19 items from 2013
Pacific Rim | Monsters University | The Deep | Blancanieves | Trap For Cinderella | The Moo Man | We Steal Secrets: The Story Of Wikileaks | Citadel | Cleopatra | Play | Les Invisibles | Bhaag Milkha Bhaag
Pacific Rim (12A)
You can boil this sci-fi spectacle down to Transformers vs Godzillas, but with Del Toro at the helm it's the thinking person's big, dumb blockbuster: an unironic, city-stomping smash-up mixing state-of-the-art effects with curiously antiquated action-movie dynamics. There's just enough human interest to sustain it, but this is all about giant machines, giant aliens and deafening destruction.
Animal House for pre-schoolers? The college setting is questionable and the originality scarce, making this an acceptable, colourful prequel rather than another Pixar triumph.
The Deep (12A)
Visceral but unsensational »
- Steve Rose
★★★★☆ There's something quietly enthralling about Heike Bachelier and Andy Heathcote's observational trip to a small Sussex dairy farm. Having premièred at Sundance London back in April, The Moo Man (2013) has procured its marketing budget through online crowd-sourcing ahead of this week's release. A brief foray into the world of dairy production, this is a peek into a field in England that's home to a bucolic idyll, a lovingly-reared herd of cows and a farmer striking out on his own in order to survive. Steve Hook is the man in question and the focus of the directors' visit to Hook & Son's - where he constitutes the son.
The business supplies organic raw milk 'direct from [their] farm, direct to your door' which, they argue, is creamier and tastier than shop-bought. Their small herd becomes the supporting players in this arcadian setup as the camera follows Steve around the farm. It's clear »
- CineVue UK
The film, which premiered in Sundance in January, is out in British cinemas on Friday.
November is handling the The Moo Man on behalf of the producers, Trufflepig Films. As has been widely reported, the produced raised funds for the film’s release through a Kickstarter campaign.
James Collie of November Films (which has been distributing in the UK since 2011) has now booked the doc into over 45 cinemas. The Moo Man will open initially in three cinemas and will then gradually expand across the country.
A red carpet gala premiere was held at the Hailsham Pavilion in Sussex earlier this week with one of the bovine stars of the movie in attendance [pictured].
At screenings throughout the country, cinemagoers will have the opportunity to buy fresh dairy milk from »
- firstname.lastname@example.org (Geoffrey Macnab)
Dairy farmer Steve Hook, his family and his four-legged friends and main source of income are captured through the seasons in Andy Heathcote and Heike Bachelier’s The Moo Man – which will screen at Dunoon Film Festival and Sheffield Doc/Fest in the next week. Hook’s farm became organic in 2000 and began selling unpasteurised milk in 2007 – “literally 23 pints of milk in the back of a Land Rover,” he tells me when I caught up with him, his dad Phil, Heathcote and Bachelier at Sundance Film Festival earlier this year. “Five years later, we're selling all of our milk and we've created six full-time jobs and eight part-time jobs, whereas five years earlier it was a case of doing it or packing up. It's turned the business around,” he says. Heathcote and Bachelier’s absorbing documentary takes a look at the very »
- Amber Wilkinson
Directors of the Sundance hit succeed in raising finance for a UK release through Kickstarter.
Rural documentary The Moo Man has hit its Kickstarter target of £20,000 less than two days before the deadline, amassing 545 backers through the crowdfunding site.
The projected UK release date is July 12 but it will screen at Sheffield Doc/Fest this week, having previously been shown at Sundance and Berlin.
Having hit the distribution target, any further funds raised before the June 12 deadline will go towards promotion of the film.
Review: The Moo Man
Filmed over a four-year period, the film follows farmer Steve Hook and his herd of cows. Hook works to keep his family in East Sussex small, organic and sustainable - selling milk via day-to-day delivery instead of through supermarkets. »
Directors of the Sundance hit are attempting to self-fund a UK release.
Launched on May 12, the campaign has so far managed to raise £11,783 of its £20,000 target. The project will end on June 12, giving the campaign five days to raise more than £8,200 and hit its target.
The Moo Man has already screened at the Sundance and Berlin International Film Festivals to positive reviews.
Review: The Moo Man
Filmed over a four-year period, the film follows farmer Steve Hook and his herd of cows. Hook works to keep his family in East Sussex small, organic and sustainable - selling milk via day-to-day delivery instead of through supermarkets.
The film’s projected theatrical release is July 12, if the Kickstarter campaign proves successful. »
The coming-of-age story stars Steve Carell, Toni Collette, Allison Janney, Annasophia Robb, Sam Rockwell, Maya Rudolph and Liam James. Fox Searchlight, which acquired the comedy at Sundance, is releasing “The Way, Way Back” on July 5.
The festival, now in its 19th year, also announced Wednesday gala screenings for Ryan Coogler’s “Fruitvale Station” from the Weinstein Co. and the North American premiere of Nicolas Winding Refn’s “Only God Forgives” from Radius-twc. James Ponsoldt’s “The Spectacular Now,” David Lowery’s “Ain’t Them Bodies Saints, ” Ava DuVernay’s “Venus Vs.” and Lake Bell’s “In a World …” will also screen as part of the summer showcase series.
The festival had previously announced that Pedro Almodovar’s “I’m So Excited!” will be its opening-night selection on June 13.
The festival, »
- Dave McNary
The Sundance London Film and Music Festival returns to the capital this weekend and the lineup of film and music events looks to build on the solid foundation established last year.
It’s an exciting time for Independent film with the trailblazing success of the Sundance festival in Utah sparking off dozens of initiatives, the Raindance festival is a notable and vibrant example, and Sundance London is looking to do more than replicating the success of its American cousin.
When we reported on the lineup we singled out Michael Winterbottom’s The Look of Love, a biopic of self-styled King of Soho Paul Raymond, and Shane Carruth’s Upstream Color, his highly anticipated follow-up film to 2004′s Primer. However there are many more excellent films playing across the various strands and we wanted to shine our spotlight on some of the films to look forward to.
All the films playing »
- Jon Lyus
Starring: Stephen Hook.
Running Time: 98 minutes.
Synopsis: In an attempt to save his family farm, Stephen Hook decides to turn his back on the cost cutting dairy supermarkets, and instead stay small and keep his relationship with his herd. However, Farmer Hook’s plans to save the farm do not always go down well with his 55 spirited cows. The result is a laugh out loud, emotional, rollercoaster journey.
You would truly have to have a heart of stone to not feel some emotion while watching The Moo Man, a true story of a man desperate to hold onto old traditions but being told by the world to move on. Throughout the documentary we follow Stephen Hook, a dairy farmer who co-runs Hook & Son with his dad. Not your typical dairy farmer, he tends to a small herd but treats them all like family. Where most »
- Lucy Cave
Rating: 2.5 out of 5 stars
Andy Heathcote and Heike Bachelier’s nobly-intentioned documentary The Moo Man seeks to uncover the economic crises facing British farmers in the current financial climate, though curiously focuses on a parochial look at its kindly farmer protagonist for too long before finally getting to the heart of the matter.
Steve Hook and his father run Hook & Son, a dairy farm outfit which sees them harvest less than 100 cows for their milk. Steve asserts that his milk is the creamiest and tastiest available, that pasteurised supermarket equivalents are missing the purity of a product that has come straight from the source of the cows.
Steve is keen to note that cows on his farm ten to live 9 or 10 years – compared to the national average of around 6 – and that’s because he is sure not to milk them to exhaustion. Though he has no illusions about the fact »
- Shaun Munro
The Sundance Institute and London’s O2 venue announced this week the programme of panels, feature films and short films for the second Sundance London film and music festival which is schduled to run from the 25-28 April. The Sundance Institute, which annually presents the Sundance Film Festival in Park City, Utah, U.S.A., selected the film and panel programming, bringing its unique blend of indepedeant cinema and music to the heart of London. The programme continues its 2012 focus on presenting new work by independent filmmakers and exploring the interplay between independent film and music.
The programme announced today includes 18 feature films and nine short films across four sections, including a new UK Spotlight. Twenty-three films will make their international, European or UK premieres at Sundance London. Ten are by female filmmakers and six are by first-time feature filmmakers. The films collectively received 12 awards when they premiered at the »
The lineup for the second annual Sundance London Film and Music Festival was released yesterday, full details of the features playing can be found here.
The festival Directors have outdone themselves this year, building on the success of the inaugural event in 2012. There are a number of UK and International premieres as well as a chorus of new voices and the ethos of the Park City festival has traveled very well across the pond.
On the occasion of the lineup being revealed we took some time out with John Cooper, Director of the Sundance Film Festival and Trevor Groth, Director of Programming for the Sundance Film Festival to get a feel for their thinking when they compiled the festival programme as well as their take on the independent cinema scene in the UK and the Us.
