Several more December screenings from the American Cinematheque and Netflix have joined the initial slate of programming at the Egyptian Theatre in Hollywood.
From Dec. 8 to 14, classic film buffs can catch the Los Angeles premiere of brand new restorations of “Days of Heaven” and “L’amour Fou.” Also featured is a 50th anniversary screening of “Don’t Look Now” with a 35mm Ib Tech print. A 35mm presentation of Douglas Sirk’s 1959 “Imitation of Life” will be followed by a Q&a with actor Susan Kohner along with a book signing by Foster Hirsch in connection with “Hollywood and the Movies of the Fifties.”
A new 4k restoration of “Lone Star” will include a Q&a with director John Sayles.
From Dec. 15 to Dec. 21, the theater will feature a 70mm run of Zack Snyder’s “Rebel Moon — Part One: A Child of Fire” ahead of its Netflix premiere. Just in time for Christmas,...
From Dec. 8 to 14, classic film buffs can catch the Los Angeles premiere of brand new restorations of “Days of Heaven” and “L’amour Fou.” Also featured is a 50th anniversary screening of “Don’t Look Now” with a 35mm Ib Tech print. A 35mm presentation of Douglas Sirk’s 1959 “Imitation of Life” will be followed by a Q&a with actor Susan Kohner along with a book signing by Foster Hirsch in connection with “Hollywood and the Movies of the Fifties.”
A new 4k restoration of “Lone Star” will include a Q&a with director John Sayles.
From Dec. 15 to Dec. 21, the theater will feature a 70mm run of Zack Snyder’s “Rebel Moon — Part One: A Child of Fire” ahead of its Netflix premiere. Just in time for Christmas,...
- 11/7/2023
- by Jazz Tangcay and Caroline Brew
- Variety Film + TV
The annual New York Greek Film Expo has been set for Village East Cinema in Manhattan and the Barrymore Film Center in Fort Lee, N.J. on October 5-15.
The event will screen the latest Greek films, along with a retrospective of the films of acclaimed director, screenwriter and actor Renos Haralambidis, which will be shown at the Museum of the Moving Image (MoMi).
Haralambidis will be in attendance throughout the festival, along with many of the filmmakers whose films are being presented. Filmmaker Q&a’s will follow the screenings.
Film historians Andrew Horton (University of Oklahoma) and Foster Hirsch (Brooklyn College), along with David Schwartz, founder of Cinema Projects and former MoMI chief curator, will conduct interviews with Haralambidis following each of his screenings.
Four of the filmmaker’s movies will be shown at the fest: “Four Black Suits” (2010), “No Budget Story” 1997), “The Heart Of The Beast” (2005) and...
The event will screen the latest Greek films, along with a retrospective of the films of acclaimed director, screenwriter and actor Renos Haralambidis, which will be shown at the Museum of the Moving Image (MoMi).
Haralambidis will be in attendance throughout the festival, along with many of the filmmakers whose films are being presented. Filmmaker Q&a’s will follow the screenings.
Film historians Andrew Horton (University of Oklahoma) and Foster Hirsch (Brooklyn College), along with David Schwartz, founder of Cinema Projects and former MoMI chief curator, will conduct interviews with Haralambidis following each of his screenings.
Four of the filmmaker’s movies will be shown at the fest: “Four Black Suits” (2010), “No Budget Story” 1997), “The Heart Of The Beast” (2005) and...
- 9/19/2023
- by Peter Caranicas
- Variety Film + TV
The Wild One Tribeca Festival Documentary Competition Reviewed for Shockya.com by Abe Friedtanzer Director: Tessa Louise-Salomé Writer: Tessa Louise-Salomé, Sarah Contou-Terquem, in collaboration with Elizabeth Schub-Kamir Cast: Jack Garfein, Willem Dafoe, Peter Bogdanovich, Irène Jacob, Bobby Soto, Dick Guttman, Blanche Baker, Patricia Bosworth, Foster Hirsch, Geoffrey Horne, Kate Rennebohm Screened at: Critics’ link, NY, 4/3/22 […]
The post Tribeca 2022: The Wild One Movie Review appeared first on Shockya.com.
The post Tribeca 2022: The Wild One Movie Review appeared first on Shockya.com.
- 6/20/2022
- by Abe Friedtanzer
- ShockYa
Feature documentary “The Wild One,” which looks at the life of Jack Garfein, Holocaust survivor, Broadway director, Actors Studio West co-founder, and controversial filmmaker, has debuted its trailer. Tessa Louise-Salomé’s film, which is narrated by Willem Dafoe, will have its world premiere on Saturday at Tribeca Film Festival. The Party Film Sales is handling sales.
As well as Garfein and Dafoe, the doc features Peter Bogdanovich, Irène Jacob, Bobby Soto, Dick Guttman, Blanche Baker, Patricia Bosworth, Foster Hirsch, Geoffrey Horne and Kate Rennebohm.
“The Wild One” examines how Garfein’s experience in the concentration camps shaped his vision of acting as a survival mechanism and propelled his engagement with themes of violence, power and racism in postwar America in two explosive films: “The Strange One” (1957) and “Something Wild” (1961).
The doc explores the importance of his legacy as an artist who confronted censorship and reveals how art can draw on...
As well as Garfein and Dafoe, the doc features Peter Bogdanovich, Irène Jacob, Bobby Soto, Dick Guttman, Blanche Baker, Patricia Bosworth, Foster Hirsch, Geoffrey Horne and Kate Rennebohm.
“The Wild One” examines how Garfein’s experience in the concentration camps shaped his vision of acting as a survival mechanism and propelled his engagement with themes of violence, power and racism in postwar America in two explosive films: “The Strange One” (1957) and “Something Wild” (1961).
The doc explores the importance of his legacy as an artist who confronted censorship and reveals how art can draw on...
- 6/9/2022
- by Leo Barraclough
- Variety Film + TV
Each month, the fine folks at FilmStruck and the Criterion Collection spend countless hours crafting their channels to highlight the many different types of films that they have in their streaming library. This December will feature an exciting assortment of films, as noted below.
To sign up for a free two-week trial here.
Monday, January 1
Anatomy of a Murder*: Edition #600
A virtuoso James Stewart plays a small-town Michigan lawyer who takes on a difficult case: the defense of a young army lieutenant (Ben Gazzara) accused of murdering a local tavern owner who he believes raped his wife (Lee Remick). Featuring an outstanding supporting cast-with a young George C. Scott as a fiery prosecutor and the legendary attorney Joseph N. Welch as the judge – and an influential score by Duke Ellington, this gripping envelope-pusher was groundbreaking for the frankness of its discussion of sex. But more than anything else, it...
To sign up for a free two-week trial here.
Monday, January 1
Anatomy of a Murder*: Edition #600
A virtuoso James Stewart plays a small-town Michigan lawyer who takes on a difficult case: the defense of a young army lieutenant (Ben Gazzara) accused of murdering a local tavern owner who he believes raped his wife (Lee Remick). Featuring an outstanding supporting cast-with a young George C. Scott as a fiery prosecutor and the legendary attorney Joseph N. Welch as the judge – and an influential score by Duke Ellington, this gripping envelope-pusher was groundbreaking for the frankness of its discussion of sex. But more than anything else, it...
- 1/5/2018
- by Ryan Gallagher
- CriterionCast
Now in Region A — One of the best releases from the early- ’50s 3-D boom. Millionaire Robert Ryan is abandoned to die in the desert by his wife Rhonda Fleming and her lover; the ‘useless’ executive earns self-respect by focusing on the problem of survival. Ryan’s terrific, and the depth effects in the attractive desert locations are great, thanks to cinematographer Lucien Ballard.
