Courtesy of Centurion Films
It's always a treat visiting a movie set. Being on the set of Souleater, one of my theories were justified. Aside from team sports, one will rarely see a group of people truly working as a cohesive unit as they do when producing a movie. Especially an independent film.
We're not talking millions of dollars, yet one would think that kind of money is at stake, when seeing how hard everyone is pushing themselves. Producer Tyler Martinolich was gracious enough to have me out on the set in nearby Largo, Fl. This night, they were shooting exterior scenes on a piece of old farm land. The house upon this land looked like something out of The Texas Chainsaw Massacre.
Having a 60 ft. crane casting lights down on the naturally creepy looking pad, provided an atmosphere needed for a horror flick. Director Michael D. Lang, staying calm...
It's always a treat visiting a movie set. Being on the set of Souleater, one of my theories were justified. Aside from team sports, one will rarely see a group of people truly working as a cohesive unit as they do when producing a movie. Especially an independent film.
We're not talking millions of dollars, yet one would think that kind of money is at stake, when seeing how hard everyone is pushing themselves. Producer Tyler Martinolich was gracious enough to have me out on the set in nearby Largo, Fl. This night, they were shooting exterior scenes on a piece of old farm land. The house upon this land looked like something out of The Texas Chainsaw Massacre.
Having a 60 ft. crane casting lights down on the naturally creepy looking pad, provided an atmosphere needed for a horror flick. Director Michael D. Lang, staying calm...
- 8/4/2010
- Tampa Film Examiner
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