Our interview with John and Trevor is below, the responses are marked with the »
- Jon Lyus
Sundance Institute and The O2 have announced the lineup for the second Sundance London film and music festival.
Steve Coogan and Michael Winterbottom's The Look of Love, Upstream Colour and "electro rock opera" Peaches Does Herself are among the new films that will screen at the event, which includes a programme of 18 features and nine short films across four dedicated sections.
Robert Redford, who brings his Utah Sundance Film Festival to London's O2 from April 25-28, said: "We would hope for Sundance London to be another 'Sundance' experience – lively, culturally relevant and fun.
"We look forward to engaging with audiences as we discover new voices, new points of view and new perspectives."
Sundance London will also hold panels with James Bond composer David Arnold alongside screenwriting and comedy talks. »
At the end of April Sundance London returns to the O2 for another festival celebrating the best of independent film and music.
There is the same diverse range of films which made up the inaugural festival last year with a number of UK premieres including Lynn Shelton’s Touchy Feely, Shane Carruth’s Upstream Color and our first look at Steve Coogan in Film4′s The Look of Love.
The festival runs from the 25th to the 28th of April at London’s O2. We’ll be taking a more in depth look at the lineup up later in the week and this afternoon we have an exclusive interview with the festival directors.
Here’s the full line up of films, all the rest of the festival’s content (shorts, music and special events) can be found here at http://www.sundance-london.com which is also where you can buy tickets. »
- Jon Lyus
Here is a complete listing of the films that were shown/covered by the Ioncinema.com team comprised of Nicholas Bell (Nb), Jordan M. Smith (Js) and Eric Lavallee (El). We’ll be populating this page up until March.
U.S. Dramatic Competition
C.O.G.- Kyle Patrick Alvarez: Js (★★ 1/2), Nb (★★ 1/2): Review
In A World… – Lake Bell: El (★★★): Review
- Eric Lavallee
*Note Updates in next blog: Sundance By Numbers Update
Originally this report used a horserace as its metaphor. It was designed to see who was ahead of the others and who was lagging behind. U.S. talent agencies were increasingly acting as producer reps and thus inserting themselves into the sales of U.S. rights, an activity formerly the exclusive domain of international sales agents who would map their entire international strategy for sales, using the U.S. sale as a marketing tool for other sales. Now the race between producer reps and international sales agents for representing films, primarily at Sundance and Toronto is tracked in the By Numbers Report.
The report tracks which agents and which international sales agents are selling the most films, which titles are selling best, which distributors are buying the most, and any other noteworthy “races”, e.g., how many films are by women, Asians, African-diasporites, or are about such subjects as Jewish, Glbt, politics, whatever.
This year’s Cannes saw the number of women directors fall so drastically (from a steady 10 – 13% in festivals during the last few years), that an outcry was heard from professionals in the industry. Sundance significantly ups this figure. This year out of 16 fiction features in competition, 8 are by women. Of Sundance’s 113 features, 37 are by women which means 33%. We hope this is a trend and not an anomoly. Only time will tell. According to San Diego State University’s Center for the Study of Women in Television and Film, only 5% of the 250 highest-grossing films last year were directed by women.
Over time, the reports spot trends in the business of buying and selling, especially during festivals like Toronto and Sundance.
With time, we may find the number of Asian, Asian-American, African diaspora, Middle-Eastern and female directed films impact the marketplace itself. For that reason, these reports will continue to be offered to film professionals. The criterion are not set in stone but depend upon the moment.
Sundance By Numbers
If there were a Sundance Institute Performance Metric, a measure of its activities and performance, inwardly focusing on the performance of the organization, would show a high value of performance against customer requirements and value. Its performance metrics would prove it to be very healthy and consistent with the six criteria: time, cost, resources, scope, quality, and actions.
Bravo Sundance! On all fronts it is carrying through its original purpose and vision.
Out of 12,146 features and shorts (429 more than in 2012) submitted this yearincluding 4,044 feature-length films and 8,102 short films. Of the feature film submissions, 2,070 were from the U.S. and 1,974 were international. 113 features were chosen. 98 of these are world premieres. 33% of these are directed by women.
This year half of the 16 narrative fiction features in competition are directed by women. In the 2012 festival, only 3 of the 16 dramatic competition films were made by women. Overall, 33% (37 out of 113) of the Sundance titles are directed by women.
For the 2013 Sundance Film Festival, 113 feature-length films were selected, represented films were selected from 12,146 submissions (429 more than for 2012), 98 feature films at the Festival will be world premieres.
Films by women are markedwith the♀, African American withthe symbol α (9). Latino is marked by the symbol ɤ (7). Jewish by ✡ (13), Asian by ¥ (10), Middle Eastern ᵯ (4), Lgbt (13)
Us in Progress, the two year old, innovative look at films in post held by American Film Festival in Wroclaw, Poland and by Champs Elysees Film Festival already has a track record with 3 of its films at Sundance. A Teacher by Hannah Fidell ♀ which was picked up subsequently by Visit and is being repped for U.S. by ICM, I Used to be Darker and Milkshake.
San Francisco Film Society's claims 5 of their films funded by San Francisco Film Society grants and incubated with the support of various Filmmaker360 programs will have their world premieres: Ryan Coogler's (α) Fruitvale will screen in the U.S. Dramatic Competition, and Joe Brewster (α) and Michèle Stephenson's (♀, α) American Promise, Zachary Heinzerling's Cutie and the Boxer, Jacob Kornbluth's (✡) Inequality for All and Shaul Schwarz's (✡) Narco Cultura will screen in the U.S. Documentary Competition.
11 Ifp program-supported projects at Sundance include Audrey Ewell♀, Aaron Aites, Lucian Read and Nina Krstic's ♀ 99%: The Occupy Wall Street Collaborative Film; Martha Shane ♀ and Lana Wilson's ♀After Tiller;Zachery Heinzerling's (✡)Cutie and the Boxer, Dawn Porter's ♀ Gideon's Army; and Roger Ross Williams' (α, Lgbt) God Loves Ugandain the U.S. Documentary Competition. Narrative films include David Lowery's Ain’t Them Bodies Saints and Stacie Passon's (♀,Lgbt)Concussion in the U.S .Dramatic Competition; Alexandre Moors' Blue Caprice,Shaka King's (α) Newlyweeds,and Chad Hartigan's This is Martin Bonner in Next; and Rama Burshtein's (♀,✡) Fill the Void in Spotlight. Blue Caprice and Concussion are alums of Ifp’s 2012 Independent Filmmaker Labs; Cutie and the Boxer, God Loves Uganda, and This is Martin Bonner are fiscally sponsored by Ifp; and all of the other films (and Cutie) were selections of Independent Film Week’s Project Forum in 2011-2012.
Number Of Producer Reps Repping U.S. Rights
What shows up most on this scorecard is the prevalence of the talent agencies and other “producers’ representatives”. In those “good old days” of Sundance before “Sex, Lies and Videotape” alerted Hollywood that there was some capital to be made in Park City, Sundance gave a home to the original visions of a few independent minded filmmakers, and there were no terms to describe “producer reps”. International sales agents (when these films had any such representation, which was also rare) did their work without deferring to dealmakers in Hollywood. And, as I said, these films usually did not have international representation. That is why the newly emerging acquisitions executives went to Sundance looking for films that they would not find in the existing markets (Cannes, Mifed or Afm).
Anyway, here we are today and here are the numbers:
There are about 12 Producers Reps. The newest fold in the relatively new “mini industry” of representing producers to the U.S. distribution community is that now, instead of one producer rep per film, often two competitive agencies might rep the U.S. rights as you can see in top scorers CAA, Wme or UTA’s lineups.
Producer reps do their best work in Sundance and in Toronto. They usually represent the producer to help make a lucrative U.S. deal. After the heat is gone in Sundance and Toronto, the producer reps usually fade away from the deal making, leaving the unpicked-up films in a limbo until some distributor finally makes a deal with the producer or the international sales agent directly.
In terms of capitol, while there is no official count, it is said that last year $30 million in deals were done at Sundance. If this is true, is it made primarily by the producer reps? What percentage do they get from the deal? Does this mean filmmakers have to have CAA rep them to break out of the gate? (The answer is no). Agents taking on the job of being producer reps are doing so because they have helped with packaging and/ or financing the films they are repping. Sometimes talent takes lower salaries when they work in indies and the agents must get as much back as possible.
It is not necessary to have an agent, there are other types of producer reps, including attorneys who act as attorneys but sometimes seem to be producers reps like Cinetic’s John Sloss, or Linda Licther, or Donaldson Callif who has 11 films in Sundance and 2 in Slamdance this year. There are also independent producer reps who are hungrier than the major agencies who must quickly earn their 10% (or not) and move on. These producer reps tend to work year round with the films they represent. Submarine, Preferred Content and Ronna Wallace’s Eastgate are the most important ones today.