Inferno 3-D
3-D + 2-D Blu-ray
Twilight Time
1953 / Color / 1:33 flat / 83 min. / Street Date May 16, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Robert Ryan, Rhonda Fleming, William Lundigan, Henry Hull, Carl Betz, Larry Keating, Robert Burton.
Cinematography: Lucien Ballard
Editor: Robert L. Simpson
Original Music: Paul Sawtell
Written by Francis M. Cockrell from his story The Waterhole
Produced by William Bloom
Directed by Roy (Ward) Baker
I just reviewed an Inferno 3-D disc not four months ago, but U.S. viewers will want the facts (all the facts!
Inferno 3-D
3-D + 2-D Blu-ray
Twilight Time
1953 / Color / 1:33 flat / 83 min. / Street Date May 16, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Robert Ryan, Rhonda Fleming, William Lundigan, Henry Hull, Carl Betz, Larry Keating, Robert Burton.
Cinematography: Lucien Ballard
Editor: Robert L. Simpson
Original Music: Paul Sawtell
Written by Francis M. Cockrell from his story The Waterhole
Produced by William Bloom
Directed by Roy (Ward) Baker
I just reviewed an Inferno 3-D disc not four months ago, but U.S. viewers will want the facts (all the facts!
- 5/27/2017
- by Glenn Erickson
- Trailers from Hell
To most, American independent cinema began in the late 1980’s-early 1990’s. With the rise of names like Spike Lee, Richard Linklater, Kelly Reichardt and Quentin Tarantino, American Independent film has been the breeding ground for some of cinema’s greatest artists, and fostered some of cinema’s greatest artistic achievements. However, for anyone with even a surface level interest in independent film, knowledge of its deeper, decade-spanning history here in the Us is quite clear.
Dating back to the very birth of cinema, independent artists of every race, creed, gender and sexual orientation have been creating films looking at specific experiences. However, many of these films, from the silent era to more modern times (Kelly Reichardt’s River Of Grass only just last year saw a real release outside of festival appearances) have gone relatively unseen.
One of these films even comes from a prestigious pedigree. A product, of sorts,...
Dating back to the very birth of cinema, independent artists of every race, creed, gender and sexual orientation have been creating films looking at specific experiences. However, many of these films, from the silent era to more modern times (Kelly Reichardt’s River Of Grass only just last year saw a real release outside of festival appearances) have gone relatively unseen.
One of these films even comes from a prestigious pedigree. A product, of sorts,...
- 1/21/2017
- by Joshua Brunsting
- CriterionCast
Something Wild
Blu-ray
The Criterion Collection 850
1961 / B&W / 1:66 widescreen 1:37 flat Academy / 113 min. / available through The Criterion Collection / Street Date January 17, 2017 / 39.95
Starring: Carroll Baker, Ralph Meeker, Mildred Dunnock, Jean Stapleton, Martin Kosleck, Charles Watts, Clifton James, Doris Roberts, Anita Cooper, Tanya Lopert.
Cinematography: Eugen Schüfftan
Film Editor: Carl Lerner
Original Music: Aaron Copland
Written by Jack Garfein and Alex Karmel from his novel Mary Ann
Produced by George Justin
Directed by Jack Garfein
After writing up an earlier Mod disc release of the 1961 movie Something Wild, I received a brief but welcome email note from its director:
“Dear Glenn Erickson,
Thank you for your profound appreciation of Something Wild.
If possible, I would appreciate if you could send
me a copy of your review by email.
Sincerely yours, Jack Garfein”
Somewhere back East (or in London), the Actors Studio legend Jack Garfein had found favor with the review. Although...
Blu-ray
The Criterion Collection 850
1961 / B&W / 1:66 widescreen 1:37 flat Academy / 113 min. / available through The Criterion Collection / Street Date January 17, 2017 / 39.95
Starring: Carroll Baker, Ralph Meeker, Mildred Dunnock, Jean Stapleton, Martin Kosleck, Charles Watts, Clifton James, Doris Roberts, Anita Cooper, Tanya Lopert.
Cinematography: Eugen Schüfftan
Film Editor: Carl Lerner
Original Music: Aaron Copland
Written by Jack Garfein and Alex Karmel from his novel Mary Ann
Produced by George Justin
Directed by Jack Garfein
After writing up an earlier Mod disc release of the 1961 movie Something Wild, I received a brief but welcome email note from its director:
“Dear Glenn Erickson,
Thank you for your profound appreciation of Something Wild.
If possible, I would appreciate if you could send
me a copy of your review by email.
Sincerely yours, Jack Garfein”
Somewhere back East (or in London), the Actors Studio legend Jack Garfein had found favor with the review. Although...
- 1/10/2017
- by Glenn Erickson
- Trailers from Hell
What? A movie where adults behave like adults? Otto Preminger showcases a quiet maturity in this story of an independent woman caught between two men, adulterous lover Dana Andrews and conflicted suitor Henry Fonda. The script is witty and the people believable -- this is one of Joan Crawford's best performances. Daisy Kenyon Blu-ray Kl Studio Classics 1947 / B&W / 1:37 flat full frame / 99 min. / Street Date Nov 15, 2016 / available through Kino Lorber / 29.95 Starring Joan Crawford, Dana Andrews, Henry Fonda, Ruth Warrick, Martha Stewart, Peggy Ann Garner Cinematography Leon Shamroy Art Direction George Davis, Lyle Wheeler Film Editor Louis Loffler Original Music David Raksin Written by David Hertz from the book by Elizabeth Janeway Produced and Directed by Otto Preminger
Reviewed by Glenn Erickson
Why is Daisy Kenyon one of Joan Crawford's best pictures? Crawford could be a fine actress, but too many of her pictures seem distorted by her star persona.
Reviewed by Glenn Erickson
Why is Daisy Kenyon one of Joan Crawford's best pictures? Crawford could be a fine actress, but too many of her pictures seem distorted by her star persona.
- 11/7/2016
- by Glenn Erickson
- Trailers from Hell
This Sunday, actress Diane Baker will appear at Film Forum in New York to discuss her 50-plus year career in film and television with film historian Foster Hirsch. On Monday at 8:00pm she will again be at Film Forum to introduce a screening of Alfred Hitchcock’s 1964 film Marnie.
Still just in her mid-twenties, actress Diane Baker found herself one morning in the unfamiliar surroundings of Alma and Alfred Hitchcock’s Brentwood kitchen. They ate peaches around the kitchen table and discussed director Hitchcock’s next picture – Marnie. “I was offered the part without reading the script,” Baker told me on the phone from an apparently sunny San Francisco. “I just happily accepted. Whatever it was, I was going to do it.” But looking back who can blame her? This was, of course, the director whose five previous films had been The Birds, Psycho, North by Northwest, Vertigo and The Wrong Man,...
Still just in her mid-twenties, actress Diane Baker found herself one morning in the unfamiliar surroundings of Alma and Alfred Hitchcock’s Brentwood kitchen. They ate peaches around the kitchen table and discussed director Hitchcock’s next picture – Marnie. “I was offered the part without reading the script,” Baker told me on the phone from an apparently sunny San Francisco. “I just happily accepted. Whatever it was, I was going to do it.” But looking back who can blame her? This was, of course, the director whose five previous films had been The Birds, Psycho, North by Northwest, Vertigo and The Wrong Man,...
