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Read More: Exclusive: The Orchard Acquires North American Rights to Sebastian Silva's 'Nasty Baby,' Starring Kristen Wiig Following its recent premiere at the Tribeca Film Festival, The Orchard has acquired the North American rights to director Steve Hoover's critically acclaimed documentary "Crocodile Gennadiy." Terrence Malick and Nicholas Gonda serve as executive producers while Atticus Ross, Academy Award winner for his score for "The Social Network," composed the film. "I could not be more excited to be teaming up with The Orchard. Their passion and vision for this film felt like the perfect strategy to bring it to audiences," said Hoover. "It's been an amazing ride so far with such a great and supportive team on board; I'm thrilled to be moving forward." Hoover's first film, "Blood Brother," won Sundance's Audience and Grand Jury Awards for Best Documentary in 2013. "Crocodile Gennadiy" follows the »
- Travis Clark
Despite the Tribeca Film Fest only being at the halfway mark it would appear that we have already have a critical darling and front-runner among the doc selections with Steve Hoover’s sophomore doc leading the charge. Much like how they looted Sundance, and walked away with the top doc of that fest in Cartel Land, The Orchard folks now have the much buzzed about Crocodile Gennadiy in their future line-up. Offering back to back heart-warming and heart-wrenching portraits, Hoover (who we met less than two years back) who saw his Blood Brother win both the Audience and Grand Jury Award for Best Documentary at the 2013 edition of the Sundance Film Festival looks poised to make a mark on the docu film world yet again.
Gist: Gennadiy Mokhnenko has made a name for himself by forcibly abducting homeless drug-addicted kids from the streets of Mariupol, Ukraine. As his country leans towards a European Union inclusion, »
- Eric Lavallee
Soviet Nostalgia: Hoover’s Complex Portrait of a Ukrainian Vigilante Pastor Opens Cultural Can of Worms
Steve Hoover’s sophomore feature opens on a Ukrainian industrial landscape overlayed with the following quote from My First Fee by Isaac Babel, a Russian author whose futile death came at the hands of the Soviet secret police: “A well thought out story doesn’t need to resemble real life. Life itself tries with all its might to resemble a well-crafted story.” Out of context, it merely foreshadows the high tension tale to follow, yet knowing Babel’s fate – which isn’t mentioned in the film – brings greater depth to the Ukrainian/Russian situation that snowballs throughout. In Crocodile Gennadiy, what begins as an astounding, morally murky portrait of a man subverting inert government organizations to rescue abused children morphs into a something more akin to a unraveling sketch of a man clutching his overflowing family, »
- Jordan M. Smith
Michael Stevens for 'The Good':
"Actor Tyler Perry is audience-friendly as smug, smiling attorney 'Tanner Bolt'.
"Actress Kim Dickens seems a natural as the reassuring and professional 'Detective Rhonda Boney' .
"Actress Emily Ratajkowski stole my heart as the luscious and needy mistress 'Andie Fitzgerald'.
Graf Orlok for 'The Bad':
"Michael, I agree that actress Emily Ratajkowski ("Blurred Lines") is a sweet surprise in this film.
"But sorry gang, »
- Michael Stevens
Why should I care about the Oscars?
No, that’s a serious question. Because as much as I hate to admit it, I do. At their very best, the Academy of Motion Picture Arts and Sciences gets it right by tripping and falling into a “Market Irglova & Glen Hansard” here or a “12 minute standing ovation” there. At their very worst, AMPAS indulges in the most regressive, ass-backwards impulses of the industry. Whether enforcing asinine restrictions on eligibility or blacklisting via internal politics, Academy voters can be inept, close-minded and utterly humorless about their annual pat-on-the-back. Too old, too white, and too male, AMPAS is like a closet mob comprised solely of Bud Selig clones, perpetually fumbling in the dark for their reading glasses.
And yet despite all this, I’m still going to throw the remote through the television if Alexandre Desplat’s The Grand Budapest Hotel doesn’t bring »
- David Klein
Hollywood has no shortage of talented composers crafting mostly serviceable tunes for the next young adult literary adaptation or prestige awards tearjerker. But for every auteur like Hans Zimmer and John Williams, you have musical yes men pounding out ominous notes in anticipation of the next horror movie jump scare or making ratatat noise to underscore a superhero chase scene. The film world screams for diverse sounds, but is often left wanting when scores become interchangeable to feed the Hollywood machine. The current film decade is no different from any other in terms of talent, mediocrity, and ingenuity, but could always use a boost from professionals who bring specificity to the table. These five forgotten or diminished artists, each among them with varied yet singular skills, are screaming to be brought back into the Hollywood fold to create their signature sounds.