Producer Reps “By Numbers”
Creative Artists Agency (CAA) which repped a total of 14 films in 2012 is still calling a lot of shots this Sundance.
1 jOBS / U.S.A. (Director: Joshua Michael Stern (✡), Screenwriter: Matt Whiteley) — The true story of one of the greatest entrepreneurs in American history, jOBS chronicles the defining 30 years of Steve Jobs’ life. jOBS is a candid, inspiring and personal portrait of the one who saw things differently. (Synopses are written by Sundance staff.) Cast: Ashton Kutcher, Dermot Mulroney, Josh Gad, Lukas Haas, J.K. Simmons, Matthew Modine. Closing Night Film -- Open Road Filmshas U.S. Entertainment One (in collaboration with Remstar) has Canada except theatrical, VOD and French-language TV rights in Quebec which Remstarholds exclusively. Isa: If Entertainment
2 Anita /α/ U.S.A. (Director: Freida Mock ♀¥) — Anita Hill, an African-American woman, charges Supreme Court nominee Clarence Thomas with sexual harassment in explosive Senate hearings in 1991 – bringing sexual politics into the national consciousness and fueling 20 years of international debate on the issues.
3 Linsanity / U.S.A. (Director: Evan Leong ¥) — Jeremy Lin came from a humble background to make an unbelievable run in the NBA. State high school champion, all-Ivy League at Harvard, undrafted by the NBA and unwanted there: his story started long before he landed on Broadway.
4 Hell Baby / U.S.A. (Directors and screenwriters: Robert Ben Garant, Thomas Lennon) — An expectant couple moves into the most haunted fixer-upper in New Orleans – a house with a demonic curse. Things spiral out of control and soon only the Vatican’s elite exorcism team can save the pair – or can it? Cast: Rob Corddry, Leslie Bibb, Keegan Michael Key, Riki Lindhome, Paul Scheer, Rob Huebel.
5 The Inevitable Defeat of Mister and Pete / U.S.A. (Director: George Tillman Jr. α, Screenwriter: Michael Starrbury) — Separated from their mothers and facing a summer in the Brooklyn projects alone, two boys hide from police and forage for food, with only each other to trust. A story of salvation through friendship and two boys against the world. Cast: Skylan Brooks, Ethan Dizon, Jennifer Hudson, Jordin Sparks, Anthony Mackie, Jeffrey Wright.Isa: Aldamisa
6 The Lifeguard / U.S.A. (Director and screenwriter: Liz W. Garcia ♀ɤ) — A former valedictorian quits her reporter job in New York and returns to the place she last felt happy: her childhood home in Connecticut. She gets work as a lifeguard and starts a dangerous relationship with a troubled teenager. Cast: Kristen Bell, Mamie Gummer, Martin Starr, Alex Shaffer, Amy Madigan, David Lambert. Isa: Joker Films
7 Narco Cultura / ɤ/ U.S.A. (Director: Shaul Schwarz (✡) — An examination of Mexican drug cartels’ influence in pop culture on both sides of the border as experienced by an La narcocorrido singer dreaming of stardom and a Juarez crime scene investigator on the front line of Mexico’s Drug War.Isa: K5
8 Don Jon’s Addiction / U.S.A. (Director and screenwriter: Joseph Gordon-Levitt) — In Joseph Gordon-Levitt’s charming directorial debut, a selfish modern-day Don Juan attempts to change his ways. Cast: Joseph Gordon-Levitt, Scarlett Johansson, Julianne Moore, Tony Danza, Glenne Headly, Rob Brown. Shares rights with Wme Isa: Voltage Pictures has sold to Future Films for Finland, Remstar Films for Canada, Ascot Elite Entertainment Group for Germany and Switzerland, Midget Entertainmentfor Denmark, Noori Picturesfor So. Korea.
9 The Necessary Death of Charlie Countryman / U.S.A. (Director: Fredrik Bond, Screenwriter: Matt Drake) — Traveling abroad, Charlie Countryman falls for Gabi, a Romanian beauty whose unreachable heart has its origins in Nigel, her violent, charismatic ex. As the darkness of Gabi’s past increasingly envelops him, Charlie resolves to win her heart, or die trying. Cast: Shia Labeouf, Evan Rachel Wood, Mads Mikkelsen, Rupert Grint, James Buckley, Til Schweiger. Isa: Voltage Pictures sold to Ascot Elite for Switzerland and Germany, Midget for Denmark, Vvs Films for Canada.
10 The Way, Way Back / U.S.A. (Directors and screenwriters: Nat Faxon, Jim Rash) — Duncan, an introverted 14-year-old, comes into his own over the course of a comedic summer when he forms unlikely friendships with the gregarious manager of a rundown water park and the misfits who work there. Cast: Steve Carell, Toni Collette, Allison Janney, Sam Rockwell, Maya Rudolph, Liam James. Shares rights with Wme Isa: Sierra/ Affinity
11 Very Good Girls / U.S.A. (Director and screenwriter: Naomi Foner (♀,✡)) — In the long, half-naked days of a New York summer, two girls on the brink of becoming women fall for the same guy and find that life isn’t as simple or safe as they had thought. Cast: Dakota Fanning, Elizabeth Olsen, Boyd Holbrook, Demi Moore, Richard Dreyfuss, Ellen Barkin.
12 Two Mothers / Australia, France (Director: Anne Fontaine ♀, Screenwriter: Christopher Hampton) — This gripping tale of love, lust and the power of friendship charts the unconventional and passionate affairs of two lifelong friends who fall in love with each other’s sons. Cast: Naomi Watts, Robin Wright, Xavier Samuel, James Frechevile.Isa: Gaumont sold to Remstar for Canada, Hopscotch Features for Australia/ N.Z., Gaumont for France.
United Talent Agency (UTA)
1 Austenland / U.S.A., United Kingdom (Director: Jerusha Hess ♀, Screenwriters: Jerusha Hess, Shannon Hale) — Thirtysomething, single Jane is obsessed with Mr. Darcy, as played by Colin Firth in Pride and Prejudice. On a trip to an English resort, her fantasies of meeting the perfect Regency-era gentleman become more real than she ever imagined. Cast: Keri Russell, Jj Feild, Bret McKenzie, Jennifer Coolidge, Georgia King, James Callis.
2 In a World... / U.S.A. (Director and screenwriter: Lake Bell (♀,✡)) — An underachieving vocal coach is motivated by her father, the king of movie-trailer voice-overs, to pursue her aspirations of becoming a voiceover star. Amidst pride, sexism and family dysfunction, she sets out to change the voice of a generation. Cast: Lake Bell, Demetri Martin, Rob Corddry, Michaela Watkins, Ken Marino, Fred Melamed.
3 Crystal Fairy / Chile (Director and screenwriter: Sebastián Silva ɤ Lgbt ) — Jamie invites a stranger to join a road trip to Chile. The woman’s free and esoteric nature clashes with Jamie’s acidic, self-absorbed personality as they head into the desert for a Mescaline-fueled psychedelic trip. Cast: Michael Cera, Gabby Hoffmann, Juan Andrés Silva, José Miguel Silva, Agustín Silva. World Premiere. Day One Film
4 Breathe In / U.S.A. (Director: Drake Doremus, Screenwriters: Drake Doremus, Ben York Jones) — When a foreign exchange student arrives in a small upstate New York town, she challenges the dynamics of her host family’s relationships and alters their lives forever. Cast: Guy Pearce, Felicity Jones, Amy Ryan, Mackenzie Davis.
