Jim Caviezel in Sound Of Freedom. Sound designer Nathan Ruyle says: It’s been a really fascinating experience being kind of inside of this whole wild ride'' Photo: Angel Studios Although the first thing most people probably think about when considering modern films is the look, sound design is also vital. It can be used for simple atmospherics like footsteps echoing up a corridor right through to driving the plot, as the muffled conversation in Francis Ford Coppola’s film of the same name does. In recent years, sound designers have even become characters in films, most notably in Peter Strickland’s work, with Flux Gourmet and Berberian Sound Studio, and in Spanish film Out Of Sync.
I catch up with Nathan Ruyle in the week that Oppenheimer and Barbie were released. He has made a career out of sound design, working on more than 70 films along with TV shows...
I catch up with Nathan Ruyle in the week that Oppenheimer and Barbie were released. He has made a career out of sound design, working on more than 70 films along with TV shows...
- 8/12/2023
- by Amber Wilkinson
- eyeforfilm.co.uk
Woe betide the grade-school-age lad who finds himself in a movie by writing-directing duo David Charbonier and Justin Powell: He may survive their plotlines, but it won’t be pretty. Their official first feature, “The Boy Behind the Door” (which will debut on streaming platform Shudder July 29) found two such kids fighting for their lives after being abducted by a stranger. In the new, more supernaturally tilted “The Djinn,” they’ve crafted another effective suspense exercise from the same basic premise, trapping a juvenile protagonist in a home with a malevolent nemesis.
. IFC Midnight is opening the feature in limited theaters as well as launching on digital and VOD platforms May 14.
Set in 1989 for no obvious reason beyond justifying the generic retro dreariness of the interior setting (or perhaps the vintage-synth aspects of Matthew James’ score), the movie opens with our first among many successively revealing glimpses of the...
. IFC Midnight is opening the feature in limited theaters as well as launching on digital and VOD platforms May 14.
Set in 1989 for no obvious reason beyond justifying the generic retro dreariness of the interior setting (or perhaps the vintage-synth aspects of Matthew James’ score), the movie opens with our first among many successively revealing glimpses of the...
- 5/13/2021
- by Dennis Harvey
- Variety Film + TV
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