled-teen reform industry, which was in the headlines again last year after Paris Hilton revealed her own struggles.
It is based on Osherovich’s experiences and survival story in the underground world of tough-love programs for rebellious youth. The darkly comedic drama series will expose the corrupt multimillion-dollar industry that has gone unnoticed and unchecked for decades and highlights the hopeful bonds these teens forge in the worst of circumstances.
The troubled-teen industry is a network of private youth programs, therapeutic boarding schools, residential treatment centers, religious academies, wilderness programs and drug-rehabilitation centers, often run by private companies, nonprofits or faith-based groups,...
Osherovich co-created and co-wrote Troubled with screenwriter Skylar Landsee, who has worked on The Americans and Teenage Mutant Ninja Turtles: Out of the Shadows.
The series explores the problematic troubled-teen reform industry, which was in the headlines again last year after Paris Hilton revealed her own struggles.
It is based on Osherovich’s experiences and survival story in the underground world of tough-love programs for rebellious youth. The darkly comedic drama series will expose the corrupt multimillion-dollar industry that has gone unnoticed and unchecked for decades and highlights the hopeful bonds these teens forge in the worst of circumstances.
The troubled-teen industry is a network of private youth programs, therapeutic boarding schools, residential treatment centers, religious academies, wilderness programs and drug-rehabilitation centers, often run by private companies, nonprofits or faith-based groups,...
- 4/14/2022
- by Peter White
- Deadline Film + TV
Recently, ABC gave us the new,official synopsis/spoilers for their upcoming "Nashville" episode 8 of season 4. The episode is entitled,"Unguarded Moments," and it turns out that we're going to see some pretty drama-filled and intense stuff go down as Gunnar's current girlfriend, Erin, starts up much trouble with Scarlett on the tour. Rayna tries to stop Maddie's new Sony solo contract from going through, and more! Episode 8 press release: Maddie Gets An Offer Rayna Wants To Refuse, And Luke Loses Ground With Colt, On ABC's "Nashville." Press release number 2: Rayna will want to turn down Sony's contract offer for Maddie to be a solo artist and will find her family life distracting her from her work with Markus. Luke will be desperate to regain Colt's trust. Gunnar's girlfriend, Erin, will cause issues on tour with Scarlett, and Avery is going to scramble to make money doing insipid jingles.
- 11/11/2015
- by Chris
- OnTheFlix
Boss Season 2, Episode 8: “Consequence”
Written by Paul Keables
Directed by Jean de Segonzac
Boss Season 2, Episode 9: “Clinch”
Written by Julie Hébert
Directed by Mario Van Peebles
Airs Fridays at 9pm (Et) on Starz
Closing in on the finale, “Consequence” and “Clinch” have some heavy lifting to do. The loose strands and split ends of the season so far need to be woven and trimmed to allow for a finale unburdened by exposition, mystery, and plot games. The first of these episodes is a let down: mostly functional (save for its climax), “Consequence” acts on its obligation to present the return of Kane as a brilliant puppet master, healthy and lucid. As storytelling goes, it’s a fine plan, yet the execution is clunky. Boss is clearly too big for its boots: it has a full hour to do its job, but the more it packs in, the more...
Written by Paul Keables
Directed by Jean de Segonzac
Boss Season 2, Episode 9: “Clinch”
Written by Julie Hébert
Directed by Mario Van Peebles
Airs Fridays at 9pm (Et) on Starz
Closing in on the finale, “Consequence” and “Clinch” have some heavy lifting to do. The loose strands and split ends of the season so far need to be woven and trimmed to allow for a finale unburdened by exposition, mystery, and plot games. The first of these episodes is a let down: mostly functional (save for its climax), “Consequence” acts on its obligation to present the return of Kane as a brilliant puppet master, healthy and lucid. As storytelling goes, it’s a fine plan, yet the execution is clunky. Boss is clearly too big for its boots: it has a full hour to do its job, but the more it packs in, the more...
- 10/14/2012
- by Ody Constantinou
- SoundOnSight
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