- 9/24/2015
- by James Knight
- The Film Stage
Simone Simon in 'La Bête Humaine' 1938: Jean Renoir's film noir (photo: Jean Gabin and Simone Simon in 'La Bête Humaine') (See previous post: "'Cat People' 1942 Actress Simone Simon Remembered.") In the late 1930s, with her Hollywood career stalled while facing competition at 20th Century-Fox from another French import, Annabella (later Tyrone Power's wife), Simone Simon returned to France. Once there, she reestablished herself as an actress to be reckoned with in Jean Renoir's La Bête Humaine. An updated version of Émile Zola's 1890 novel, La Bête Humaine is enveloped in a dark, brooding atmosphere not uncommon in pre-World War II French films. Known for their "poetic realism," examples from that era include Renoir's own The Lower Depths (1936), Julien Duvivier's La Belle Équipe (1936) and Pépé le Moko (1937), and particularly Marcel Carné's Port of Shadows (1938) and Daybreak (1939).[11] This thematic and...
- 2/6/2015
- by Andre Soares
- Alt Film Guide
I support this new NYC Film Fest which a lot of our friends attended and also support. I went to their inaugural event in NYC a few weeks back and it felt good and I certainly like their Indie lineup. The following is from a recent press release:
Celebrating first-time filmmakers with a grand prize of theatrical distribution, hosted by the historic Players Club, First Time Fest also had additional participants to this year's unique event.
Harry Belafonte, Gay Talese, Michael Shannon & Ellen Burstyn have joined Christine Vachon, Fred Schneider, Sofia Coppola, Todd Solondz, Barbara Kopple, Scott Foundas, Eric Kohn, Emily Russo, Jenny Lumet, Darren Aronofsky, Philip Seymour Hoffman, Hal Hartley, Peter Saraf, Nancy Savoca, Amy Ryan And Martin Scorsese participated In First Time Fest.
Belafonte & Shannon appeared onstage in the Ftf’s “Stand Alone! – Conversations With The Outstanding” series, one-on-one interview with notable cinema artists. Renowned author Gay Talese joined Christine Vachon and the B-52s Fred Schneider as another of the Ftf’s five jurors (the entire live audience at each of the 12 competition films was the 5th juror). Together, the jury and audience ultimately selected Grand Prize winner, Sal, a modern-day Western by Argentinian writer-director Diego Rougier which was offered theatrical distribution and full international sales representation from the renowned American film distributor, Cinema Libre Studio.
Acclaimed actress Ellen Burstyn, who worked with both Scorsese and Aronofsky served as the host of the Ftf Closing Night Awards program. As part of that festive evening, Martin Scorsese added his illustrious presence and belief in the art of cinema, presenting the first John Huston Award for Outstanding Achievement in Cinema to Darren Aronofsky. John Huston was one of the most prolific and versatile directors in the history of cinema. And with his mesmerizing debut film, Pi – made independently on black-and-white 16mm film – Darren Aronofsky was instantly recognized as a uniquely gifted new talent. His subsequent films: Requiem for a Dream, The Fountain, The Wrestler and Black Swan, have more than fulfilled that promise.
In addition, Ftf had a special presentation of Andy Grieve and Lauren Lazin’s documentary about the band The Police, Can't Stand Losing You, featuring Sting, Stewart Copeland and Andy Summers.
On an exciting party note, and in conjunction with Ftf’s presentation of the Australian/Mongolian documentary Mongolian Bling, First Time Fest and Hip Hop Saves Lives presented “Project Haiti,” an album release party for Zing Experience at Webster Hall.
Representing a hybrid between a traditional film festival and a highly motivated audience participation event, Ftf presented a dozen Competition Films, which were judged by a panel of industry luminaries and the Ftf audience. All competition screenings were followed by “hot-seat” discussions between the jury and filmmakers, and all audience members then voted on the films. It was truly a contest of the best emerging filmmakers competing for the Ultimate Audience Award.
Competition Films – (please visit here for competition films & descriptions).
In addition to the Competition Films, Ftf presented First Exposure, a series of first films from now prominent filmmakers. Joining the line-up - and mostly attending the fest - was the exciting Opening Night presentation of Sofia Coppola with The Virgin Suicides, Todd Solondz with Welcome to the Dollhouse, Wes Anderson’s Bottle Rocket, Barbara Kopple with Harlan County, USA, Melvin Van Peebles with The Story of a Three-Day Pass, Pi from Darren Aronofsky, The Maltese Falcon from director John Huston, Poison from Todd Haynes, Jack Goes Boating from director Philip Seymour Hoffman, Hal Hartley’s The Unbelievable Truth, and True Love from Nancy Savoca.
First Exposure Films – (please visit here, for First Exposure descriptions)
First Exposure also includes a 60th Anniversary Tribute to Morris Engel’s The Little Fugitive, a cinema vérité classic from 1953 that was shot on Coney Island and has inspired countless filmmakers, from Jean-Luc Godard to the Coen brothers. The tribute included a panel hosted by film historian Foster Hirsch including Mary Engel, daughter of Morris Engel and Ruth Orkin, and James Sanders, author of Celluloid Skyline: New York and the Movies. In addition there was a Special Presentation of Everardo Gout’s thrillingly over-the-top action thriller Days Of Grace (Dĺas De Gracia), which won the Mexican Academy of Film’s prestigious Ariel Award for Best First Feature and was nominated for the Camera d’Or at the 2011 Cannes Film Festival.
First Time Fest included a series of panels called “How They Did It,” in which a diverse group of award-winning filmmakers moderated filmmaking case studies and spotlighted some of the most successful and accomplished masters of the industry.
First Time Fest is a four-day, multi-faceted event hosted in New York City’s Gramercy Park by the celebrated Players (16 Gramercy Park South), the club founded by Edwin Booth, Mark Twain and John Singer Sargent, the oldest and most exclusive arts organization of its kind whose membership includes the greatest stars of stage and screen. Each of First Time Fest’s twelve finalists receive high-level industry mentorship and a one-year membership to The Players. The Players was the location for all Ftf panels and events as well as the Filmmaker and VIP Lounge. First Time Fest’s screenings were all held at the Loews Village VII on Third Avenue (on 11th St. & 3rd Ave).
Among the Fest’s terrific sponsors is the delicious Champagne Nicolas Feuillatte. "The forward-thinking Champagne Nicolas Feuillatte draws its inspiration from the call of ‘faraway lands.’ One of the youngest and most fashionable Champagne brands, Nicolas Feuillatte has captured the world's imagination by sharing its passion for creativity and arts in a record 37 years, becoming the #1 Champagne in France. In its role as discoverer of talent, the brand awards its prestige cuvée Palmes d'Or to First Time Fest's winners to complement the celebration in style."
Other terrific sponsors of the fest include Brooklyn Brewery, Moscot, Marquis Vodka and Technicolor Postworks.
For additional Festival Information - Visit The Festival Website at www.FirstTimeFest.com
Johanna Bennett and Mandy Ward are the co-founders of First Time Fest. As an accomplished philanthropist, actor and social entrepreneur, as well as the daughter of singer Tony Bennett, Johanna Bennett has immersed herself within the entertainment and artistic community her entire life. Mandy Ward has worked in the film industry for the past decade in varied capacities, namely as a film producer of several projects. Mitch Levine, CEO of The Film Festival Group, is producing the festival. Through his company, Mitch offers consulting services and expertise to film festivals, film commissions, distribution companies and filmmakers around the world, and was formerly the CEO and Executive Director of the renowned Palm Springs International Film Festival. The Festival’s Director of Programming is David Schwartz, the Chief Curator of Museum of the Moving Image.