5 Ass Backwards / U.S.A. (Director: Chris Nelson, Screenwriters: June Diane Raphael, Casey Wilson) — Loveable losers Kate and Chloe take a road trip back to their hometown to claim the beauty pageant crown that eluded them as children, only to discover what really counts: friendship. Cast: June Diane Raphael, Casey Wilson, Vincent D’Onofrio, Alicia Silverstone, Jon Cryer, Brian Geraghty. Isa: Premiere Entertainment Group
6 Afternoon Delight / U.S.A. (Director and screenwriter: Jill Soloway ♀) — In this sexy, dark comedy, a lost L.A. housewife puts her idyllic hipster life in jeopardy when she tries to rescue a stripper by taking her in as a live-in nanny. Cast: Kathryn Hahn, Juno Temple, Josh Radnor, Jane Lynch. Shares rights with Lichter, Grossman, Nichols, Adler & Feldman
7 C.O.G. / U.S.A. (Director and screenwriter: Kyle Patrick Alvarez (ɤ, Lgbt) — In the first ever film adaptation of David Sedaris’ work, a cocky young man travels to Oregon to work on an apple farm. Out of his element, he finds his lifestyle and notions being picked apart by everyone who crosses his path. Cast: Jonathan Groff, Denis O’Hare, Corey Stoll, Dean Stockwell, Casey Wilson, Troian Bellisario. Shares rights with Preferred Content
8 Touchy Feely / U.S.A. (Director and screenwriter: Lynn Shelton ♀, Lgbt) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother’s foundering dental practice receives new life when clients seek out his “healing touch.” Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais. Shares rights with Submarine
9 The Spectacular Now / U.S.A. (Director: James Ponsoldt, Screenwriters: Scott Neustadter, Michael H. Weber) — Sutter is a high school senior who lives for the moment; Aimee is the introvert he attempts to “save.” As their relationship deepens, the lines between right and wrong, friendship and love, and “saving” and corrupting become inextricably blurred. Cast: Miles Teller, Shailene Woodley, Brie Larson, Jennifer Jason Leigh, Mary Elizabeth Winstead, Kyle Chandler. Isa: The Exchange
10 Magic Magic / ɤ/ U.S.A., Chile (Director and screenwriter: Sebastián Silva ɤ, Lgbt) — An American girl vacationing in remote Chile mentally unravels, putting herself and those around her in danger. Cast: Michael Cera, Juno Temple, Emily Browning, Catalina Sandino Moreno, Augustín Silva. World Premiere Isa: The Exchange/6 Sales
11 Kill Your Darlings / U.S.A. (Director: John Krokidas Lgbt, Screenwriters: Austin Bunn, John Krokidas) — An untold story of murder that brought together a young Allen Ginsberg, Jack Kerouac and William Burroughs at Columbia University in 1944, providing the spark that led to the birth of an entire generation – their Beat revolution. Cast: Daniel Radcliffe, Dane DeHann, Ben Foster, Michael C. Hall, Jack Huston, Elizabeth Olsen. Shares rights with Elevated Film Sales Isa: Inferno Entertainment
12 The Look of Love / United Kingdom (Director: Michael Winterbottom Lgbt, Screenwriter: Matt Greenhalgh) — The true story of British adult magazine publisher and entrepreneur Paul Raymond. A modern day King Midas story, Raymond became one of the richest men in Britain at the cost of losing those closest to him. Cast: Steve Coogan, Anna Friel, Imogen Poots, Tamsin Egerton. - UTAis No.American consultant to StudioCanal
Submarine along with Preferred Content is one of the truly independent producers reps.
1 Blackfish / U.S.A. (Director: Gabriela Cowperthwaite ♀) — Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top killer whale trainer. Blackfish shows the sometimes devastating consequences of keeping such intelligent and sentient creatures in captivity.
2 Citizen Koch / U.S.A. (Directors: Carl Deal, Tia Lessin ♀) — Wisconsin – birthplace of the Republican Party, government unions, “cheeseheads” and Paul Ryan – becomes a test market in the campaign to buy Democracy, and ground zero in the battle for the future of the Gop.
3 Cutie and the Boxer / U.S.A. (Director: Zachary Heinzerling ✡) — This candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband’s assistant, Noriko finds an identity of her own.
5 God Loves Uganda / α / U.S.A. (Director: Roger Ross Williams (α, Lgbt)) — A powerful exploration of the evangelical campaign to infuse African culture with values imported from America’s Christian Right. The film follows American and Ugandan religious leaders fighting “sexual immorality” and missionaries trying to convince Ugandans to follow biblical law. -- Submarine handling U.S/ Canada (Excluding U.S TV Rights)
6 Twenty Feet From Stardom / α / U.S.A. (Director: Morgan Neville) — Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we’ve had no idea who these singers are or what lives they lead – until now. -- Submarine handling U.S/ Canada/ U.K/ Australia/ N.Zealand
7 The Summit / Ireland, United Kingdom (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers’ code, he might still be alive. International Premiere
8 Who is Dayani Cristal? / United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo. World Premiere.
9 Charlie Victor Romeo / U.S.A. (Directors: Robert Berger, Karlyn Michelson ♀, Screenwriters: Robert Berger, Patrick Daniels, Irving Gregory) — An award-winning theatrical documentary derived entirely from ‘Black Box’ transcripts of six real-life major airline emergencies brought to the screen with cutting-edge stereoscopic 3D technology. Cast: Patrick Daniels, Irving Gregory, Noel Dinneen, Sam Zuckerman, Debbie Troche, Nora Woolley.
10 Running From Crazy / U.S.A. (Director: Barbara Kopple ♀, ✡) — Mariel Hemingway, granddaughter of Ernest Hemingway, strives for a greater understanding of her family history of suicide and mental illness. As tragedies are explored and deeply hidden secrets are revealed, Mariel searches for a way to overcome a similar fate.
11 Touchy Feely / U.S.A. (Director and screenwriter: Lynn Shelton ♀ Lgbt) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother’s foundering dental practice receives new life when clients seek out his “healing touch.” Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais. Shares rights with UTA
12 Muscle Shoals / α /U.S.A. (Director: Greg 'Freddy' Camalier) — Down in Alabama Rick Hall founded Fame Studios and gave birth to the Muscle Shoals sound. Mick Jagger, Keith Richards, Gregg Allman, Aretha Franklin, Etta James, Alicia Keys, Bono and others bear witness to the greatest untold American music story. Shares rights with Wme
William Morris Endeavor (Wme)
1 Inequality for All / U.S.A. (Director: Jacob Kornbluth (✡)) — In this timely and entertaining documentary, noted economic-policy expert Robert Reich distills the topic of widening income inequality, and addresses the question of what effects this increasing gap has on our economy and our democracy.
2 Fruitvale / U.S.A. (Director and screenwriter: Ryan Coogler α) — The true story of Oscar, a 22-year-old Bay Area resident who crosses paths with friends, enemies, family and strangers on the last day of 2008. Cast: Michael B. Jordan, Octavia Spencer, Melonie Diaz, Ahna O’Reilly, Kevin Durand, Chad Michael Murray.
3 A.C.O.D. / U.S.A. (Director: Stuart Zicherman ✡, Screenwriters: Ben Karlin, Stuart Zicherman) — Carter is a well-adjusted Adult Child of Divorce. So he thinks. When he discovers he was part of a divorce study as a child, it wreaks havoc on his family and forces him to face his chaotic past. Cast: Adam Scott, Richard Jenkins, Catherine O’Hara, Amy Poehler, Mary Elizabeth Winstead, Clark Duke.
4 S-vhs / U.S.A., Canada (Directors: Simon Barrett, Adam Wingard, Edúardo Sanchez ɤ , Gregg Hale, Timo Tjahjanto ¥, Gareth Huw Evans, Jason Eisener, Screenwriters: Simon Barrett, Jamie Nash, Timo Tjahjanto & Gareth Huw Evans, John Davies) — Searching for a missing student, two private investigators break into his abandoned house and find another collection of mysterious VHS tapes. In viewing the horrific contents of each cassette, they realize there may be terrifying motives behind the student’s disappearance. Cast: Adam Wingard, Lawrence Levine, L.C Holt, Kelsy Abbott, Hannah Hughes.
