1-20 of 64 items from 2015 « Prev | Next »
Hot on the heels of the news of a “Fight Club” rock opera that Trent Reznor will write the music for, the Nine Inch Nails frontman has released new, unheard music from the soundtrack to David Fincher’s “Gone Girl” on his Apple Music page. This shouldn’t be a surprise, and there’s much more of it stored somewhere. When The Playlist spoke to Reznor and “Gone Girl” co-composer Atticus Ross, he suggested they have at least an EPs worth of extra material left over. “We have more music too, don’t we,” Reznor told us as he looked at Ross who smiled back at him with a playful “maybe” like shrug. “Why did we bring that up again?” he laughed. “Everything you hear on the [soundtrack] album is like the long form version of what’s maybe a few seconds of a snippet in the movie,” Ross said. “Then »
- Rodrigo Perez
I really loved the score from David Fincher's Gone Girl, so much in fact that I purchased the soundtrack on vinyl and played it in my room basically the entire spring semester while I did homework and studied for exams. Yeah, I'm that guy. My personal favorite track from Trent Reznor and Atticus Ross's score is "Sugar Storm", which you can listen to at the very bottom of this post, but today brings a previously unreleased track that didn't find its way onto the finished soundtrack. It is called "Abandoned Sets", and like the tracks that wound up in the film and set the mood for the story, it is eerie and unsettling, filled with electronic sounds, various beeps and bloops and atmospheric noises that just might give you goosebumps or make the hairs on the back of your neck stand up. "We never start the composing process »
- Jordan Benesh
Who better to have a Horror film festival than Ash himself? Bruce Campbell’s Horror Film Festival returns on August 20th. Also: a teaser from X-Men: Days of Future Past - The Rogue Cut and a composer announcement for the Kirkman TV series Outcast.
Bruce Campbell's Horror Film Festival 2015: Press Release: "Bruce Campbell’s Horror Film Festival, in conjunction with Wizard World Comic Con, returns to Chicago with an even bloodier sequel, chopping and chain sawing its way through 4 days (8/20-8/23) of cinematical horror mayhem and badassness.
Bchff is thrilled to kick off the festivities on Thursday, August 20th with the much-anticipated horror anthology Tales Of Halloween, featuring 10 ghastly tales, including films written and directed by: Neil Marshall (The Descent), Lucky McKee (The Woman), Darren Lynn Bousman (Repo! The Genetic Opera), and Mike Mendez (Big Ass Spider!). Many of the filmmakers will be in attendance for a Q&A following the screening, »
- Tamika Jones
Academy invitee Eddie Redmayne in 'The Theory of Everything.' Academy invites 322 new members: 'More diverse and inclusive list of filmmakers and artists than ever before' The Academy of Motion Picture Arts and Sciences has offered membership to 322 individuals "who have distinguished themselves by their contributions to theatrical motion pictures." According to the Academy's press release, "those who accept the invitations will be the only additions to the Academy's membership in 2015." In case all 322 potential new members say an enthusiastic Yes, that means an injection of new blood representing about 5 percent of the Academy's current membership. In the words of Academy President Cheryl Boone Isaacs (as quoted in the press release), in 2015 "our branches have recognized a more diverse and inclusive list of filmmakers and artists than ever before, and we look forward to adding their creativity, ideas and experience to our organization." In recent years, the Academy membership has »
- Anna Robinson
On Friday, the Academy of Motion Picture Arts & Sciences unveiled the names of a record 322 invitees, a big jump from the 276 and 271 in the past two years, and a giant leap from the 133 average of the previous decade.
Academy president Cheryl Boone Isaacs told Variety that the new members list reflects a push for “normalization” in its demographics, adding, “It’s been gratifying to see big increases in expanding color, gender, age and national origin in our membership this year.”
The AMPAS president points out, “The entire conversation of inclusiveness is at the forefront in Hollywood, in film, television, music, everything — and all of that bodes well for the future.” The Academy is in a position to help, since the membership includes a number of decision-makers, including executives, producers, directors — “men and women who have the ability to hire, elevate, mentor and nurture more people of color, gender, national origins. »
- Tim Gray
©Renzo Piano Building Workshop/©Studio Pali Fekete architects/©A.M.P.A.S.
