Jean-Luc Godard figures rather prominently in the new issues of Senses of Cinema and Necsus, the European Journal of Media Studies. Senses also features reviews of several films by Mikio Naruse, two by Kira Muratova, three by Karel Zeman, and interviews with Albert Maysles, Hou Hsiao-hsien, Corneliu Porumboiu, Denis Côté, Hubert Sauper, Raphaël Bassan, Viviane Vagh and Jayne Amara Ross. Plus: Moritz Pfeifer on Pawel Pawlikowski's Ida and Andrey Zvyagintsev's Leviathan, Philip Cartelli on Bruno Dumont's P’tit Quinquin and the latest round of festival reports. » - David Hudson...
- 6/14/2015
- Fandor: Keyframe
Jean-Luc Godard figures rather prominently in the new issues of Senses of Cinema and Necsus, the European Journal of Media Studies. Senses also features reviews of several films by Mikio Naruse, two by Kira Muratova, three by Karel Zeman, and interviews with Albert Maysles, Hou Hsiao-hsien, Corneliu Porumboiu, Denis Côté, Hubert Sauper, Raphaël Bassan, Viviane Vagh and Jayne Amara Ross. Plus: Moritz Pfeifer on Pawel Pawlikowski's Ida and Andrey Zvyagintsev's Leviathan, Philip Cartelli on Bruno Dumont's P’tit Quinquin and the latest round of festival reports. » - David Hudson...
- 6/14/2015
- Keyframe
Bulle Ogier and Jacques Rivette on the set of L'Amour fou
Photo by Pierre Zucca
In the last issue of Senses of Cinema, Daniel Fairfax reviewed Douglas Morrey and Alison Smith's Jacques Rivette, and now, for Issue 61, Mary Wiles has allowed the editors to choose a chapter from her forthcoming Jacques Rivette. Rolando Caputo's decided to go with the one on L'amour fou (1969) for a number of reasons, but primarily because "the film seems the point of historical conjunction between the end of one wave and the coming of a second wave of filmmakers that washed up in its undertow. At a stretch, one can see the shadow of this film on the cinema of Jean Eustache, Maurice Pialat, Philippe Garrel and others. L'amour fou is a great and wondrous film." And he's running Rivette's 1950 essay "We Are Not Innocent Anymore" as well.
Also in this issue: Marko Bauer,...
Photo by Pierre Zucca
In the last issue of Senses of Cinema, Daniel Fairfax reviewed Douglas Morrey and Alison Smith's Jacques Rivette, and now, for Issue 61, Mary Wiles has allowed the editors to choose a chapter from her forthcoming Jacques Rivette. Rolando Caputo's decided to go with the one on L'amour fou (1969) for a number of reasons, but primarily because "the film seems the point of historical conjunction between the end of one wave and the coming of a second wave of filmmakers that washed up in its undertow. At a stretch, one can see the shadow of this film on the cinema of Jean Eustache, Maurice Pialat, Philippe Garrel and others. L'amour fou is a great and wondrous film." And he's running Rivette's 1950 essay "We Are Not Innocent Anymore" as well.
Also in this issue: Marko Bauer,...
- 12/21/2011
- MUBI
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