One of the most prolific composers from the 90’s, »
- Shane Ramirez
The 2014 RopeofSilicon Movie Awards It's hard to believe I've been doing my own brand of "awards" for seven years now. Perhaps because film awards seem to have grown increasingly irrelevant, but when you watch as many movies as I do per year it is nice to sit back and remember the finer moments of the past year, especially when we're stuck in the doldrums of the early year releases, dealing with the likes of Jupiter Ascending, Taken 3, Blackhat and Seventh Son. So, as we are now only a few weeks away from the 87th Annual Academy Awards, it's time to hand out the 2014 RopeofSilicon Movie Awards, looking back on a year that turned out to be much better than it initially appeared it may be. A hard question I'm trying to answer is just what kind of year in movies was 2014c Like previous years, blockbusters came and went. »
- Brad Brevet
Earlier today, Alexandre Desplat was a rather surprising winner for Best Film Music at this year's BAFTA Awards in London for his work in Wes Anderson's "The Grand Budapest Hotel." Well, it's a great day for the prolific composer as he has just won a Grammy for the score as well, in the Best Score Soundtrack for Visual Media Category. Given the film's early-year release date, though, Desplat was mostly contending with 2013 films. Christophe Beck was nominated for "Frozen," while two of last year's Oscar nominees, "Gravity" (Steven Price, who won the Academy Award) and "Saving Mr. Banks" (Thomas Newman) were in there as well. The only 2014 film in competition was "Gone Girl," and alas, Trent Reznor and Atticus Ross deferred to Mr. Desplat on this one. Does that signal some clarity in the Oscar race? Not necessarily. But the film is obviously helped by being, in all likelihood, »
- Kristopher Tapley
Complete list of winners and nominees of the 2014 Grammy Awards, held in Los Angeles at the Staples Center on Sunday February 8. Winners will be updated as they're announced during the telecast and pre-telecast. Record Of The Year “Fancy,” Iggy Azalea Featuring Charli Xcx “Chandelier,” Sia **Winner** “Stay With Me (Darkchild Version),” Sam Smith “Shake It Off,” Taylor Swift “All About That Bass,” Meghan Trainor Album Of The Year **Winner** “Morning Phase,” Beck “Beyoncé,” Beyoncé “X,” Ed Sheeran “In The Lonely Hour,” Sam Smith “Girl,” Pharrell Williams Song Of The Year “All About That Bass,” Kevin Kadish & Meghan Trainor, songwriters (Meghan Trainor) “Chandelier,” Sia Furler & Jesse Shatkin, songwriters (Sia) “Shake It Off,” Max Martin, Shellback & Taylor Swift, songwriters (Taylor Swift) **Winner** “Stay With Me (Darkchild Version),” James Napier, William Phillips & Sam Smith, songwriters (Sam Smith) “Take Me To Church,” Andrew Hozier-Byrne, songwriter (Hozier) Best New Artist Iggy Azalea Bastille Brandy Clark »
- Donna Dickens
Alain Guiraudie’s Stranger by the Lake leads the pack in this year’s International Cinephile Society Awards with nine nominations, while Xavier Dolan’s Mommy (a film considered a 2014 release but landed theatrically last month) places 2nd, with eight total noms. The Grand Budapest Hotel, Under the Skin and Boyhood all placed well and should effectively land wins in the multiple categories below. The winners of the 12th Ics Awards will be announced on the 20th. Here are the noms:
• The Grand Budapest Hotel
• Goodbye to Language
• Stranger by the Lake
• Two Days, One Night
• Jean-Luc Godard – Goodbye to Language
• Alain Guiraudie – Stranger by the Lake
Film Not In The English Language
- Eric Lavallee
Birdman was lauded with seven gongs at this year's Critics' Choice Movie Awards.
Lead actor Michael Keaton scored two of the awards for Actor and Actor in a Comedy, while the movie also won in the Acting Ensemble, Score, Original Screenplay, Editing and Cinematography categories.
The coming-of-age drama had the second highest number of awards in total, which included Director for Richard Linklater, Supporting Actress for Patricia Arquette and Young Actor/Actress for Ellar Coltrane.
The Grand Budapest Hotel followed suit with three awards for Comedy, Art Direction and Costume Design, while Guardians of the Galaxy took two with Action Movie and Hair & Make-up.
See the full list of winners for the Critics' Choice Movie Awards 2015 below:
Boyhood - Winner!
The Grand Budapest Hotel
Birdman led the field heading into tonight's 2015 Critics Choice Awards with 13 total nominations followed by The Grand Budapest Hotel with 11 nominations, and Boyhood with eight. Of course, following this morning's 2015 Oscar nominations all eyes were on the Critics Choice Awards to see how this awards season will continue to flow. Some were already declaring the Oscars irrelevant, bypassed by the likes of the more diverse list of nominees at both the Golden Globes and Critics Choice Awards as the Oscars failed to nominate Selma and saw a list of acting nominees dominated by all-white actors. Personally, I think people are looking to blame the Academy for overall industry ills, but I guess there is some level of importance to be placed on being the organization to move the dial. Is that by nominations alonec How much do winners matterc That's probably a question best left for another time, as for tonight's awards. »
- Brad Brevet
Just as it made a strong showing in the Oscar nominations Thursday morning, “Birdman” was the front-runner with the most nominations for the Critics’ Choice Movie Awards Thursday night. It also ended the night with the most trophies, taking home seven, including both Best Actor and Best Actor in a Comedy for Michael Keaton, Best Acting Ensemble, and Best Editing — the film was shot to look as if it was a single continuous take.