Celebrating first-time filmmakers with a grand prize of theatrical distribution, hosted by the historic Players Club, First Time Fest also had additional participants to this year's unique event.
Harry Belafonte, Gay Talese, Michael Shannon & Ellen Burstyn have joined Christine Vachon, Fred Schneider, Sofia Coppola, Todd Solondz, Barbara Kopple, Scott Foundas, Eric Kohn, Emily Russo, Jenny Lumet, Darren Aronofsky, Philip Seymour Hoffman, Hal Hartley, Peter Saraf, Nancy Savoca, Amy Ryan And Martin Scorsese participated In First Time Fest.
Belafonte & Shannon appeared onstage in the Ftf’s “Stand Alone! – Conversations With The Outstanding” series, one-on-one interview with notable cinema artists. Renowned author Gay Talese joined Christine Vachon and the B-52s Fred Schneider as another of the Ftf’s five jurors (the entire live audience at each of the 12 competition films was the 5th juror). Together, the jury and audience ultimately selected Grand Prize winner, Sal, a modern-day Western by Argentinian writer-director Diego Rougier which was offered theatrical distribution and full international sales representation from the renowned American film distributor, Cinema Libre Studio.
Acclaimed actress Ellen Burstyn, who worked with both Scorsese and Aronofsky served as the host of the Ftf Closing Night Awards program. As part of that festive evening, Martin Scorsese added his illustrious presence and belief in the art of cinema, presenting the first John Huston Award for Outstanding Achievement in Cinema to Darren Aronofsky. John Huston was one of the most prolific and versatile directors in the history of cinema. And with his mesmerizing debut film, Pi – made independently on black-and-white 16mm film – Darren Aronofsky was instantly recognized as a uniquely gifted new talent. His subsequent films: Requiem for a Dream, The Fountain, The Wrestler and Black Swan, have more than fulfilled that promise.
In addition, Ftf had a special presentation of Andy Grieve and Lauren Lazin’s documentary about the band The Police, Can't Stand Losing You, featuring Sting, Stewart Copeland and Andy Summers.
On an exciting party note, and in conjunction with Ftf’s presentation of the Australian/Mongolian documentary Mongolian Bling, First Time Fest and Hip Hop Saves Lives presented “Project Haiti,” an album release party for Zing Experience at Webster Hall.
Representing a hybrid between a traditional film festival and a highly motivated audience participation event, Ftf presented a dozen Competition Films, which were judged by a panel of industry luminaries and the Ftf audience. All competition screenings were followed by “hot-seat” discussions between the jury and filmmakers, and all audience members then voted on the films. It was truly a contest of the best emerging filmmakers competing for the Ultimate Audience Award.
Competition Films – (please visit here for competition films & descriptions).
In addition to the Competition Films, Ftf presented First Exposure, a series of first films from now prominent filmmakers. Joining the line-up - and mostly attending the fest - was the exciting Opening Night presentation of Sofia Coppola with The Virgin Suicides, Todd Solondz with Welcome to the Dollhouse, Wes Anderson’s Bottle Rocket, Barbara Kopple with Harlan County, USA, Melvin Van Peebles with The Story of a Three-Day Pass, Pi from Darren Aronofsky, The Maltese Falcon from director John Huston, Poison from Todd Haynes, Jack Goes Boating from director Philip Seymour Hoffman, Hal Hartley’s The Unbelievable Truth, and True Love from Nancy Savoca.
First Exposure Films – (please visit here, for First Exposure descriptions)
First Exposure also includes a 60th Anniversary Tribute to Morris Engel’s The Little Fugitive, a cinema vérité classic from 1953 that was shot on Coney Island and has inspired countless filmmakers, from Jean-Luc Godard to the Coen brothers. The tribute included a panel hosted by film historian Foster Hirsch including Mary Engel, daughter of Morris Engel and Ruth Orkin, and James Sanders, author of Celluloid Skyline: New York and the Movies. In addition there was a Special Presentation of Everardo Gout’s thrillingly over-the-top action thriller Days Of Grace (Dĺas De Gracia), which won the Mexican Academy of Film’s prestigious Ariel Award for Best First Feature and was nominated for the Camera d’Or at the 2011 Cannes Film Festival.
First Time Fest included a series of panels called “How They Did It,” in which a diverse group of award-winning filmmakers moderated filmmaking case studies and spotlighted some of the most successful and accomplished masters of the industry.
First Time Fest is a four-day, multi-faceted event hosted in New York City’s Gramercy Park by the celebrated Players (16 Gramercy Park South), the club founded by Edwin Booth, Mark Twain and John Singer Sargent, the oldest and most exclusive arts organization of its kind whose membership includes the greatest stars of stage and screen. Each of First Time Fest’s twelve finalists receive high-level industry mentorship and a one-year membership to The Players. The Players was the location for all Ftf panels and events as well as the Filmmaker and VIP Lounge. First Time Fest’s screenings were all held at the Loews Village VII on Third Avenue (on 11th St. & 3rd Ave).
Among the Fest’s terrific sponsors is the delicious Champagne Nicolas Feuillatte. "The forward-thinking Champagne Nicolas Feuillatte draws its inspiration from the call of ‘faraway lands.’ One of the youngest and most fashionable Champagne brands, Nicolas Feuillatte has captured the world's imagination by sharing its passion for creativity and arts in a record 37 years, becoming the #1 Champagne in France. In its role as discoverer of talent, the brand awards its prestige cuvée Palmes d'Or to First Time Fest's winners to complement the celebration in style."
Other terrific sponsors of the fest include Brooklyn Brewery, Moscot, Marquis Vodka and Technicolor Postworks.
For additional Festival Information - Visit The Festival Website at www.FirstTimeFest.com
Johanna Bennett and Mandy Ward are the co-founders of First Time Fest. As an accomplished philanthropist, actor and social entrepreneur, as well as the daughter of singer Tony Bennett, Johanna Bennett has immersed herself within the entertainment and artistic community her entire life. Mandy Ward has worked in the film industry for the past decade in varied capacities, namely as a film producer of several projects. Mitch Levine, CEO of The Film Festival Group, is producing the festival. Through his company, Mitch offers consulting services and expertise to film festivals, film commissions, distribution companies and filmmakers around the world, and was formerly the CEO and Executive Director of the renowned Palm Springs International Film Festival. The Festival’s Director of Programming is David Schwartz, the Chief Curator of Museum of the Moving Image.
- 3/11/2013
- by Peter Belsito
- Sydney's Buzz
This was an interesting new roll out of an upcoming NYC based Festival event . This announcement party was held in one of my favorite areas of Manhattan, Gramercy Park - and not far from the Hospital where I was born - NYC's Beth Israel. But seeing Tony Bennett in person was special. His daughter Johanna Bennett, an accomplished philanthropist, actor and social entrepreneur, is organizing this new Festival. Tony is a trim nice looking 85 year old - and who has not loved his singing??
Seeing him personally stirred some emotions in me I could not recall until almost a day later. It was this - When I was 7 or so many years ago my family summered in New Jersey and one night we were all on Atlantic City's Steel Pier to hear him, Tony Bennett, sing. My cousin was as usual beating me up and I remember I was crying disconsolately in a public lounge area sitting on a couch. Suddenly a man put his arms across my shoulders and said to me, 'Peter it is going to be alright, everything will be okay'. I looked up and it was Tony Bennett the great singer comforting me, he had asked my family what was wrong and my mother told him and also my my name. So now I only remembered this much later after the Fest party and I only wished that when I saw the great man that I had thanked him personally for helping a little guy so many years ago .... And oh yes i stopped crying then too...