5 Ain’t Them Bodies Saints / U.S.A. (Director and screenwriter: David Lowery) — The tale of an outlaw who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met. Cast: Rooney Mara, Casey Affleck, Ben Foster, Nate Parker, Keith Carradine. Shares rights with Elevated Film Sales
6 Big Sur / U.S.A. (Director and screenwriter: Michael Polish) — Unable to cope with a suddenly demanding public and battling advanced alcoholism, Jack Kerouac seeks respite in three brief sojourns to a cabin in Big Sur, which reveal his mental and physical deterioration. Cast: Jean-Marc Barr, Kate Bosworth, Josh Lucas, Radha Mitchell, Anthony Edwards, Henry Thomas. Shares rights with Gersh
7 We Are What We Are / U.S.A. (Director: Jim Mickle, Screenwriters: Nick Damici, Jim Mickle) — A devastating storm washes up clues that lead authorities closer and closer to the cannibalistic Parker family. Cast: Bill Sage, Ambyr Childers, Julia Garner, Michael Parks, Wyatt Russell, Kelly McGillis.Isa: Memento Films
8 Blood Brother / U.S.A. (Director: Steve Hoover) — Rocky went to India as a disillusioned tourist. When he met a group of children with HIV, he decided to stay. He never could have imagined the obstacles he would face, or the love he would find. Shares rights with Preferred Content
9 Don Jon’s Addiction / U.S.A. (Director and screenwriter: Joseph Gordon-Levitt) — In Joseph Gordon-Levitt’s charming directorial debut, a selfish modern-day Don Juan attempts to change his ways. Cast: Joseph Gordon-Levitt, Scarlett Johansson, Julianne Moore, Tony Danza, Glenne Headly, Rob Brown. Shares rights with CAA Isa: Voltage Pictures
10 The Way, Way Back / U.S.A. (Directors and screenwriters: Nat Faxon, Jim Rash) — Duncan, an introverted 14-year-old, comes into his own over the course of a comedic summer when he forms unlikely friendships with the gregarious manager of a rundown water park and the misfits who work there. Cast: Steve Carell, Toni Collette, Allison Janney, Sam Rockwell, Maya Rudolph, Liam James. Shares rights with CAA Isa: Sierra/Affinity
Cinetic Led by John Sloss, premier N.Y. independent attorney who has represented films internationally, acted as an aggregator of digital rights and acts as a producers rep for North America:
1 After Tiller / U.S.A. (Directors: Martha Shane ♀, Lana Wilson ♀) — Since the assassination of Dr. George Tiller in 2009, only four doctors in the country provide late-term abortions. With unprecedented access, After Tiller goes inside the lives of these physicians working at the center of the storm. -- Isa: ro*co
2 Before Midnight/ U.S.A. (Director: Richard Linklater, Screenwriters: Julie Delpy, Ethan Hawke, Richard Linklater— We meet Jesse and Celine nine years on in Greece. Almost two decades have passed since their first meeting on that train bound for Vienna. Before the clock strikes midnight, we will again become part of their story. Cast: Ethan Hawke, Julie Delpy, Xenia Kalogeropoulou, Ariane Labed, Athina Rachel Tsangari, Seamus Davey-Fitzpatrick. -- Isa: Im Global
3 Blue Caprice / U.S.A. (Director: Alexandre Moors, Screenwriters: R.F.I Porto, Alexandre Moors) — An abandoned boy is lured to America and drawn into the shadow of a dangerous father figure in this film inspired by the real life events that led to the 2002 Beltway sniper attacks. Cast: Isaiah Washington, Tequan Richmond, Joey Lauren Adams, Tim Blake Nelson, Cassandra Freeman, Leo Fitzpatrick.
4 Escape from Tomorrow / U.S.A. (Director and screenwriter: Randy Moore) — A postmodern, surreal voyage into the bowels of "family" entertainment; an epic battle begins when an unemployed, middle-aged father loses his sanity during a close encounter with two teenage girls on holiday. Cast: Roy Abramsohn, Elena Schuber, Katelynn Rodriguez, Annet Mahendru, Danielle Safady, Alison Lees-Taylor.
5 Milkshake / α / U.S.A. (Director: David Andalman, Screenwriters: David Andalman, Mariko Munro) — In mid-1990's America, we follow the tragic sex life of Jolie Jolson, a wannabe thug (and great-great-grandson of legendary vaudevillian Al Jolson) in suburban DC as he strives to become something he can never be – black. Cast: Tyler Ross, Shareeka Epps, Georgia Ford, Eshan Bay, Leo Fitzpatrick, Danny Burstein.
6 Prince Avalanche / U.S.A. (Director and screenwriter: David Gordon Green ✡) — Two highway road workers spend the summer of 1988 away from their city lives. The isolated landscape becomes a place of misadventure as the men find themselves at odds with each other and the women they left behind. Cast: Paul Rudd, Emile Hirsch.
7 Pussy Riot – A Punk Prayer / Russian Federation, United Kingdom (Directors: Mike Lerner, Maxim Pozdorovkin) — Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial: the three young artists or the society they live in? World Premiere -- Isa: Goldcrest Films
8 The Square (El Midan) / ᵯ/ Egypt, U.S.A. (Director: Jehane Noujaim ♀ ᵯ) — What does it mean to risk your life for your ideals? How far will five revolutionaries go in defending their beliefs in the fight for their nation? World Premiere -- Isa: Goldcrest Films
9 Toy's House / U.S.A. (Director: Jordan Vogt-Roberts, Screenwriter: Chris Galletta) — Three unhappy teenage boys flee to the wilderness where they build a makeshift house and live off the land as masters of their own destiny. Or at least that’s the plan. Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Megan Mullally, Alison Brie.
Preferred Contentis another truly independent producer’s rep started by Kevin Iwashina when he left CAA in L.A.
1 C.O.G. / U.S.A. (Director and screenwriter: Kyle Patrick Alvarez ɤ, Lgbt) — In the first ever film adaptation of David Sedaris’ work, a cocky young man travels to Oregon to work on an apple farm. Out of his element, he finds his lifestyle and notions being picked apart by everyone who crosses his path. Cast: Jonathan Groff, Denis O’Hare, Corey Stoll, Dean Stockwell, Casey Wilson, Troian Bellisario. Shares rights with UTA
2 Emanuel and the Truth About Fishes / U.S.A. (Director and screenwriter: Francesca Gregorini ♀, Lgbt) — Emanuel, a troubled girl, becomes preoccupied with her mysterious, new neighbor, who bears a striking resemblance to her dead mother. In offering to babysit her newborn, Emanuel unwittingly enters a fragile, fictional world, of which she becomes the gatekeeper. Cast: Kaya Scodelario, Jessica Biel, Alfred Molina, Frances O’Connor, Jimmi Simpson, Aneurin Barnard.
3 Pit Stop / U.S.A. (Director: Yen Tan ¥ Lgbt, Screenwriters: Yen Tan, David Lowery) — Two working-class gay men in a small Texas town and a love that isn’t quite out of reach. Cast: Bill Heck, Marcus DeAnda, Amy Seimetz, John Merriman, Alfredo Maduro, Corby Sullivan.
4 Kink (documentary) / U.S.A. (Director: Christina Voros ♀) — A story of sex, submission and big business is told through the eyes of the unlikely pornographers whose 9:00-to-5:00 work days are spent within the confines of the San Francisco Armory building, home to the sprawling porn production facilities of Kink.com.
5 Blood Brother / U.S.A. (Director: Steve Hoover) — Rocky went to India as a disillusioned tourist. When he met a group of children with HIV, he decided to stay. He never could have imagined the obstacles he would face, or the love he would find. Shares rights with Wme
6 Sweetwater / U.S.A. (Directors: Logan Miller, Noah Miller, Screenwriter: Andrew McKenzie) — In the late 1800s, a fanatical religious leader, a renegade Sheriff, and a former prostitute collide in a blood triangle on the rugged plains of the New Mexico Territory. Cast: Ed Harris, January Jones, Jason Isaacs, Eduardo Noriega, Steven Rude, Amy Madigan.Isa: Atlas International
The Film Sales Company- Andrew Herwitz is another independent Producer’s Rep, based in N.Y. repping worldwide rights to films.
1 The Crash Reel / U.S.A. (Director: Lucy Walker ♀) — The jaw-dropping story of one unforgettable athlete, Kevin Pearce; one eye-popping sport, snow boarding; and one explosive issue, traumatic brain injury. An epic rivalry between Kevin and Shaun White culminates in a life-changing crash and a comeback story with a difference. Salt Lake City Gala Film
2 Pandora’s Promise / U.S.A. (Director: Robert Stone) — A growing number of environmentalists are renouncing decades of antinuclear orthodoxy and have come to believe that the most feared and controversial technology known to mankind is probably our greatest hope.
3 Computer Chess / U.S.A. (Director and screenwriter: Andrew Bujalski) — An existential comedy about the brilliant men who taught machines to play chess – back when the machines seemed clumsy and we seemed smart. Cast: Patrick Riester, Myles Paige, James Curry, Robin Schwartz, Gerald Peary, Wiley Wiggins.
4 Interior. Leather Bar. (Lgbt)/ U.S.A. (Directors: Travis Mathews Lgbt, James Franco, Screenwriter: Travis Mathews) — To avoid an X rating, it was rumored that 40 minutes of gay S&M footage was cut from the controversial 1980 film, Cruising. Filmmakers James Franco and Travis Mathews re-imagine what was in the lost footage. Cast: Val Lauren, James Franco, Travis Mathews, Christian Patrick, Brenden Gregory.
5 The Moo Man / United Kingdom (Directors: Andy Heathcote, Heike Bachelier ♀) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. World Premiere
1 Mother of George / U.S.A. (Director: Andrew Dosunmu α, Screenwriter: Darci Picoult) — A story about a woman willing to do anything and risk everything for her marriage. Cast: Isaach De Bankolé, Danai Gurira, Anthony Okungbowa, Yaya Alafia, Bukky Ajayi.Isa: K5
2 99% - The Occupy Wall Street Collaborative Film / U.S.A. (Directors: Audrey Ewell ♀, Aaron Aites, Lucian Read, Nina Kristic ♀) — The Occupy movement erupted in September 2011, propelling economic inequality into the spotlight. In an unprecedented collaboration, filmmakers across America tell its story, digging into big picture issues as organizers, analysts, participants and critics reveal how it happened and why.
