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‘Spoor’ Review: A Genre-Bending Revenge Thriller From Agnieszka Holland — Berlinale 2017

12 February 2017 2:39 PM, PST | Indiewire | See recent Indiewire news »

Eagle-eyed viewers better versed in the Polish language will have to scour the end credits of Agnieszka Holland’s “Spoor” to find out if any animals were actually harmed in the making of this feisty, genre-bending film. Though far from perfect, this one part revenge thriller, one part eco-reverie, tied together with sumptuous visual brio, is the “John Wick”/ “Spring, Summer, Fall, Winter… and Spring” mash-up you never knew you always wanted.

See MoreThe 2017 IndieWire Berlinale Bible: Every Review, Interview and News Item Posted During the Festival

A note about the filmmaker first: Holland has one of the more interesting careers in international cinema, directing period dramas in French, Czech and Polish for the Euro-art-house circuit, while at the same time working steadily as a hired gun on prestige American series. Having spent the past several years working with NBC, HBO and Netflix, Holland clearly relishes her return to the feature filmmaking, »

- Ben Croll

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