The “Welcome to the Blumhouse” series of horror features has done well so far in showcasing diverse emerging talent, if not in hitching relevant social themes to stories that are actually scary. Another case in point is “Black As Night,” which joins “Bingo Hell” in a second annual quartet of Halloween releases rolling out on Amazon Prime.
Maritte Lee Go’s solo feature directorial debut is a sort of female African-American spin on “The Lost Boys,” chronicling what its heroine pegs as “The summer I got breasts and fought vampires.” It works well enough as a teen supernatural melodrama, reasonably slick if a tad silly — less well as straight-up horror, let alone as a commentary on race-centric historical and political issues that never feel more than pasted-on here.
Fifteen-year-old Shawna was born in the immediate wake of Hurricane Katrina. That disaster destroyed her family’s former house, as well as...
Maritte Lee Go’s solo feature directorial debut is a sort of female African-American spin on “The Lost Boys,” chronicling what its heroine pegs as “The summer I got breasts and fought vampires.” It works well enough as a teen supernatural melodrama, reasonably slick if a tad silly — less well as straight-up horror, let alone as a commentary on race-centric historical and political issues that never feel more than pasted-on here.
Fifteen-year-old Shawna was born in the immediate wake of Hurricane Katrina. That disaster destroyed her family’s former house, as well as...
- 10/2/2021
- by Dennis Harvey
- Variety Film + TV
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