6 items from 2016
For one week in November, virtually the entire documentary film community will gather in New York City for the Doc NYC film festival, where this year’s most acclaimed non-fiction films will screen. With all that talent and experience gathered in one place, Doc NYC has decided to channel it toward a new eight-day conference focusing on the tools and skills needed to fund, create and distribute documentary films.
Doc NYC Pro is geared toward documentary professionals looking to advance their careers and filmmaking skills and will be comprised of talks, panels, masterclasses and pitch sessions featuring filmmakers and decision makers behind films like “Weiner,” “O.J.: Made in America,” “Amanda Knox” and “Cartel Land.”
- Casey Coit
This year’s Cannes Marché is enhancing its documentary film offering through the launch of a dedicated Doc Day conference and a new screening room.
Now in its fifth year, Doc Corner, which runs throughought the festival [May 11 - 22], is moving to the Riviera where it will feature an expanded programme.
This year’s line-up includes one-to-one meetings Doc Meets, presentations from organisations including Cph:dox and a video library of 250 feature documentaries.
There will also be a new 21-seat documentary-only Marché Screening Room that will run screenings throughout the festival.
New to the programme is the first ever Doc Day, a conference hosted by the Marché du Film with the Ford Foundation’s JustFilms.
Highlighting impactful documentaries that focus on social justice, the event on May 17 at Cinema Olympia 1, in collaboration with La Scam and Connect4Climate/World Bank »
The Doha Film Institute’s innovative Qumra workshop wrapped its second edition March 9 reaffirming its role as formidable facilitator for new voices in Arab cinema and beyond thanks to a format that’s getting great word of mouth, has attracted a larger North American presence this year, and looks set to build on its success going forward.
Funa Maduka, global content buyer for Netflix; Matthew Takata head of the Sundance Institute’s international feature film program; Cara Mertes, who runs the Ford Foundation’s JustFilms; and Oscar-winning British producer David Parfitt (“Shakespeare in Love”) were among the roughly one hundred invited industryites attending the March 3-9 workshop with festival elements held this year in Doha’s inspiring I.M. Pei-designed Museum of Islamic Art and the nearby funky Souq Wakif.
Toronto fest topper Cameron Bailey was among returning execs. Qumra drew increased attention this year from top-tier fests with reps from Cannes, »
- Nick Vivarelli
Qumra, the annual industry event by the Doha Film Institute designed to nurture the development of emerging filmmakers, will welcome more than 100 industry professionals, including international film festival directors, producers, fund managers, script consultants, distributors and other experts during its second edition to be held from March 4 to 9, 2016.
A number of industry leaders who attended the inaugural edition last year have confirmed their participation for the second time alongside many new organizations represented for the first time at the annual gathering dedicated to supporting first- and second-time filmmakers on both a creative and practical level. The delegates come from as far afield as Argentina, Australia, India, Germany, France, The Netherlands, Egypt and the Us.
Fatma Al Remaihi, Chief Executive Officer of the Doha Film Institute, said: “Qumra presents a very important component in nurturing a film industry in Qatar and the Arab world and the participation of international industry experts is integral to this initiative. I would like to thank each of these seasoned professionals for lending their expertise to benefit the participating projects and for being part of the unique creative network that we have cultivated through Qumra.”
She added: “We have seen many productive and tangible outcomes for the projects that were developed in the first edition of Qumra and I am confident that the connections made between emerging filmmakers and industry mentors in the coming week will contribute to the growth of a more robust regional film industry and benefit the participants far into the future.”
The Qumra industry program is centered around 33 projects from Qatar, the Arab region and the rest of the world at various stages of development. The industry sessions are presented in two strands: tutorials, workshops, consultations and one-on-one meetings for projects still in development; and a series of work-in-progress and ‘picture lock’ screenings and feedback sessions for projects in post production. I am proud to be a part of the tutorials and one-on-one sessions with the filmmakers working on short films.
Among the leading industry names to attend the event this year are: David Parfitt, Academy Award-winning producer, Chairman of Film London and ex-Chairman of BAFTA; Christophe Leparc, Managing Director, Programmer at Director’s Fortnight Cannes Film Festival and recently appointed Festival Director of Cinemed; Cameron Bailey, Festival Director, Toronto International Film Festival; Carlo Chatrian, Artistic Director of Festival Del Film Locarno; Vincenzo Bugno, Project Manager of Berlinale World Cinema Fund and member of the Berlinale Competition Selection Committee; Matthijs Wouter Knol, Director of the European Film Market at the Berlin International Film Festival; Remi Burah, Senior Executive Vice President, Arte France Cinéma; Cara Mertes, Director of the Ford Foundation’s JustFilms; Mike Goodridge, CEO of Protagonist Pictures; Alexandre Mallet-Guy, President of Memento Films; Michael J. Werner, Managing Director & Chairman of Fortissimo Films; and first-time representatives from Netflix, AMC / Sundance Channel Global and the Sundance Institute.