First Time Fest, a celebration of first time filmmakers, is a new and unique film festival, event and opportunity taking place in New York City from March 1-March 4, 2013.
First Time Fest’s mission is to discover and present the next generation of great cinema by first time screenwriters, producers, directors, editors, composers and cinematographers to a cinema-loving public and to select and present these films and filmmakers in a most unique and dynamic fashion. Ftf is currently seeking submissions for its inaugural event.
First Time Fest will be a four-day, multi-faceted event based in New York City’s Gramercy Park at the celebrated Players Club, founded by Edwin Booth and Mark Twain, the oldest and most exclusive arts organization of its kind. Films will be screened at the Loews Village VII (on 11th St. & 3rd Ave).
First Time Fest represents a hybrid between a traditional film festival and a highly motivated audience participation event. The featured films of First Time Fest will embody the work of 12 finalists, selected from a submission pool of potentially thousands of films. Each of the 12 finalists will have his or her feature screened during the Festival before an audience of industry professionals and the general public. A panel of five jurors will then decide the Grand Prize winner. Four of these judges will be of the film industry elite, while the fifth judge, unlike any other festival in the world, will be the collective “Voting Public” or "VPs." These VPs – 120 on each of the Festival’s days – will be selected by lottery from the thousands of moviegoers expected to attend First Time Fest. Additionally, 12 special VPs will be selected in a nationwide contest to represent the country at large.
The Grand Prize winner of First Time Fest will be presented at an exclusive gala on the final day of the Festival, and will receive an offer of theatrical distribution arranged through a partnership between First Time Fest and Cinema Libre Studio, a successful international entertainment company based in Los Angeles, California. Cinema Libre has produced over 15 award-winning international films, and has distributed more than 100 films in its 20 years of operations. Beyond distribution, the winner will be provided international sales representation by Cinema Libre and will receive a host of other major prizes. First Time Fest will also present other prizes during the Awards Ceremony, including: “Outstanding Direction,” Outstanding Screenplay,” “Outstanding Cinematography,” “Outstanding Editing,” and “Outstanding Score.”
Each of First Time Fest’s twelve finalists will receive a one-year, high-level industry mentorship. This mentorship will involve regular contact with prominent members of the independent filmmaking community: producers, distributors, sales agents, talent representatives (agents and managers), lawyers, consultants, and, most importantly, respected cinema artists: directors, writers, editors, cinematographers and composers. First Time Fest deeply believes in the artistic and professional development of its participants, and will coordinate these intensive mentorship opportunities on their behalf. And, as each finalist is granted a one-year membership at the Player’s Club, they also have a fantastic opportunity to regularly interact with the Player’s entertainment industry members.
First Time Fest will also include a series of panels called “How They Did It,” in which a diverse group of award-winning filmmakers will moderate filmmaking case studies which spotlight some of the most successful and accomplished masters of the industry.
In addition, First Time Fest and the Players Club will be presenting the first John Huston Prize for Lifetime Achievement in Cinema. The Award will be presented to an individual who has made s significant contribution to the art of cinema, and whose presence in our community has offered leadership and inspiration to other cinema artists. The Award is named in honor of one of America’s greatest filmmakers, who was an esteemed member of the Players Club (John Huston’s membership in the Club was sponsored by his friend and colleague, Humphrey Bogart). It will be an extraordinary event.
They will also be celebrating the 60th anniversary of Morris Engel’s The Little Fugitive. This film, a cinema vérité classic from 1953, was shot entirely on Coney Island and has inspired countless filmmakers, including Martin Scorsese, François Truffaut and Jean-Luc Godard, who credit it for launching the French New Wave. Unfortunately, few members of the public (and even many filmmakers) know of Engel’s work, and we hope that this tribute curated by renowned film historian Foster Hirsch, along with a panel to scheduled to include his daughter Mary Engel, and the star of the film, Richard Brewster, will redress that..
Johanna Bennett and Mandy Ward serve as co-founders of First Time Fest. Johanna has immersed herself within the entertainment and artistic community her entire life. Mandy has worked in the film industry for nearly 10 years in varied capacities, namely as a film producer of several projects. David Schwartz, the Artistic Director and Head Curator of Museum of the Moving Image, has come on to become the Director of Programing for First Time Fest.
Seeing him personally stirred some emotions in me I could not recall until almost a day later. It was this - When I was 7 or so many years ago my family summered in New Jersey and one night we were all on Atlantic City's Steel Pier to hear him, Tony Bennett, sing. My cousin was as usual beating me up and I remember I was crying disconsolately in a public lounge area sitting on a couch. Suddenly a man put his arms across my shoulders and said to me, 'Peter it is going to be alright, everything will be okay'. I looked up and it was Tony Bennett the great singer comforting me, he had asked my family what was wrong and my mother told him and also my my name. So now I only remembered this much later after the Fest party and I only wished that when I saw the great man that I had thanked him personally for helping a little guy so many years ago .... And oh yes i stopped crying then too...
First Time Fest, a celebration of first time filmmakers, is a new and unique film festival, event and opportunity taking place in New York City from March 1-March 4, 2013.
First Time Fest’s mission is to discover and present the next generation of great cinema by first time screenwriters, producers, directors, editors, composers and cinematographers to a cinema-loving public and to select and present these films and filmmakers in a most unique and dynamic fashion. Ftf is currently seeking submissions for its inaugural event.
First Time Fest will be a four-day, multi-faceted event based in New York City’s Gramercy Park at the celebrated Players Club, founded by Edwin Booth and Mark Twain, the oldest and most exclusive arts organization of its kind. Films will be screened at the Loews Village VII (on 11th St. & 3rd Ave).
First Time Fest represents a hybrid between a traditional film festival and a highly motivated audience participation event. The featured films of First Time Fest will embody the work of 12 finalists, selected from a submission pool of potentially thousands of films. Each of the 12 finalists will have his or her feature screened during the Festival before an audience of industry professionals and the general public. A panel of five jurors will then decide the Grand Prize winner. Four of these judges will be of the film industry elite, while the fifth judge, unlike any other festival in the world, will be the collective “Voting Public” or "VPs." These VPs – 120 on each of the Festival’s days – will be selected by lottery from the thousands of moviegoers expected to attend First Time Fest. Additionally, 12 special VPs will be selected in a nationwide contest to represent the country at large.
The Grand Prize winner of First Time Fest will be presented at an exclusive gala on the final day of the Festival, and will receive an offer of theatrical distribution arranged through a partnership between First Time Fest and Cinema Libre Studio, a successful international entertainment company based in Los Angeles, California. Cinema Libre has produced over 15 award-winning international films, and has distributed more than 100 films in its 20 years of operations. Beyond distribution, the winner will be provided international sales representation by Cinema Libre and will receive a host of other major prizes. First Time Fest will also present other prizes during the Awards Ceremony, including: “Outstanding Direction,” Outstanding Screenplay,” “Outstanding Cinematography,” “Outstanding Editing,” and “Outstanding Score.”
