2 items from 2015
Now that the busy winter fest schedule of Sundance, Rotterdam and the Berlinale has concluded, we’ve now got our eyes on the likes of True/False and SXSW. While, True/False does not specialize in attention grabbing world premieres, it does provide a late winter haven for cream of the crop non-fiction fare from all the previously mentioned fests and a selection of overlooked genre blending films presented in a down home setting. This year will mark my first trip to the Columbia, Missouri based fest, where I hope to catch a little of everything, from their hush-hush secret screenings, to selections from their Neither/Nor series, this year featuring chimeric Polish cinema of decades past, to a spotlight of Adam Curtis’s incisive oeuvre. But truth be told, it is SXSW, with its slew of high profile world premieres being announced, such as Alex Gibney’s Steve Jobs »
- Jordan M. Smith
Director Suha Arraf is an Arab who considers herself Palestinian, like 20% of Israel’s citizens. She pays Israeli taxes, and carries an Israeli identity card. Her directorial debut, “Villa Touma,” was partially financed by the Israel Film Fund. Her sector of the Israeli population is routinely touted as an example of Israel’s democratic nature and progressive society.
So when Arraf, one of Variety’s 2014 Screenwriters to Watch, took the picture to the Venice Film Fest and listed it as a Palestinian film, she set off a firestorm. The Israeli government — which helps bankroll the fund — demanded it repay its 1.4 million shekel ($356,000) grant.
Late last month Israel’s Yehoshua Rabinovich Foundation for the Arts took steps to avoid the occurrence of a similar fallout, amending the contract it requires all fund recipients to sign to include a declaration that they represent themselves as Israeli on those projects.
“We asked our »
- Debra Kamin
2 items from 2015
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