I am reading Critical Perspectives on Harry Potter (Part 2), in time for the release of Harry Potter and the Deathly Hallows (Part 2). The film is the second half of Joanne Rowling's seventh book, which Warner Bros have cut in two, to thrill the fans or increase their $6bn gross, depending on how magnanimous you think global corporations that cross-market wizards can be. By the end of this week, Potter on film is done; it is a beginning of an end.
I bought Critical Perspectives on Harry Potter (Part 2), not because I can't get hold of Harry Potter and International Relations, which actually exists, but because I think it is the best example of the
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