- Jason Hughes and Steve Pond
Awards season continued Thursday night with the 20th Annual Critics' Choice Movie Awards. Live with Kelly and Michael's Michael Strahan hosted the show at the Hollywood Palladium, and kept the mood "light and easy," as promised (starting with a Magic Mike-inspired strip-tease to open the show). Birdman walked away with the most statues, and Kevin Costner, Ron Howard and Jessica Chastain received special awards during the ceremony. Birdman entered the race with the most nominations, 13, and took six of the categories. Not far behind was Boyhood, which took four of its eight nominated categories, and The Grand Budapest Hotel with 11 nominations and three wins. »
- Dana Rose Falcone, @DanaRoseFalcone
Stay tuned for updates on the winners of the Critics’ Choice Movie Awards, hosted by Michael Strahan. The awards aired live on A&E from the Hollywood Palladium.
The Grand Budapest Hotel
Ralph Fiennes – The Grand Budapest Hotel
Marion Cotillard – Two Days, One Night
Wes Anderson – The Grand Budapest Hotel
Alejandro G. Inarritu – Birdman
Winner: The Grand Budapest Hotel
22 Jump Street
Actress In A Comedy
Winner: Jenny Slate »
- Variety Staff
Well, there we went. The Oscar nominations are in and, in a nice change of pace, the crafts categories were revealed on the air. Let's see what the last several months of build-up has left for us. A few trends come to mind… The (Near) Shut-Outs Oh how the mighty have fallen. A measly sound editing nomination for "The Hobbit: The Battle of the Five Armies" shows that the novelty eventually does wear off. Goose eggs for "Noah" (despite a strong push), "Nightcrawler" (given its precursor run), "Gone Girl" (you would have thought it had great chances in film editing and original score), "Transformers: Age of Extinction" (given the sound branch's love of this series) and "Big Eyes" (given the pedigree) have also got to be considered disappointing. And even though it garnered two nominations, I can't imagine that there aren't some long faces regarding "Guardians of the Galaxy," with »
- Gerard Kennedy
Thursday morning provided its share of surprises and snubs, but the Academy’s musical branch took a pretty clear anti-star stance in the Best Song category.
The biggest names in Best Song, instead, come from Selma’s entry into the category: “Glory” performed by John Legend and Common. Because the Academy enjoys formality the pair’s given names - John Stephens (Legend) and Lonnie Lynn (Common) - can now be added to the collective trivia file.
The song was one of just a pair of nominations for the historical drama, but having just won the Golden Globe in the same category, it begins the race as the front-runner.
The rest of the song entries run the gamut, »
- Shane McNeil
2014 was a great year for women in film, but looking at this year’s Oscar nominations, you’d have no idea. No women were nominated in for Best Director, Adapted Screenplay, Original Screenplay, Cinematography, or Original Score. Boyhood’s Sandra Adair was the lone female editor nominated for Film Editing.
Continuing the trend, Ava DuVernay, basically a shoo-in for a Best Director nod for her Mlk biopic Selma, and Gone Girl screenwriter and novelist Gillian Flynn were the two biggest snubs at this morning’s press conference for the 87th Academy Awards. Altogether the popular, critically acclaimed films netted three award nominations.
David Fincher, Gone Girl’s director, also received no nomination – with Foxcatcher’s Bennett Miller shockingly assuming the fifth place in the Best Director category alongside more likely winners Alejandro Gonzalez Inarrituand Richard Linklater.
- Sasha James
When it comes to the Academy Awards, there are always snubs that really surprise us -- Jennifer Aniston for Cake, Jake Gyllenhaal for Nightcrawler were among the few shut out. And this year, we couldn’t help but lament the fact that Tilda Swinton, Jennifer Lawrence, and others weren’t recognized for their achievements on screen.
The cult hit of the summer was definitely the post-apocalyptic sci-fi film about the world’s remaining population living on a train. Tilda Swinton slayed audiences as Mason, the monstrous spokesperson of the engine’s caretaker who spars with the revolt’s leader played by Chris Evans. Her over-the-top performance may have been too camp for the Academy but her commitment made every minute of screen time worth it.
While we’re excited »
Over the past three and a half months, we have previewed the races in all Oscar categories and spoken with many of the leading contenders. For the ninth year here at Tech Support, it's now time to put all of that aside and put forward final predictions. Which craftsmen and craftswomen will be cited by their peers on Thursday? Best Cinematography Emmanuel Lubezki looks in fantastic position to earn his second straight statuette for his very, very long takes on "Bidman." Robert Yeoman and Dick Pope have earned guild, Bfca and BAFTA nods for their gorgeous period work that blurred the line between camera work and the painted and crafted arts on "The Grand Budapest Hotel" and "Mr. Turner" respectively. The former will likely rack up a host of nods while this is a perfect chance to recognize Pope’s collaborations with Leigh. They’re in good shape. Roger Deakins missed a BAFTA nod, »
- Gerard Kennedy
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