The Academy of Motion Picture Arts and Sciences announced this week that the Los Angeles City Council, in a unanimous vote, approved plans for the Academy Museum of Motion Pictures. Construction will begin this summer, and ceremonial groundbreaking festivities will occur this fall.
“I am thrilled that Los Angeles is gaining another architectural and cultural icon,” said Mayor Eric Garcetti. “My office of economic development has worked directly with the museum’s development team to ensure that the Academy Museum of Motion Pictures will create jobs, support tourism, and pay homage to the industry that helped define our identity as the creative capital of the world.”
“We are grateful to our incredible community of supporters who have helped make this museum a reality,” said Dawn Hudson, the Academy’s CEO. “Building this museum has been an Academy »
- Michelle McCue
The Academy of Motion Picture Arts and Sciences revealed today a list of 322 artists and executives who have been invited to join. These selections are people that have distinguished themselves by their contributions to the world of film, and those lambasting the Academy for being full of old white men will be happy to see it’s a pleasantly diverse list. Assuming they all accept the invitation, of course. On the actor side of things, highights include David Oyelowo, Tom Hardy, Rosamund Pike, Gugu Mbatha-Raw, Benedict Cumberbatch, John Carroll Lynch, Emma Stone, Jason Segel, Martin Freeman, and last year’s Best Actor winner Eddie Redmayne. As for directors, the Academy is expanding its reach to a much broader group with selections like Edgar Wright, James Gunn, Lynn Shelton, F. Gary Gray, Ira Sachs, Joe Wright, and Whiplash helmer Damien Chazelle. [caption id="attachment_310166" align="alignright" width="360"] Image via PBS[/caption] Trent Reznor and Atticus Ross have »
- Adam Chitwood
Strangely dropping a press release on a historic day where the nation's attention is elsewhere, the Academy of Motion Picture Arts and Sciences revealed their annual list of new member invitees this morning. For those who criticize the makeup of the Academy there was some good news and the stark realization the organization still has a long way to go. The Academy has spent the last eight to 10 years attempting to diversify its membership and this year's class mostly reflects that. There are significantly more invitees of Asian and African-American descent, but the male to female disparity is still depressing. Out of the 25 potential new members of the Actor's Branch only seven are women. And, no, there isn't really an acceptable way for the Academy to spin that sad fact. Additionally, It's important to realize the 322 people noted in the release have only been invited to join Hollywood's most exclusive club. »
- Gregory Ellwood
The Academy of Motion Picture Arts & Sciences continues to push for diversity, sending membership invitations to 322 individuals, including a healthy number of people who can help change the org’s demos.
Among the invitees are David Oyelowo, Gugu Mbatha-Raw, Felicity Jones, Emma Stone, Rosamund Pike, Bong Joon-ho, Justin Lin and Francois Ozon. The Academy has been reaching out to women, foreign-born artists and people of various races, ethnic backgrounds and ages.
Accusations of Academy bigotry surfaced yet again in January when the list of Oscar nominees included Caucasians in all 20 acting categories, and few women or racial minorities among the other categories. Director Ava DuVernay and actor David Oyelowo of “Selma” had seemed like strong contenders, giving many people hopes of breakthroughs. After initial anger at the Acad, activists began to shift their protests to industry hiring practices. For example, 323 films were eligible for 2014 awards — which means AMPAS should theoretically »
- Tim Gray
Atticus Ross spent no time thinking when I asked if he thought Brian Wilson is a genius. He is, said the Academy Award-winning composer. Which is why -- in part -- Ross spent more than a week trying to write just a single minute of music for the Beach Boy's biopic "Love & Mercy," why he felt responsibility to craft something that wasn't "lame" to tell Wilson's troubled history. It's Wilson's legacy that informed Ross' risk-taking action, to chop, screw and build off of stems from Wilson and the Beach Boys' actual recording sessions and make a score that can still stand alone as a singular artwork. Below is an abridged interview with Ross, about his work on "Love & Mercy." The composer/musician/Nine Inch Nails member also spoke on John Hillcoat's next film, writing with Trent Reznor, ] how Radiohead broke their own mold, making a soundtrack to a drug trip, »
- Katie Hasty
The media business is an odd business, where we race to herald our greatest entertainers with prose and galleries and listicles as soon as (and, sometimes, only after) they've died. Wire services prepare actors, musicians and other creative peoples’ obituaries months, years, and even decades before they’re deceased. Especially when creators are dormant -- they retire, they don't pursue gigs, they can't get gigs – the column inches and other platforms celebrating their contributions to film, TV, comedy or movies, too, appear inactive. Similarly, filmmaking sometimes follows the same graphic arc of interest and ability to portray the achievements of great artists. For every biopic made while a creative’s alive -- “American Splendor,” “Coal Miner’s Daughter, ”“What’s Love Got To Do With It” -- there seems to be twice as many made after death, like “Walk the Line,” “The Aviator,” “Capote,” “Vie En Rose,” and “Behind the Candlabra. »
- Katie Hasty
Cinelinx had the opportunity to speak with Charlie Clouser, formerly of Nine Inch Nails, about his score for the new TV series Wayward Pines. Join us as we get an exclusive in-depth look at the techniques and inspiration behind the music for this hit new show.