3 Concussion Lgbt/ U.S.A. (Director and screenwriter: Stacie Passon ♀,Lgbt) — After a blow to the head, Abby decides she can’t do it anymore. Her life just can’t be only about the house, the kids and the wife. She needs more: she needs to be Eleanor. Cast: Robin Weigert, Maggie Siff, Johnathan Tchaikovsky, Julie Fain Lawrence, Emily Kinney, Laila Robins.
4 I Used To Be Darker / U.S.A. (Director: Matthew Porterfield, Screenwriters: Amy Belk, Matthew Porterfield) — A runaway seeks refuge with her aunt and uncle in Baltimore, only to find their marriage ending and her cousin in crisis. In the days that follow, the family struggles to let go while searching for things to sustain them. Cast: Deragh Campbell, Hannah Gross, Kim Taylor, Ned Oldham, Geoff Grace, Nick Petr.
5 Virtually Heroes / U.S.A. (Director: Gj Echternkamp, Screenwriter: Matt Yamashita) — Two self-aware characters in a Call of Duty-style video game struggle with their screwy, frustrating existence. To find answers, one abandons his partner and mission, seeking to unravel the cheat codes of life. Cast: Robert Baker, Brent Chase, Katie Savoy, Mark Hamill, Ben Messmer.
1 Metro Manila / United Kingdom, Philippines (Director: Sean Ellis, Screenwriters: Sean Ellis, Frank E. Flowers) — Seeking a better life, Oscar and his family move from the poverty-stricken rice fields to the big city of Manila, where they fall victim to various inhabitants whose manipulative ways are a daily part of city survival. Cast: Jake Macapagal, John Arcilla, Althea Vega. World PremiereIsa: Independent Film Company-- Haut et Court has France
2 This Is Martin Bonner / U.S.A.(Director and screenwriter: Chad Hartigan) — Martin Bonner has just moved to Reno for a new job in prison rehabilitation. Starting over at age 58, he struggles to adapt until an unlikely friendship with an ex-con blossoms, helping him confront the problems he left behind. Cast: Paul Eenhoorn, Richmond Arquette, Sam Buchanan, Robert Longstreet, Demetrius Grosse. Shares rights with Traction Media
3 A Teacher / U.S.A. (Director and screenwriter: Hannah Fidell ♀) — A popular young teacher in a wealthy suburban Texas high school has an affair with one of her students. Her life begins to unravel as the relationship comes to an end. Cast: Lindsay Burdge, Will Brittain, Jennifer Prediger, Jonny Mars, Julie Phillips, Chris Dubeck.Isa: Visit Films
Elevated Film Sales- Cassian Elwes
1 Kill Your Darlings/ U.S.A. (Director: John Krokidas Lgbt, Screenwriters: Austin Bunn, John Krokidas) — An untold story of murder that brought together a young Allen Ginsberg, Jack Kerouac and William Burroughs at Columbia University in 1944, providing the spark that led to the birth of an entire generation – their Beat revolution. Cast: Daniel Radcliffe, Dane DeHann, Ben Foster, Michael C. Hall, Jack Huston, Elizabeth Olsen. Shares rights with UTAIsa: Inferno Entertainment
2 Ain’t Them Bodies Saints / U.S.A. (Director and screenwriter: David Lowery) — The tale of an outlaw who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met. Cast: Rooney Mara, Casey Affleck, Ben Foster, Nate Parker, Keith Carradine. Shares rights with Wme
Traction Media is an attorney led producers rep based in L.A. repping worldwide rights
1 This Is Martin Bonner / U.S.A.(Director and screenwriter: Chad Hartigan) — Martin Bonner has just moved to Reno for a new job in prison rehabilitation. Starting over at age 58, he struggles to adapt until an unlikely friendship with an ex-con blossoms, helping him confront the problems he left behind. Cast: Paul Eenhoorn, Richmond Arquette, Sam Buchanan, Robert Longstreet, Demetrius Grosse. Shares rights with ICM
2 Lasting / Poland, Spain (Director and screenwriter: Jacek Borcuch) — An emotional love story about two Polish students who fall in love with each other while working summer jobs in Spain. An unexpected nightmare interrupts their carefree time in the heavenly landscape and throws their lives into chaos. Cast: Jakub Gierszal, Magdalena Berus, Angela Molina. World Premiere
1 Big Sur / U.S.A. (Director and screenwriter: Michael Polish) — Unable to cope with a suddenly demanding public and battling advanced alcoholism, Jack Kerouac seeks respite in three brief sojourns to a cabin in Big Sur, which reveal his mental and physical deterioration. Cast: Jean-Marc Barr, Kate Bosworth, Josh Lucas, Radha Mitchell, Anthony Edwards, Henry Thomas. Shares rights with Wme
1 Newlyweeds / U.S.A. (Director and screenwriter: Shaka King α) — A Brooklyn repo man and his globetrotting girlfriend forge an unlikely romance. But what should be a match made in stoner heaven turns into a love triangle gone awry in this dark coming-of-age comedy about dependency. Cast: Amari Cheatom, Trae Harris, Tone Tank, Colman Domingo, Isiah Whitlock Jr., Adrian Martinez.
Lichter, Grossman, Nichols, Adler & Feldman
1 Afternoon Delight / U.S.A. (Director and screenwriter: Jill Soloway ♀) — In this sexy, dark comedy, a lost L.A. housewife puts her idyllic hipster life in jeopardy when she tries to rescue a stripper by taking her in as a live-in nanny. Cast: Kathryn Hahn, Juno Temple, Josh Radnor, Jane Lynch. Shares rights with UTA
The Film Collaborative
1 A River Changes Course / Cambodia, U.S.A. (Director: Kalyanee Mam ♀ ¥) — Three young Cambodians struggle to overcome the crushing effects of deforestation, overfishing, and overwhelming debt in this devastatingly beautiful story of a country reeling from the tragedies of war and rushing to keep pace with a rapidly expanding world. World PremiereIsa: Cat & Docs
1 History of the Eagles Part One / U.S.A. (Director: Alison Ellwood ♀) — Using never-before-seen home movies, archival footage and new interviews with all current and former members of the Eagles, this documentary provides an intimate look into the history of the band and the legacy of their music. Showtime picked up for cable.
1 Valentine Road / U.S.A. (Director: Marta Cunningham ♀ α) — In 2008, eighth-grader Brandon McInerney shot classmate Larry King at point blank range. Unraveling this tragedy from point of impact, the film reveals the heartbreaking circumstances that led to the shocking crime as well as its startling aftermath.
1 The Stuart Hall Project / United Kingdom (Director: John Akomfrah α) — Antinuclear campaigner, New Left activist and founding father of Cultural Studies, this documentary interweaves 70 years of Stuart Hall’s film, radio and television appearances, and material from his private archive to document a memorable life and construct a portrait of Britain’s foremost radical intellectual. World Premiere
1 Upstream Color / U.S.A. (Director and screenwriter: Shane Carruth) — A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives. Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins. -- Shane Carruth will self-distribute via his Erbp banner.
Rada Film Group
1 American Promise / α /U.S.A. (Directors: Joe Brewster α, Michèle Stephenson ♀ α) — This intimate documentary follows the 12-year journey of two African-American families pursuing the promise of opportunity through the education of their sons.Isa: ro*co
International Sales Agents Selling U.S. (And Other Territories)
1 A Teacher / U.S.A. (Director and screenwriter: Hannah Fidell ♀) — A popular young teacher in a wealthy suburban Texas high school has an affair with one of her students. Her life begins to unravel as the relationship comes to an end. Cast: Lindsay Burdge, Will Brittain, Jennifer Prediger, Jonny Mars, Julie Phillips, Chris Dubeck. Domestic: ICM
2 Il Future (The Future) ɤ/ Chile, Germany, Italy, Spain (Director and screenwriter: Alicia Scherson ♀ ɤ) — When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future. Cast: Manuela Martelli, Rutger Hauer, Luigi Ciardo, Nicolas Vaporidis, Alessandro Giallocosta. World Premiere
3 It Felt Like Love / U.S.A. (Director and screenwriter: Eliza Hittman ♀) — On the outskirts of Brooklyn, a 14-year-old girl’s sexual quest takes a dangerous turn when she pursues an older guy and tests the boundaries between obsession and love. Cast: Gina Piersanti, Giovanna Salimeni, Ronen Rubinstein, Jesse Cordasco, Nick Rosen, Case Prime.
4 Halley ɤ/ Mexico (Director: Sebastian Hofmann ɤ, Screenwriters: Sebastian Hofmann, Julio Chavezmontes) — Alberto is dead and can no longer hide it. Before surrendering to his living death, he forms an unusual friendship with Luly, the manager of the 24-hour gym where he works as a night guard. Cast: Alberto Trujillo, Lourdes Trueba, Hugo Albores.
