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Very Physical, Very Sensual: An Interview with Fabrice Du Welz

  • MUBI
Alleluia, Fabrice Du Welz's sensual, brutal version of the "lonely hearts killers"—made into a 1969 film by Leonard Kastle, The Honeymoon Killers, and Arturo Ripstein's 1996 Deep Crimson—was a highlight of the Directors' Fortnight at Cannes last year, and is now getting a Us theatrical release through Music Box Films' Doppelgänger Releasing arm. Shot close in intimate 16mm, the film juggles tones deftly to capture the loneliness, desire, horror, humor, and absurdity in an amour fou between two single sociopaths who find in each other an intense, primal attraction. But both persons are so distorted, and the love between them thereby turning so distorted, that it leads not to the greatest, strangest love affair—though you could call it that, I suppose—but the most perverse: the man sets up a scheme to seduce and rob women, and his lover, quickly beset by manic jealousy, ends up killing them.
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