Charlie Clouser is a multi-instrumentalist composer, musician, producer, programmer and remix artist who has worked with some of the seminal recording artists of the last twenty years. Charlie came into prominence as a member of Nine Inch Nails from 1994-2000. Before joining the band as keyboardist/programmer, he’d already built a following with his extreme synth work and remixes for Prong, Marilyn Manson, White Zombie, and others. Charlie’s first film scoring effort, Saw, became an instant cult classic. His scores for the subsequent Saw series continue to define the films. Raw, grinding, propulsive, punctuated by incredible layers of sound and energy, they »
- firstname.lastname@example.org (G.S. Perno)
“It’s a really, really great song — it’s a big favorite of mine. I was asked recently to give my top 10 favorite songs for a Japanese radio station … I didn’t think long and hard on it but I popped that (God Only Knows) on the top of my list. It’s very deep. Very emotional, always a bit of a choker for me, that one. There are certain songs that just hit home with me, and they’re the strangest collection of songs … but that is high on the list, I must say … God Only Knows’ ‘ lyrics are great. Those do it to me every time.”
Opening this weekend is the film, Love & Mercy. It presents an unconventional portrait of Brian Wilson, the mercurial singer, songwriter »
- Michelle McCue
A celebration of film and television music was once again at the heart of Krakow’s Film and Music Festival, now in its eighth year.
Running from May 27-31, the event brought together more than 58 international composers - including Stephen Warbeck (Shakespeare in Love, Mon Roi), Ramin Djawadi (Game of Thrones), Jeff Beal (House of Cards), John Lunn (Downton Abbey) and Trevor Morris (The Borgias, The Tudors) – for a culmination of performances, panels and master classes.
“Composers are not often given the attention they deserve,” said Artistic Director Robert Piaskowski. “So we wanted to create a space that presents film music as art, and where audiences can come and appreciate a score’s symphonic sounds.”
Piaskowski is not alone in his interests. The festival now aligns itself as the start of the season, with similar musical events taking place in Tenerife and Cordoba in July and Vienna and Gent (that also hosts the World Soundtrack Awards) in October »
This week, Brian Wilson's story will get told in "Love & Mercy," a biopic which details the brilliant rise, tragic fall, and redemptive return of The Beach Boys' songwriting genius. And as you might expect, the movie is filled wall-to-wall with Beach Boys tunes, along with a few others, and we've tracked 'em all down for you. The film chronicles the transition period—and ensuing psychological breakdown—of The Beach Boys' pop driven, breezy surfin' songs era, to the bold experimentation of Pet Sounds and the aborted SMiLE. And the soundtrack draws heavily on all those songs, some of them sung by Paul Dano, while mixing in era specific tunes from the '80s, where John Cusack takes over the leading role as the suffering and somewhat forgotten musician. Meanwhile, the score by Atticus Ross also incorporates fragments of many of these songs and more into his compositions, »
- Kevin Jagernauth
Why It Works is an ongoing column which breaks down some of the most acclaimed films in history and explores what makes them so iconic, groundbreaking, and memorable. ****Spoilers Ahead**** A Facebook movie? No. No way. Get out. A Facebook movie written by Aaron Sorkin, directed by David Fincher, starring Jesse Eisenberg, and scored by Trent Reznor and Atticus Ross? Okay, I'm listening. The Social Network takes a dark look at the founding of the most popular social networking site on »
- Brian Bitner
Both the title and premise of Swiss director Nicolas Steiner’s latest documentary mildly echoes the recently released and quickly disregarded found footage horror schlock As Above, So Below, but his Rotterdam premiered endeavor is more heady, heartfelt and a hell of a lot more beautiful in every respect. Weaving together the unconventional lives of the unfortunates subsisting in the subterranean underbelly of Las Vegas and the desolate deserts that surround the city of sin, Above and Below evokes the sly scifi documentation of the daily routine found in Yuri Ancarani’s evocative Platform Moon while posing its own inquisitions into the social stratospheres of dereliction by casting its varying subjects as nothing less than aliens autonomously banished for shame or self preservation.
