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5 items from 2015

Daily | Lists and Awards | Slant, Sffcc, Toronto

14 December 2015 6:41 AM, PST | Keyframe | See recent Keyframe news »

Those following the year-end lists and awards will note that George Miller and Mad Max: Fury Road have had a good run over the past few days, topping lists at Slant and the Playlist and winning accolades from the San Francisco Film Critics Circle and the Online Film Critics Society. Meantime, the New Yorker's Richard Brody explains why Spike Lee's Chi-Raq is his #1 film of 2015, while Mark Kermode goes for Inside Out, Charles Mudede for Kornél Mundruczó's White God, Kenneth Turan for John Crowley's Brooklyn, the Hollywood Reporter's Todd McCarthy for Miroslav Slaboshpitsky's The Tribe—and we're gathering more lists as they come in. » - David Hudson »

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Daily | Lee Chang-dong, Hitchcock, Carpenter

30 October 2015 6:04 AM, PDT | Keyframe | See recent Keyframe news »

Jonathan Rosenbaum's posted entries on three of the films on the Asian Cinema 100 list: Lee Chang-dong's Poetry, Abbas Kiarostami's The Wind Will Carry Us and Edward Yang's A Brighter Summer Day. Also in today's roundup: A guide to Alfred Hitchcock's "visual proclivities," two interviews with John Carpenter and one with Sion Sono, Charles Mudede on why Alien is not a horror movie, Mike D'Angelo on what makes It Follows an instant classic of the genre and news of projects in the works: Jennifer Jason Leigh joins Twin Peaks, Adrian Lyne returns to direct Nicole Kidman—and more. » - David Hudson »

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Blow-Up: Can Samba Make U.S. Sense?

17 August 2015 6:00 AM, PDT | Keyframe | See recent Keyframe news »

To get to the core of the new French film Samba, we must begin by asking this question: What is an inhabitant? We can answer that question by asking another one: What is a citizen? He/she is the ultimate unit of a state, and he/she has obligations to this state and the state has obligations to this he/she—the one who has made an agreement with many others to imagine the state’s borders, customs and laws. >> - Charles Mudede »

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Daily | Lists, Histories, Interviews

29 June 2015 8:20 AM, PDT | Keyframe | See recent Keyframe news »

In today's roundup of news and views: Charles Mudede on John Sayles's The Brother from Another Planet, André Gregory and Wallace Shawn's list of top ten Criterion releases, Terrence Rafferty on Bernhard Wicki’s The Bridge, Mike D'Angelo on John Ford and Native Americans, Philippa Snow on Ana Lily Armirpour's A Girl Walks Home Alone at Night and Jonathan Glazer's Under the Skin, Patrick Wang on Lisa Joyce's performance in Jonathan Demme's A Master Builder, Kevin Hatch on Bruce Conner, Ryan Gilbey on Wim Wenders, interviews with Jia Zhangke, Hannah Gross and Deragh Campbell—and more. » - David Hudson »

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Daily | Clément, Morris, Hellman

4 March 2015 5:31 AM, PST | Keyframe | See recent Keyframe news »

While David Cairns is spending the week with the work of René Clément, it's Errol Morris Week at Grantland. Also in today's roundup of news and views: Early television work by Tim Burton and David Cronenberg. D.W. Griffith's The Birth of a Nation at 100. Erich Kuersten argues that The Terror (1963), begun on a whim by Roger Corman and completed by Francis Ford Coppola and Monte Hellman, "is part one of a very strange textural existential genre meltdown Hellman trilogy" that would be followed by The Shooting (1966) and Two-Lane Blacktop (1971). Charles Mudede writes about spending a week in a hotel room with Michael Pitt. And more. » - David Hudson »

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