Goldcrest Films International
1 Which Way is the Front Line From Here? The Life and Time of Tim Hetherington / U.S.A. (Director: Sebastian Junger) — Shortly after the release of his documentary Restrepo, photographer Tim Hetherington was killed in Libya. Colleague Sebastian Junger traces Hetherington’s work across the world’s battlefields to reveal how he transcended the boundaries of image-making to become a luminary in his profession.
- Sydney Levine
Here are some of the twitter feeds for those participating in the Sundance Film Festival’s 2013 Premieres and Docu Premieres section including (image featured above) Who is Dayani Cristal?. If you know of any other twitter feeds (producers, production houses, editors, Dps, scribes – etc.) we can add for each individual film – please let us know.
World Cinema Dramatic Competition
Director and screenwriter Alicia Scherson – @scherson
Actor Garret Dillahunt – @garretdillahunt
Soldate Jeannette – @Jeannette_film
What They Don’t Talk About When They Talk About Love
Director and screenwriter Mouly Surya – @moulysurya
World Cinema Documentary Competition
Fire in the Blood – @fitbmovie
Director Dylan Mohan Gray – @DylanMohanGray
Google and the World Brain
Director Ben Lewis – @artsafarist
Pussy Riot – A Punk Prayer – @PussyRiotDoc
Co-director Maxim Pozdorovkin – @pozdor
A River »
- Jordan M. Smith
Vol. I Issue 6
Send us links to your sizzle reels and film sites.
Note: See Issues 1, 2, 3, and 4 for reviews and clips of the Academy documentary films and short films. Additional reviews of the documentary features follow in this issue.
Best documentary feature
The Gatekeepers Nominees to be determined *See note below
How to Survive a Plague Nominees to be determined
The Invisible War Nominees to be determined
Searching for Sugar Man Nominees to be determined
Best documentary short subject
Best animated short film
Best live action short film
Achievement in music written for motion pictures (Original song) from a documentary
Note: *Nominees to be determined* The Documentary Brand gives the nomination to the individual(s) most involved in the key creative aspects of the filmmaking process. A maximum of two persons may be designated as nominees, one of whom must be the credited director who exercised directorial control, and the other of whom must have a producer or director credit. If a producer is named, that individual must have performed a major portion of the producing functions, in accordance with Academy producer criteria. No more than two statuettes will normally be given in the Documentary Feature category. All individuals with a “Producer” or “Produced by” credit on films that reach the semifinal round will automatically be vetted.
The Documentary Branch Executive Committee will determine which producers, if any, are eligible to receive an Oscar. In the unlikely event of a dispute, filmmakers may appeal the committee’s decision. In extremely rare circumstances, a third statuette may be awarded.
Production companies or persons with the screen credit of executive producer, co-producer or any credit other than director or producer shall not be eligible as nominees for the motion picture.
DGA Documentary Award Nominations
This is Mr. Dick’s first DGA Award nomination.
This is Mr. Bendjelloul’s first DGA Award nomination.
This is Ms. Greenfield’s first DGA Award nomination.
This is Mr. France’s first DGA Award nomination.
This is Ms. Klayman’s first DGA Award nomination.
Two Academy Nominated Documentary Features
& One Academy Short Listed Documentary Reviewed
Documentary Feature Nominee
Six former heads of Israel’s domestic secret service agency, the Shin Bet, share their insights and reflect publicly on their actions and decisions in The Gatekeepers, a film by Dror Moreh. These six heads of the Shin Bet stood at the center of Israel's decision-making process in all matters pertaining to security. They worked closely with every Israeli prime minister, and their assessments and insights had—and continue to have—a profound impact on Israeli policy. The Gatekeepers is an exclusive account of their successes and failures.
I find The Gatekeepers remarkable. Not for its craft but for its concept and vision. Imagine
J Edger Hoover talking about his tenure at the FBI, his successes and his failures, his interactions with the Presidents and members of Congress, and his critical self-evaluation of his mission and how his agency’s work affected our nation. Imagine. Dror Moreh accomplished this feat when he convinced these six surviving members of the Shin Bet, to speak on camera.
The film provides a historical perspective of Israel that is both candid and critical of the successive governments in this rare Middle Eastern democracy. The Shin Bet was created in 1949 by David Ben-Gurion’s government to focus on the internal affairs of Israel and evolved into dealing with counterterrorism and intelligence gathering in the West Bank and Gaza.
These intelligence heads, like ours, report to the President/Prime Minister. They are not part of the military complex. It is this context that gives this work its power. We hear the story of Israel’s struggle to protect itself from both its internal and external enemies; the bombers, terrorists, agents and others who worked to destroy this small country. These men are not glamorous or like the fictional heads of the spy agencies we have seen in James Bond and Bourne films. They are bald or balding grandfather-types. Articulate, highly educated, calm and yet we know that they protected Israel from its enemies even if they had them killed.
This is one of the strongest of the nominated docs. It raises significant issues of personal responsibilities. Despite the lack of oversight we don’t feel that this is an organization gone amuck like the Catholic Church not protecting children or the Us Military not protecting its members from sexual harassment. We see these articulate men as guardians and protectors of their nation steadfastly doing their duty within the confines of their moral beliefs. What is scary about The Gatekeepers is that clearly there could have been abuses and wrongs done by the Shin Bet if these six had less character or their mission was redefined by the government without regard to moral or ethical standards. The film on reflection is troubling for regardless of how the spectator might feel about Israel it forces us to look at this conflict through the lenses of these six guardians and we can only wonder what they don’t tell us about what they did in the name of their country.
Director: Dror Moreh
Camera: Avner Shahaf
Co Producer: Anna Van Der Wee
Sound: Amos Zipori
Sound Design: Aex Claude
Music: Ab Ovo, Jérôme Chassagnard, Régis Baillet
Editor: Oron Adar
In Co-Production with: Mac Guff, Wild Heart Productions, Arte France, Iba, Ndr, Rtbf
With the support of: Cnc, Media, Région Ile-de-France, Procirep, Angoa, The Rabinovich Foundation for the Arts – Cinema Project
Distribution: Sony Classics
Short Listed Documentary Feature for Academy Award nomination
The House I Live In looks at how America has waged war on some of its poorest citizens, costing countless lives, destroying families, and inflicting untold damage on future generations of Americans. It posits that over the last forty years, the War on Drugs has accounted for more than 45 million arrests and shows how America became the world’s largest jailer, damaging poor communities at home and abroad. Yet today drugs are cheaper, purer and more available than ever before. It shows that drug abuse is a public health issue. Despite this, it is treated by our society as a criminal matter and a vast machine has been created that feeds on the men and women who are incarcerated. Because of this, the prisoners are not offered help or a cure for their underlying problems, so they return to prison in a never ending cycle.
Eugene Jarecki, whose previous films looked at the military industrial complex (Why We Fight and The Trials of Henry Kissinger), won the Grand Jury Prize for Documentary at Sundance in both 2005 and 2010. The film tackles difficult material. Material that has been in scores of documentaries and television shows over the years. Yet Jarecki, using his personal experience, a wealth of interviews and strong case studies, builds a compelling case for changing the sentencing guidelines for crack (and cocaine) and for dealing with both addiction and the underlying causes of addiction. Jarecki is a skillful filmmaker who has picked a vast and complex subject and has created a work that while rich in content moves along at a good pace although it might have been stronger if it had tried to do less. The film editor Paul Frost and the composer Robert Miller do an excellent job building strong sequences with evocative music. It was nicely shot by Sam Cullman and Derek Hallquist. Richard Abramowitz’s Abramorama handled the distribution and was successful getting the work out which is never easy for such an issue oriented film.
Director, Producer, Screenwriter: Eugene Jarecki
Music: Robert Milller
Editor: Paul Frost
Production Companies: Charlotte Street Films, Zdf Enterprises, Independent Television Services, BBC, Aljazeera Documentary Channel, Vpro, Special Broadcasting Service Corporation, Louverture Films, Nhk
Distribution (Us): Abramorama Entertainment, Snag Films
Documentary Feature Nominee
How to Survive a Plague by writer and filmmaker David France tells the story of how two coalitions came together to lobby for effective treatments and funding for treatments of AIDS in the late 1980s when it was evident that the Us government and its health and other agencies were not being very effective dealing with the AIDS epidemic. The coalitions, Act Up and Tag (Treatment Action Group) helped to make AIDS more treatable. While there is still no cure for AIDS and thousands of people globally still die from the virus, it is now possible to prolong life with treatments that have been developed.
