You can forget the pulpy throes of the dark hearted Prisoners, the recently released collaboration of Jake Gyllenhaal and director Denis Villeneuve, when you sit down for their latest release, Enemy (which was actually filmed first). In the fine tradition of doppelganger cinema, this is certainly a spectacular standout. And if any evidence is needed to point to Villeneuve as a director at the top of his game, look no further. Certain to confuse, perplex, and even irritate, it’s a beautiful, nightmarishly warped universe ripe for multiple readings and psychological explanations concerning hidden desires and oppositions.
A history professor at a Toronto university, Adam Bell (Gyllenhaal), seems to be living a lackluster existence, his life a series of repetitive instances mired in work and an unenthusiastic relationship with his girlfriend (Melanie Laurent). A co-worker recommends that Adam see