Steiner’s focus rotates between the dark and soggy sewer dwelling couple Rick and Cindy, their respected tunnel bound neighbor, Godfather Lalo, a former drug addicted truck »
- Jordan M. Smith
'127 Hours' movie with James Franco '127 Hours' Review: James Franco stars in harrowing real life-based story 127 Hours. When I initially heard that Danny Boyle and Simon Beaufoy, the Oscar-winning team behind Slumdog Millionaire, were adapting the real life story of Aron Ralston for the big screen, I got excited. A movie seemed an inevitability when the story broke in the news – and Ralston wrote a book about it – but I couldn't have imagined such a great filmmaking team actually working on it. When James Franco was cast as Ralston, my hopes hit a high. Franco is an underrated and remarkably talented actor unfortunately snubbed by most for his wonderful work in 2008's Milk and Pineapple Express. Danny Boyle also happens to be a very skilled director, one whose style tends to be hyperkinetic. Though it worked beautifully in Slumdog Millionaire and Trainspotting, Boyle's touch actually hinders, rather than enhances, »
- Nathan Donarum
Anne Hathaway Red Dress at the 83rd Academy Awards Oscar host Anne Hathaway Wearing a blindingly bright red dress, Anne Hathaway, sporting a blindingly bright white smile, is pictured above at the 2011 Academy Awards on Sunday, Feb. 27, at the Kodak Theatre in Hollywood. Hathaway, a Best Actress nominee for Rachel Getting Married in early 2009, was this year's Oscar ceremony co-host alongside Best Actor nominee James Franco (127 Hours). More on that further below. Anne Hathaway movies Below is a partial list of Anne Hathaway films.* Her big-screen debut took place in 2001. Alice in Wonderland: Through the Looking Glass (2016). Director: James Bobin. Cast: Mia Wasikowska. Johnny Depp. Helena Bonham Carter. Sacha Baron Cohen. Anne Hathaway. The Interns (2015). Director: Nancy Meyers. Cast: Anne Hathaway. Robert De Niro. Interstellar (2014). Director: Christopher Nolan. Cast: Matthew McConaughey. Jessica Chastain. Anne Hathaway. Mackenzie Foy. Michael Caine. Matt Damon. Ellen Burstyn. Don Jon (2013). Les Misérables (2012). Director: Tom Hooper. »
- D. Zhea
Justin Timberlake on the Oscars' Red Carpet Justin Timberlake at the Academy Awards The Social Network actor Justin Timberlake arrives at the 83rd Academy Awards, which took place on Sunday, Feb. 27, at the Kodak Theatre in Hollywood. At the ceremony, Timberlake and Black Swan actress Mila Kunis introduced the nominees – and eventual winners – in the animation categories. Throughout the proceedings, he pretended to be the elusive Banksy, whose Exit Through the Gift Shop was a Best Documentary Feature contender. The joke fell mostly flat, but Timberlake actually elicited some laughs when he imitated three-time Oscar-nominated veteran Kirk Douglas*, who mercilessly stretched the Best Supporting Actress announcement into what seemed like hours. Admittedly, Douglas was funny. (The winner in that particular category turned out to be Melissa Leo for David O. Russell's The Fighter.) As announced by the Justin Timberlake-Mila Kunis duo, the Best Animated Short Film was Shaun Tan »
- D. Zhea
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