Each of First Time Fest’s twelve finalists will receive a one-year, high-level industry mentorship. This mentorship will involve regular contact with prominent members of the independent filmmaking community: producers, distributors, sales agents, talent representatives (agents and managers), lawyers, consultants, and, most importantly, respected cinema artists: directors, writers, editors, cinematographers and composers. First Time Fest deeply believes in the artistic and professional development of its participants, and will coordinate these intensive mentorship opportunities on their behalf. And, as each finalist is granted a one-year membership at the Player’s Club, they also have a fantastic opportunity to regularly interact with the Player’s entertainment industry members.
First Time Fest will also include a series of panels called “How They Did It,” in which a diverse group of award-winning filmmakers will moderate filmmaking case studies which spotlight some of the most successful and accomplished masters of the industry.
In addition, First Time Fest and the Players Club will be presenting the first John Huston Prize for Lifetime Achievement in Cinema. The Award will be presented to an individual who has made s significant contribution to the art of cinema, and whose presence in our community has offered leadership and inspiration to other cinema artists. The Award is named in honor of one of America’s greatest filmmakers, who was an esteemed member of the Players Club (John Huston’s membership in the Club was sponsored by his friend and colleague, Humphrey Bogart). It will be an extraordinary event.
They will also be celebrating the 60th anniversary of Morris Engel’s The Little Fugitive. This film, a cinema vérité classic from 1953, was shot entirely on Coney Island and has inspired countless filmmakers, including Martin Scorsese, François Truffaut and Jean-Luc Godard, who credit it for launching the French New Wave. Unfortunately, few members of the public (and even many filmmakers) know of Engel’s work, and we hope that this tribute curated by renowned film historian Foster Hirsch, along with a panel to scheduled to include his daughter Mary Engel, and the star of the film, Richard Brewster, will redress that..
Johanna Bennett and Mandy Ward serve as co-founders of First Time Fest. Johanna has immersed herself within the entertainment and artistic community her entire life. Mandy has worked in the film industry for nearly 10 years in varied capacities, namely as a film producer of several projects. David Schwartz, the Artistic Director and Head Curator of Museum of the Moving Image, has come on to become the Director of Programing for First Time Fest.
- 10/11/2012
- by Peter Belsito
- Sydney's Buzz
The Fountainhead with Patricia Neal and Gary Cooper Photo: Courtesy of TCM
Liza Minnelli, Kim Novak, Robert Wagner, Tippi Hedren and Debbie Reynolds in person. Black Narcissus, Vertigo, Cabaret, and The Fountainhead projected on gigantic screens at Grauman's Chinese and Egyptian Theatres. Could any classic film fan wish for more? You could. And, at this year's annual TCM Classic Film Festival, which takes place from April 12th through the 15th, you'd get more: Kirk Douglas, Stanley Donen, Angie Dickenson, Norman Lloyd, Rhonda Fleming, and Norman Jewison appearing at special events and screenings of Two for the Road, Chinatown, Casablanca, The Longest Day, and The Thomas Crown Affair. But before going on about this year's festival, a look back is essential.
Chinatown's Faye Dunaway and Jack NicholsonPhoto: Courtesy of TCM
TCM 2010 & 2011
TCM's 2010 festival featured an opening night restoration of George Cukor's A Star Is Born (1954) starring Judy Garland and...
Liza Minnelli, Kim Novak, Robert Wagner, Tippi Hedren and Debbie Reynolds in person. Black Narcissus, Vertigo, Cabaret, and The Fountainhead projected on gigantic screens at Grauman's Chinese and Egyptian Theatres. Could any classic film fan wish for more? You could. And, at this year's annual TCM Classic Film Festival, which takes place from April 12th through the 15th, you'd get more: Kirk Douglas, Stanley Donen, Angie Dickenson, Norman Lloyd, Rhonda Fleming, and Norman Jewison appearing at special events and screenings of Two for the Road, Chinatown, Casablanca, The Longest Day, and The Thomas Crown Affair. But before going on about this year's festival, a look back is essential.
Chinatown's Faye Dunaway and Jack NicholsonPhoto: Courtesy of TCM
TCM 2010 & 2011
TCM's 2010 festival featured an opening night restoration of George Cukor's A Star Is Born (1954) starring Judy Garland and...
- 4/12/2012
- by Penelope Andrew
- Aol TV.
Latest Additions Include Star-Studded Appearances, Noted Film Historians,
An Opening-Night Poolside Screening of High Society (1956)
And a Vanity Fair Showcase of Architecture in Film
Complete Schedule for 2012 TCM Classic Film Festival
Now Available at http://www.tcm.com/festival
With just over two weeks left before opening day, the 2012 TCM Classic Film Festival continues to expand its already-packed slate with new events and live appearances:
On opening night of the festival, the Hollywood Roosevelt Hotel will be the site of a poolside screening of the lavish Cole Porter musical High Society (1956), starring Grace Kelly, Frank Sinatra and Bing Crosby. Actresses Maud Adams and Eunice Gayson will attend a 50th Anniversary screening of the James Bond classic Dr. No (1962) and participate in a conversation about being “Bond Girls.” Filmmaker Mel Brooks will be on hand to introduce his brilliant parody Young Frankenstein (1974). Filmmaker John Carpenter will introduce his favorite film, the...
An Opening-Night Poolside Screening of High Society (1956)
And a Vanity Fair Showcase of Architecture in Film
Complete Schedule for 2012 TCM Classic Film Festival
Now Available at http://www.tcm.com/festival
With just over two weeks left before opening day, the 2012 TCM Classic Film Festival continues to expand its already-packed slate with new events and live appearances:
On opening night of the festival, the Hollywood Roosevelt Hotel will be the site of a poolside screening of the lavish Cole Porter musical High Society (1956), starring Grace Kelly, Frank Sinatra and Bing Crosby. Actresses Maud Adams and Eunice Gayson will attend a 50th Anniversary screening of the James Bond classic Dr. No (1962) and participate in a conversation about being “Bond Girls.” Filmmaker Mel Brooks will be on hand to introduce his brilliant parody Young Frankenstein (1974). Filmmaker John Carpenter will introduce his favorite film, the...
- 3/28/2012
- by Michelle McCue
- WeAreMovieGeeks.com
DVD Playhouse—March 2012
By Allen Gardner
J. Edgar (Warner Bros.) Director Clint Eastwood provides a rock-solid, albeit rather flat portrait of polarizing FBI Director J. Edgar Hoover, covering his life from late teens to his death. Leonardo DiCaprio does an impressive turn as Hoover, never crossing the line into caricature, and creating a Hoover that is all too human, making for an all the more unsettling look at absolute power run amuck. Where the film stumbles is the love story at its core: Hoover’s relationship with longtime aide Clyde Tolson (Armie Hammer). In the hands of an openly-gay director like Gus Van Sant, this could have been a heartbreaking, tender story of forbidden (unrequited?) love, but Eastwood seems to tiptoe around their romance, with far too much delicacy and deference. The film works well when recreating the famous crimes and investigations which Hoover made his name on (the Lindbergh kidnapping,...
By Allen Gardner
J. Edgar (Warner Bros.) Director Clint Eastwood provides a rock-solid, albeit rather flat portrait of polarizing FBI Director J. Edgar Hoover, covering his life from late teens to his death. Leonardo DiCaprio does an impressive turn as Hoover, never crossing the line into caricature, and creating a Hoover that is all too human, making for an all the more unsettling look at absolute power run amuck. Where the film stumbles is the love story at its core: Hoover’s relationship with longtime aide Clyde Tolson (Armie Hammer). In the hands of an openly-gay director like Gus Van Sant, this could have been a heartbreaking, tender story of forbidden (unrequited?) love, but Eastwood seems to tiptoe around their romance, with far too much delicacy and deference. The film works well when recreating the famous crimes and investigations which Hoover made his name on (the Lindbergh kidnapping,...
