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Armando Pizzuti

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Franklin Ojeda Smith - -- "...back in the day the 'barb wire' was more visible" and early on I chose baseball over acting; then academia and not baseball. Now,"...the kids are grown, the dog is dead and now that I may, I choose acting." Please take a look: 1)Boardwalk Empire - Deacon Cuffy 2)Murder Incorporated - Sam Christenson 3)Cayman Went - Aniston Turnkey 4)Letting Go -Therapist 5)Footsteps in the Sand - Jim. Thank You! Franklin

Franklin Ojeda Smith -

Melanie Molnar - Reel -- No description provided.

Melanie Molnar - Reel

David H. Lawrence, XVII - Drama -- On-camera drama reel featuring David H. Lawrence XVII, in scenes from Heroes, The Unit, LOST, and more

David H. Lawrence, XVII - Drama

Francine Locke Film Reel -- Family Law (Best Actress, Gideon), Stealing Home (Best Supporting Actress-nom.) 168 Project, True Tale Monster (Albert P. Weisman Award), The Discarded (2011 Feature Release).

Francine Locke Film Reel

My Demo Reel -- Includes clips from GLORY DAZE, COMMUNITY and horror film URBAN EXPLORER.

My Demo Reel


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Filmography

Hide HideActor (7 titles)
2011 Gorgeous Nightmare (short)
Envy - The Begrudged
 
2009 House of Flesh Mannequins
Snuff Victim
 
2009 Mr 7 Minutes (short)
 
2008 La clausola del caffè (short)
Cicca
 
2007 Notte prima degli esami - Oggi
Santilli
 
2006 Black Arrow (TV mini-series)
Bruno
 
2006 Notte prima degli esami
Santilli
 

Related Videos

House of Flesh Mannequins -- "House of Flesh Mannequins" is a nostalgic homage - and sure amused - that winks at the classic films from the 70's. A movie set that look like a stage (and the film itself is divided in 3 Acts), searched costumes and hairdos, cinematography of Mirco Sgarzi that recalls with personality the atmospheres of the best Fulci and Argento's movie. This is cinema maded from who loves the cinema, a movie rich of winks and citations that the most expert (but not only them) will be amused to pick: from Lynch to the surrealism of the 30's, passing trought Fulci and Cronemberg. International porn stars and regular actors working together for the first time with extreme body art performers used in the torture scenes. Everything is real, but at the same time, everything is done for the purpose of creating a movie, which is anything but real. The movie presents a compelling case against the use of gratuitous violence on TV as well as the self-righteous, sanctimonious ways that society chooses to confront children’s issues.