Strong representation from programmers and directors of the world’s leading film festivals and institutes includes: Cph:dox Copenhagen International Documentary Film Festival; Morelia Film Festival in Mexico & San Sebastian Film Festival, Spain; International Film Festival of Rotterdam, The Netherlands; Busan International Film Festival, South Korea; Latin Arab International Film Festival in Argentina; Melbourne International Film Festival, Australia; Tribeca Film Institute, USA; International Istanbul Film Festival; Hot Docs Canadian International Documentary Film Festival; Berlinale Shorts at International Film Festival of Berlin; Sarajevo Film Festival; and the Dubai International Film Festival.
High profile regional distributors and international sales agents and distributors include representatives from Wild Bunch of France; Film Movement of USA; Memento Films, France; Tricon Films, Canada; Urban Distribution International of France; The Match Factory of Germany; Gulf Films of UAE; Mad Solutions, Egypt ; Front Row Filmed Entertainment, UAE; Moving Turtle, Lebanon and Mc Distribution, Lebanon.
International film funds and commissions represented at Qumra 2016 include: Idfa Bertha Fund of the International Documentary Film Festival Amsterdam; the Hubert Bals Fund of the International Film Festival of Rotterdam; Medienboard Berlin Brandenburg; the Robert Bosch Stiftung, Berlin; The Royal Film Commission, Jordan; the Arab Fund for Arts & Culture; Screen Institute Beirut; the Netherlands Film Fund and Gulf funds Sanad Film Fund and Enjazz, UAE as well as regional financiers Image Nation and Mbc Group.
Qatar-based organizations are represented by Innovation Films and the Al Jazeera Media Training & Development Centre in Qatar along with 120 Qatar-based film, media and entertainment delegates who will also participate in the program, further building on the event’s aim to connect local, regional and international industry for the benefit of emerging talent.
Qumra has three main elements: Masterclasses by the Qumra Masters, which will be led this year by James Schamus (Us), Joshua Oppenheimer (Us), Naomi Kawase (Japan), Nuri Bilge Ceylan (Turkey) and Aleksandr Sokurov (Russia); industry meetings and screenings. All projects selected by the Doha Film Institute will benefit from the industry meetings with the experts to take their work to the next stage.
The screenings are in two categories: Master Screenings & New Voices in Cinema. The Masters Screenings this year include "The Look of Silence" (Denmark, Indonesia, Finland, Norway, UK / Indonesian, Javanese /2014) by Joshua Oppenheimer,Once Upon a Time in Anatolia (Turkey, Bosnia and Herzegovina / Turkish / 2011) by Nuri Bilge Ceylan; "Russian Ark" (Russian Federation, Canada, Denmark, Finland, Germany, Japan / Russian / 2002) by Aleksandr Sokurov;"The Mourning Forest" (Japan, France / Japanese / 2007) by Naomi Kawase; and " Crouching Tiger, Hidden Dragon" Taiwan, Hong Kong, USA, China / Mandarin / 2001) by Ang Lee.
In the New Voices in Cinema segment, are: "The Palm Tree" (Qatar, No Dialogue, 2015) by Jasim Al Rumaihi; "Mediterranea" (Italy, France, Germany, Qatar/ Arabic, English, French, Italian; 2015) by Jonas Carpignano; "Roundabout in my Head" (Algeria, France, Qatar/Arabic/2015), and "Waves 98" by Ely Dagher (Lebanon, Qatar / Arabic / 2015).
All screenings will take place at the Museum of Islamic Art Auditorium and tickets are now on sale at www.dohafilminstitute.com
- Sydney Levine
Netflix, Sundance and Efm are among new delegates attending the second edition of the Dfi’s Qumra.
The Doha Film Institute today launched the second edition of Qumra, which is dedicated to supporting Dfi-backed first- and second-time filmmakers on both a creative and practical level.
Festival directors, producers, sales executives, fund managers, script consultants, distributors and other experts attend to meet with and mentor the new talents, discuss their forthcoming projects and see works in progress. This year’s emerging filmmakers represent 33 projects from 19 countries.
Returning industry delegates attending Qumra include Cameron Bailey from Toronto, Mirsad Purivatra from Sarajevo, Melbourne-based script consultant Claire Dobbs, Christophe Leparc of Cannes Directors’ Fortnight, Selim El Azar from Gulf Films, Gianluca Chakra of Front Row, Paul Baboudjian of Screen Institute Beirut, French producer Marie-Pierre Macia of Mpm Film, Frederic Corvez of Urban Distribution International, and representatives from Wild Bunch.
New delegates joining the second edition include Funa Maduka from Netflix, producer »
- email@example.com (Wendy Mitchell)
The Ford Foundation’s and Cannes Film Market’s networking mini-mart Doc Corner announced Tuesday a two year-partnership to raise global awareness on social justice, working against inequality.
Driving to hike the profile, market networking and distribution of social justice docu features at Cannes, the initiative was first mooted months before Hollywood began worrying about an All White Oscars. That debate, however, will only serve to focus more attention on the groundbreaking Ford Foundation-Cannes new push.
Partnership establishes a large presence at Cannes for the Ford Foundation’s five-year-old JustFilms, a film financing, social awareness and education program that has backed
visual story tellers, new media projects and organizations that work to this end. Multiple doc features it has supported, to give just two instances, include Marc Silver’s “gripping” – per Variety – 2015 Sundance winner “3 ½ Minutes” and the “fascinating”- Variety again – “Best of Enemies,” about the televised clash between conservative »
- John Hopewell
6 items from 2016
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