- 3/7/2012
- by The Hollywood Interview.com
- The Hollywood Interview
Chicago – Otto Preminger’s “Anatomy of a Murder” is a film that certainly still entertains modern audiences but should best be considered in light of when it came out in theaters. In 1959, courtroom dramas weren’t nearly as prevalent as they are in the era of “Law & Order” and discussions of rape and murder were not yet common in film. It may be hard for young audiences to believe but this spectacular film truly pushed the envelope of what could be done in a film like it and creatively succeeded in every way.
Rating: 5.0/5.0
Instead of going with the censorship that faced the movie (it was even banned in Chicago for some time), the country and the industry embraced “Anatomy of a Murder” and the movie was nominated for seven Oscars, including Picture, Adapted Screenplay, and Best Actor for James Stewart and Best Supporting Actor for George C. Scott (losing...
Rating: 5.0/5.0
Instead of going with the censorship that faced the movie (it was even banned in Chicago for some time), the country and the industry embraced “Anatomy of a Murder” and the movie was nominated for seven Oscars, including Picture, Adapted Screenplay, and Best Actor for James Stewart and Best Supporting Actor for George C. Scott (losing...
- 3/5/2012
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Beverly Hills, CA - The Academy of Motion Picture Arts and Sciences’ Monday Nights with Oscar® will present “Giant” on Monday, September 12, at 7 p.m. at the Academy Theater at Lighthouse International in New York City. The evening will also feature actress Carroll Baker and historian Foster Hirsch in an onstage discussion about the making of “Giant” and working with George Stevens.
In the 1956 film adaptation of the novel by Edna Ferber, screenwriters Fred Guiol and Ivan Moffatt bring to life the saga of a family of Texas ranchers headed by Jordan “Bick” Benedict (Rock Hudson) and his wife, Maryland socialite Leslie Lynnton (Elizabeth Taylor). Spanning several decades, Stevens’s “Giant” is drama on a grand scale, confronting themes of family expectations, class warfare, alcoholism, discrimination against Mexican Americans, and how the oil industry transformed a generation of Texas ranchers into super-rich oil barons. In addition to Baker, the star-studded...
In the 1956 film adaptation of the novel by Edna Ferber, screenwriters Fred Guiol and Ivan Moffatt bring to life the saga of a family of Texas ranchers headed by Jordan “Bick” Benedict (Rock Hudson) and his wife, Maryland socialite Leslie Lynnton (Elizabeth Taylor). Spanning several decades, Stevens’s “Giant” is drama on a grand scale, confronting themes of family expectations, class warfare, alcoholism, discrimination against Mexican Americans, and how the oil industry transformed a generation of Texas ranchers into super-rich oil barons. In addition to Baker, the star-studded...
- 8/22/2011
- by Michelle McCue
- WeAreMovieGeeks.com
Chicago – Diabolical twins, obsessed journalists and jail-breaking thugs are heading their way to the Music Box Theatre. The Film Noir Foundation’s third installment of “Noir City: Chicago” features no less than sixteen restored 35mm prints of must-see cinematic rarities. Ten of these noir classics have yet to land a DVD release, thus making this festival all the more essential for local cinephiles.
The week-long festival kicks off Friday, Aug. 12, and includes criminally overlooked performances from Hollywood legends such as Humphrey Bogart, Anne Bancroft, Barbara Stanwyck, Olivia de Havilland, Ernest Borgnine, Shelley Winters and Burt Lancaster. Acclaimed noir historians Alan K. Rode (“Charles McGraw: Biography of a Film Noir Tough Guy”) and Foster Hirsch (“Detours and Lost Highways: A Map of Neo-Noir”) will be presenting the pictures while offering their wealth of historical and filmic insight.
Among this year’s most priceless treasures is “Deadline USA,” starring Bogart as...
The week-long festival kicks off Friday, Aug. 12, and includes criminally overlooked performances from Hollywood legends such as Humphrey Bogart, Anne Bancroft, Barbara Stanwyck, Olivia de Havilland, Ernest Borgnine, Shelley Winters and Burt Lancaster. Acclaimed noir historians Alan K. Rode (“Charles McGraw: Biography of a Film Noir Tough Guy”) and Foster Hirsch (“Detours and Lost Highways: A Map of Neo-Noir”) will be presenting the pictures while offering their wealth of historical and filmic insight.
Among this year’s most priceless treasures is “Deadline USA,” starring Bogart as...
- 8/11/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Chicago – Along with sixteen restored 35mm prints of overlooked cinematic gems, the Music Box Theatre’s third installment of “Noir City: Chicago” brings two renowned film historians to the Windy City: Alan K. Rode and Foster Hirsch. Both men serve on the board of directors of the Film Noir Foundation, a non-profit corporation aiming to restore rare noir classics for future generations.
In addition to serving as the co-programmer and co-host of the annual Noir City Hollywood film festival, Rode is also the charter director and treasurer of the Film Noir Foundation as well as the producer, programmer and host of the Arthur Lyons Film Noir Festival in Palm Springs, California. He garnered acclaim for his book, “Charles McGraw: Biography of a Film Noir Tough Guy,” which followed the titular prolific actor through the rise and fall of the studio system. His latest book, “Michael Curtiz: A Man for All Movies,...
In addition to serving as the co-programmer and co-host of the annual Noir City Hollywood film festival, Rode is also the charter director and treasurer of the Film Noir Foundation as well as the producer, programmer and host of the Arthur Lyons Film Noir Festival in Palm Springs, California. He garnered acclaim for his book, “Charles McGraw: Biography of a Film Noir Tough Guy,” which followed the titular prolific actor through the rise and fall of the studio system. His latest book, “Michael Curtiz: A Man for All Movies,...
- 8/9/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Club TCM to Offer Celebrities, Expert Panels, Exhibits, Music and More During 2011 TCM Classic Film Festival Exclusive Gathering Spot for Festival Passholders to Feature Appearances by Mickey Rooney, Debbie Reynolds, Leslie Caron, Marni Nixon, Marge Champion, Debbie Allen, Peter Guber and Brett Ratner
Legendary stars, fascinating presentations, panel discussions, live music and special exhibits are just a few of the exciting experiences on tap for Club TCM, the central gathering spot for the 2011 TCM Classic Film Festival in Hollywood. Located in the Blossom Room at the historic Hollywood Roosevelt Hotel, the site of the very first Academy Awards® ceremony, Club TCM will be open throughout the festival, giving passholders a place to relax, meet new friends and mingle with special guests. Among those scheduled to appear are Mickey Rooney, Debbie Reynolds, Leslie Caron, Marni Nixon, Marge Champion, Debbie Allen, Peter Guber, Brett Ratner and graphic artist Michael Schwab, as well...
Legendary stars, fascinating presentations, panel discussions, live music and special exhibits are just a few of the exciting experiences on tap for Club TCM, the central gathering spot for the 2011 TCM Classic Film Festival in Hollywood. Located in the Blossom Room at the historic Hollywood Roosevelt Hotel, the site of the very first Academy Awards® ceremony, Club TCM will be open throughout the festival, giving passholders a place to relax, meet new friends and mingle with special guests. Among those scheduled to appear are Mickey Rooney, Debbie Reynolds, Leslie Caron, Marni Nixon, Marge Champion, Debbie Allen, Peter Guber, Brett Ratner and graphic artist Michael Schwab, as well...