Despite having no scientific training, these self-made activists infiltrated the pharmaceutical industry and helped identify promising new drugs, moving them from experimental trials to patients in record time. With access to never-before-seen archival footage from the 1980s and '90s, filmmaker David France puts the viewer smack in the middle of the controversial actions, the heated meetings, the heartbreaking failures, and the exultant breakthroughs. Faced with their own mortality an improbable group of young men and women, many of them HIV-positive took on Washington and the medical establishment.
While there have been a handful of outstanding films dealing with the AIDS epidemic including Common Threads: Stories from the Quilt, The Broadcast Tapes of Dr. Peter and Silverlake Life, to name a few, How to Survive a Plague picks up on the story begun in the landmark Common Threads and updates the struggle, looking at the quest to find a treatment and possibly a cure for this vicious disease. The film weaves together stories of activism and shows how a small determined group can effect change not just nationally but globally. While the film is not as well made as Common Threads or Dr. Peter, it’s powerful. The archival footage manages to capture some of the key figures of Act Up and Tag showing actions as they take place. Instead of relying on talking heads to tell this amazing story, it is presented with footage shot as the story unfolded. This footage and its solid editing distinguishes this film from so many of the works that have tried to tell this story.
Few documentaries have such powerful antagonists, the government, incompetence, a lack of urgency on the part of the medical community and fear. Throw in homophobia and it is evident that the dramatic actions of these heroes saved hundreds of thousands of possible victims from this mostly sexually spread plague.
My only serious criticism of this documentary is its failure to be clearer that the plague continues, that there is no cure for HIV/AIDS and that the community continues to give a false sense of hope. Currently the Cdc states:
” ..estimates that 1,148,200 persons aged 13 years and older are living with HIV infection, including 207,600 (18.1%) who are unaware of their infection1. Over the past decade, the number of people living with HIV has increased, while the annual number of new HIV infections has remained relatively stable. Still, the pace of new infections continues at far too high a level—particularly among certain groups.
HIV Incidence(new infections): The estimated incidence of HIV has remained stable overall in recent years, at about 50,000 new HIV infections per year.2 Within the overall estimates, however, some groups are affected more than others. Msm (men who have sex with men) continue to bear the greatest burden of HIV infection, and among races/ethnicities, African Americans continue to be disproportionately affected.”
This information could have been contained in the last few minutes of this powerful work, to inspire and warn the audience that testing is critical and that safe sex is still the only way to contain AIDS.
David France, Director, Producer
David France is an award-winning journalist and New York Times best-selling author who has been writing about AIDS since 1982 and today is one of the best-known chroniclers of the epidemic. His work has appeared in the New York Times, Newsweek, GQ, and New York magazine, where he is a contributing editor, and has received the National Headliner Award and the GLAAD Media Award, among others. Several films have been inspired by his work, most recently the Emmy-nominated Showtime film Our Fathers, for which he received a WGA nomination. He is at work on a major history of AIDS, due from Alfred A. Knopf in 2013. Based on decades of reporting, How to Survive a Plague is his directorial debut.
Director: David France
Co-Producer: Todd Woody Richman
Camera: Derek Wieshahn
Original Music: Stuart Bogie
Production Companies: Public Square Films, Ninety Thousand Words
Distribution (Us): Sundance Selects
Short Notes and Update:
The International Documentary Association in Los Angeles presents Doc U: The Doc Reporter
Navigating the Intersection of Documentary and Journalism
Moderated by: Karin Skellwagen (The Brooks Institute)
Michael Donaldson (Partner, Donaldson & Callif)
For information: http://doc-u-jan-2013-la.eventbrite.com/
Sundance Announces 2013 International Documentary Competition:
Fallen City/ China (Director: Qi Zhao) — Fallen City spans four years to reveal how three families who survived the 2008 Sichuan earthquake to embark on a journey searching for hope, purpose, identity, and to rebuild their lives in a new China torn between tradition and modernity. North American Premiere
Fire in the Blood/ India (Director: Dylan Mohan Gray) — In the late 1990s and early 2000s, Western governments and pharmaceutical companies blocked low-cost antiretroviral drugs from reaching AIDS-stricken Africa, causing 10 million or more unnecessary deaths. An improbable group of people decided to fight back. North American Premiere
Google and the World Brain/ Spain, United Kingdom (Director: Ben Lewis) — In the most ambitious Internet project ever conceived, Google is working to scan every book in the world. Google says it is building a library for mankind. But some are trying to stop it, claiming that Google may have other intentions. World Premiere
The Machine Which Makes Everything Disappear/ Georgia, Germany (Director: Tinatin Gurchiani) — A film director casting a 15-23-year-old protagonist visits villages and cities to meet people who answer her call. She follows those who prove to be interesting enough through various dramatic and funny situations. North American Premiere
The Moo Man/ United Kingdom (Directors: Andy Heathcote, Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. World Premiere
Pussy Riot – A Punk Prayer/ Russian Federation, United Kingdom (Directors: Mike Lerner, Maxim Pozdorovkin) — Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial: the three young artists or the society they live in? World Premiere
A River Changes Course/ Cambodia, U.S.A. (Director: Kalyanee Mam) — Three young Cambodians struggle to overcome the crushing effects of deforestation, overfishing, and overwhelming debt in this devastatingly beautiful story of a country reeling from the tragedies of war and rushing to keep pace with a rapidly expanding world. World Premiere
Salma/ United Kingdom, India (Director: Kim Longinotto) — When Salma, a young girl in South India, reached puberty, her parents locked her away. Millions of girls all over the world share the same fate. Twenty-five years later, Salma has fought her way back to the outside world. World Premiere
The Square (Al Midan)/ Egypt, U.S.A. (Director: Jehane Noujaim) — What does it mean to risk your life for your ideals? How far will five revolutionaries go in defending their beliefs in the fight for their nation? World Premiere
The Stuart Hall Project/ United Kingdom (Director: John Akomfrah) — Antinuclear campaigner, New Left activist and founding father of Cultural Studies, this documentary interweaves 70 years of Stuart Hall’s film, radio and television appearances, and material from his private archive to document a memorable life and construct a portrait of Britain’s foremost radical intellectual. World Premiere
The Summit/ Ireland, United Kingdom (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. International Premiere
Who is Dayani Cristal?/ United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo. World Premiere. Day One Film
Producer’s Guild Announces Nominations for the Award for Outstanding Producer of Documentary Theatrical Motion Pictures and Non-Fiction Television:
A People Uncounted(Urbinder Films)
The Other Dream Team(The Film Arcade)
Nominations for the Award for Outstanding Producer of
Inside the Actors Studio(Bravo)
BAFTA Short and Documentary Feature Nominations (British Academy of Film and Television Arts, London)
The ImposterBart Layton, Dimitri Doganis
I’m Fine Thanks Eamonn O'Neill
The Broadcast Film Critics Association (Bfca)
Documentary Feature Nominations
Queen of Versailles
Searching for Sugar Man (Winner)
Credits: Editing by Jessica Just for SydneysBuzz
Block Doc Workshops in Los Angeles February 2013 Ida Doc U
The International Documentary Association will be hosting Documentary Funding and Documentary Tune-Up Workshops with Block on February 9/10. http://www.documentary.org/news/february-documentary-producing-workshops-mitchell-block
Mitchell Block specializes in conceiving, producing, marketing & distributing independent features & consulting. He is an expert in placing both completed works into distribution & working with producers to make projects fundable. He conducts regular workshops in film producing in Los Angeles and most recently in Maine, Russia and in Myanmar (Burma).
Poster Girl, produced by Block was nominated for a Documentary Academy Award and selected by the Ida as the Best Doc Short 2011. It was also nominated for two Emmy Awards and aired on HBO. He is an executive producer of the Emmy Award-winning PBS series Carrier, a 10-hour series that he conceived & co-created. Block is a graduate of Tisch School and Columbia University’s Graduate School of Business. He is a member of Academy of Motion Picture Arts & Sciences, the Television Academy, a founding member of BAFTA-la and has been teaching at USC School of Cinematic Arts since 1979. Currently Block teaches a required class in the USC Peter Stark Producing Program.
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- Mitchell Block
"The Moo Man" directors Andy Heathcote and Heike Bachelier hail from England and Germany, and have backgrounds in photography and philosophy, respectively. Their first documentary, "The Lost World of Mr. Hardy," played in UK cinemas, and Bachelier's "Feindberührung" for German TV networks Zdf won the Prix Europa for Best Feature Doc in 2011. Of working together on "Mr. Hardy," Heathcote says, "[It] gave us so much freedom to just follow our noses and now this one 'The Moo Man' has taught us so, so much about story, character and emotions. Diy was the best thing we ever did." What it's about: A year in the life of dairy farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. Director Heathcote says: "You don't have to spend long »
19 items from 2013
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