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Enrico Altmann

Enrico Altmann grew up in Leipzig/ East Germany. In 1996 he moved to Los Angeles to pursue a career as a model maker in the film industry. With over 35 films to his credit Enrico has worked with some of the top visual effects companies in the industry. In 2006 and 2007 he received nominations for a Visual Effects Society Award, including for "The ... See full bio »

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2 nominations. See more awards »

Known For


Hide Hide Show Show Visual effects (28 credits)
 2011 Cowboys & Aliens (model maker - uncredited)
 2010 The Tourist (model maker - uncredited)
 2010 Resident Evil: Afterlife (prop maker)
 2010 The Expendables (model maker)
 2010 Inception (model maker)
 2010/I Alice in Wonderland (model maker - uncredited)
 2010 Shutter Island (model maker: New Deal Studios)
 2009/I 2012 (model maker)
 2009 Watchmen (model maker: New Deal Studios)
 2008 The Dark Knight (model maker: New Deal Studios)
 2007 Trick 'r Treat (painter)
 2007 I Am Legend (model maker - uncredited)
 2007 Resident Evil: Extinction (model maker)
 2007 Live Free or Die Hard (model maker)
 2007 Spider-Man 3 (model maker - uncredited)
 2006 The Good Shepherd (model maker: New Deal Studios)
 2006 Deck the Halls (model maker - uncredited)
 2006 The Fountain (model maker - uncredited)
 2005 Constantine (painter)
 2004 National Treasure (model maker - uncredited)
 2004 The Forgotten (model maker - uncredited)
 2003 The League of Extraordinary Gentlemen (model painter)
 2002 Stuart Little 2 (apprentice model maker - uncredited)
 2002 Men in Black II (apprentice model maker - uncredited)
 2001 Ghosts of Mars (visual effects production assistant - uncredited)
 2001 The Man Who Wasn't There (apprentice model maker - uncredited)
Show Show Art department (8 credits)
Show Show Special effects (4 credits)

Personal Details

Other Works:

Set Dresser "Miniatures" Los Angeles Times (Theater commercial) See more »


5' 9" (1.75 m)

Did You Know?


Enrico appeared as an extra in scenes of "The Good Shepherd" (2006) and "Shutter Island" (2010) after being digitally comped into the model sets he helped creating for the films. See more »

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