- 4/12/2011
- by Melissa Thompson
- WeAreMovieGeeks.com
Elia Kazan’s deeply personal and ambitious epic America, America is based on his uncle’s immigration to America from Turkey at the turn of the twentieth century. Right at the start of the film we are aware of the director’s direct connection to the material when he introduces himself through voiceover narration, giving us a bit of historical background. This is the only film that Kazan aligns himself with in this way; it is not something I can recall another director doing. Finally getting a DVD release, film buffs should make a point to seek this one out.
America, America is a film that captures the immigrant experience in an authentic yet carefully self-conscious way. Instead of focusing on what happens when our protagonist arrives in America, it tracks his tumultuous journey and escape from his homeland. It is a tribute to the struggles and desperate efforts of...
America, America is a film that captures the immigrant experience in an authentic yet carefully self-conscious way. Instead of focusing on what happens when our protagonist arrives in America, it tracks his tumultuous journey and escape from his homeland. It is a tribute to the struggles and desperate efforts of...
- 3/11/2011
- by Catherine Stebbins
- CriterionCast
Legendary director Elia Kazan (A Tree Grows in Brooklyn; Gentlemen's Agreement; A Streetcar Named Desire; On the Waterfront; East of Eden) once said that, of all his films, this one was his favorite. That's not surprising when you consider how personal a project this was for him. America, America chronicles the true-life story of Elia Kazan's uncle, who suffered many setbacks during his arduous journey from his war-torn homeland to a new life in America.
Although the story deals with a very private and personal subject, Elia Kazan films it on an epic scale. The story spans several countries and many years. The film beautifully captures the obsessive determination of a man who will let nothing stop him from getting what he wants. The story works on a grander scale than most of Kazan's other films, which are focused on a specific place. This is a character driven story...
Although the story deals with a very private and personal subject, Elia Kazan films it on an epic scale. The story spans several countries and many years. The film beautifully captures the obsessive determination of a man who will let nothing stop him from getting what he wants. The story works on a grander scale than most of Kazan's other films, which are focused on a specific place. This is a character driven story...
- 3/3/2011
- by Rob Young
- JustPressPlay.net
Legendary director Elia Kazan (A Tree Grows in Brooklyn; Gentlemen's Agreement; A Streetcar Named Desire; On the Waterfront; East of Eden) once said that, of all his films, this one was his favorite. That's not surprising when you consider how personal a project this was for him. America, America chronicles the true-life story of Elia Kazan's uncle, who suffered many setbacks during his arduous journey from his war-torn homeland to a new life in America.
Although the story deals with a very private and personal subject, Elia Kazan films it on an epic scale. The story spans several countries and many years. The film beautifully captures the obsessive determination of a man who will let nothing stop him from getting what he wants. The story works on a grander scale than most of Kazan's other films, which are focused on a specific place. This is a character driven story...
Although the story deals with a very private and personal subject, Elia Kazan films it on an epic scale. The story spans several countries and many years. The film beautifully captures the obsessive determination of a man who will let nothing stop him from getting what he wants. The story works on a grander scale than most of Kazan's other films, which are focused on a specific place. This is a character driven story...
- 3/3/2011
- by Robert Young
- JustPressPlay.net
The weekend’s here. You’ve just been paid, and it’s burning a hole in your pocket. What’s a pop culture geek to do? In hopes of steering you in the right direction to blow some of that hard-earned cash, it’s time for the Fred Weekend Shopping Guide - your spotlight on the things you didn’t even know you wanted…
(Please support Fred by using the links below to make any impulse purchases - it helps to keep us going…)
The newest clutch of classic Doctor Who releases includes a special edition re-release of the much-requested - and actually pretty decent, despite what you might have heard - 1996 made-for-tv Doctor Who: The Movie (BBC, Not Rated, DVD-$34.98 Srp), starring Paul McGann in his only outing as the 8th Doctor. Also getting a release is the Jon Pertwee story The Mutants (BBC, Not Rated, DVD-$34.98 Srp). Both...
(Please support Fred by using the links below to make any impulse purchases - it helps to keep us going…)
The newest clutch of classic Doctor Who releases includes a special edition re-release of the much-requested - and actually pretty decent, despite what you might have heard - 1996 made-for-tv Doctor Who: The Movie (BBC, Not Rated, DVD-$34.98 Srp), starring Paul McGann in his only outing as the 8th Doctor. Also getting a release is the Jon Pertwee story The Mutants (BBC, Not Rated, DVD-$34.98 Srp). Both...
- 2/11/2011
- by UncaScroogeMcD
Acclaimed actress Ruby Dee will be appearing at the A.M.P.A.S. New York screening of No Way Out on September 21. The film was groundbreaking in its depiction of racism on the big screen. The plot pits young doctor Sidney Poitier against vicious thug Richard Widmark, who is not only a bigot but a killer as well. Film historian Foster Hirsch will moderate the discussion with Ms. Dee. Tickets are $5 and are expected to sell out quickly. To order go to www.oscars.org...
- 9/9/2009
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
As announced in Eddie Muller’s introduction to this year’s edition of Noir City, the festival’s traveling road show—already situated in Hollywood, Seattle, and Washington, D.C.—will include Chicago to its roster of cities, come Friday. Venued at the Music Box Theatre, Noir City: Chicago will give Muller an opportunity to once again share the stage with Foster Hirsch—who Eddie once quipped has forgotten more about noir than he’ll ever know—as well as the legendary Harry Belafonte (in conjunction with a screening of the 1959 film noir Odds Against Tomorrow). By phone, Eddie Muller and I discussed this upcoming event.
- 7/29/2009
- by Michael Guillen
- Screen Anarchy
Filmmaker Rick McKay will give audiences a sneak peek of his new documentary about Fay Wray at a 100th birthday celebration of the King Kong actress Tuesday at New York City's Film Forum.
Fay Wray: A Life follows the life and travels of Wray and her friendship with McKay, whom she met in the early 1990s. Wray appeared in McKay's 2003 film, Broadway: The Golden Age.
The new docu features Wray sharing stories of early Hollywood, including her purported affairs with Howard Hughes and Clifford Odets and meeting with Peter Jackson and Naomi Watts before filming the 2005 remake of King Kong.
Postproduction on Fay Wray is scheduled for March at Jackson's New Zealand studio, with a summer/fall 2008 release planned.
The Film Forum also will show Erich von Stroheim's 1928 silent film The Wedding March, starring Wray.
McKay, film historian Foster Hirsch, the forum's Bruce Goldstein and Wray's daughter Susan Riskin are scheduled to appear.
Fay Wray: A Life follows the life and travels of Wray and her friendship with McKay, whom she met in the early 1990s. Wray appeared in McKay's 2003 film, Broadway: The Golden Age.
The new docu features Wray sharing stories of early Hollywood, including her purported affairs with Howard Hughes and Clifford Odets and meeting with Peter Jackson and Naomi Watts before filming the 2005 remake of King Kong.
Postproduction on Fay Wray is scheduled for March at Jackson's New Zealand studio, with a summer/fall 2008 release planned.
The Film Forum also will show Erich von Stroheim's 1928 silent film The Wedding March, starring Wray.
McKay, film historian Foster Hirsch, the forum's Bruce Goldstein and Wray's daughter Susan Riskin are scheduled to appear.
- 9/12/2007
- The Hollywood Reporter - Movie News
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